Essay about Creon the Tragic Hero

     Finally, Creon is a dynamic character. He undergoes changes in emotion throughout the work. He realizes his mistakes when Tiresias forecasts the future. Thus, Creon attempts to correct himself by releasing Antigone. But he is too late. He is forced to live, knowing that three people are dead as a result of his actions. This punishment is worse than death. Although Creon’s self-righteousness and inflexibility did not change until the end of the play, his motivations traveled from patriotic ones to personal ones. This created a major portion of the

A tragic hero is a character in a play that is known for being dignified but has a flaw that assists in his or her downfall. Antigone is a Greek tragic piece written by Sophocles. In the theatrical production the use of power and morality versus law is evident. The promotion to the conflict was that Creon created a law in which enabled Polynieces, Antigone’s brother, to be buried in the proper way. As it is the way of the gods Antigone found it fit to bury her brother causing her to disobey the law of Thebes. Both Antigone and Creon, the main characters, could represent a tragic hero. However Creon is more eligible for being the tragic hero because he fits the definition. Aristotle’s idea of a tragic hero was that the character was of

Creon came into power when Oedipus was exiled and died. Throughout the play, Antigone, Creon exemplifies many characteristics. Some are selfishness, stubbornness, and pride. He is selfish because he does only want he wants to do and listens to no one else. He shows his stubbornness when he is unwilling to let Antigone live even

Antigone’s words, actions, and ideas contrast with Creon’s character by his downfall because of Antigone braying her brother, Polyneices. Antigone said, “Let that be your excuse. I’m going now to make a burial mound for my dear brother.”(Line’s 99-100) Antigone is the type of person who thinks if one can get buried than the other deserves to be buried right along

Throughout the play, Creon shows many examples of how he is imperfect. One example would be how he believes that the state is primary to his family and relationships, “If this is your pleasure, Creon, treating our city’s enemy and our friend this way … the power is yours, I suppose, to enforce it with the laws, both for the dead and all of us, the living,” this quotation said by the leader of the chorus describes how the elder people of Thebes respect their family more than the state, but they held back on their opinions, knowing of what Creon, the leader, wanted to hear (235-240). Another example of how Creon shows the audience of how he is imperfect is when, Creon meets with Haemon. Creon argues with Haemon about how people should act towards the country which they reside in, “But whoever steps out of line, violates the laws or presumes to hand out orders to his superiors, he’ll win no praise from me. But that man the city places in authority, his orders must be obeyed, large and small, right and wrong,” Creon believes since he has the highest throne in his country, that he should be obeyed whether the circumstance (745-751). Lastly, Creon demonstrates to the audience that he is imperfect by wanting to protect his country too much. This is visible when Creon sentences Antigone to a slow death, because of burying her brother, who was outcasted as a traitor. Creon put the state over his family which will lead to the complete

In the Greek tragedy Antigone, the characters Antigone and Creon can both be thought of as the tragic hero of the play. Though Antigone does show some of these characteristics of a tragic hero, Creon demonstrates the attributes more clearly and concisely. Creon is the King of Thebes, as well as the uncle of Antigone. Creon took the throne after a tragic quarrel between his two nephews, Eteocles and Polyneices. Despite his harsh governing and his crude ideals, he is not good or bad. Creon is the tragic hero of the play Antigone, because of his superiority in his society, his nobility, and his tragic flaw, self-pride.

Even though Antigone exhibits a blamable pride and a hunger for glory, her disobedience is less serious than those of Creon. It is evident that Antigone’s actions are driven by a love for her brother, and a desire to please the gods. While Creon’s actions are

Creon is first portrayed as a leader with rational laws and consequences for breaking them. But by the end of the play, Creon is a completely different character; he has let his excessive pride and hubris take over him. He doesn’t realize his change in character until it is brought to him through the prophecy of Teiresias, when it is already too late. Creon can be identified as a tragic hero because he shows great signs of stubbornness and pride. Considering he is the King of Thebes, he follows his rules and laws without listening to his citizen’s concerns, nor does he care about the gods wishes. His role as a hubris influences many of his choices, he believes in only his own thoughts and wishes. Creon abuses his power just because he can, without thinking of the consequences.

Antigone is one of the greatest tragedies ever written by Sophocles. There is a controversial question about this play: Who is the tragic hero? Could it be Antigone or Creon? Even though the play’s name is Antigone, but as I read the story. A sensible and responsible king, Creon, is a tragic hero because of his power madness, self-righteousness, and ruthlessness. He is the center of the play, which causes events to happen.

There has always been a great debate over who is the true tragic hero in Sophocles' Antigone. Many scholars would stake claim to Antigone possessing all the necessary characteristics of a true tragic hero, but many others would argue that Creon holds many qualities as well. It is hard to discount Antigone as a tragic hero, because in fact, the play bears her name, but from careful reading, Creon meets Aristotle's criteria exactly and fits perfectly into the role. In order to determine whether or not Creon is the true tragic hero, one must answer the question: 'What is a Tragic Hero?' In Aristotle's Poetics, he discusses the basic criteria regarding a tragic hero. Aristotle

A tragedy, as defined by Ms. Tozar, is “the story of a falling from a high place to a lower place by a character.” In other words, a tragedy is a story of an individual who starts in a high position and descends throughout the story to end in a position that is lower than original position. The individual who makes the descent is known as the tragic hero. The tragic hero, as defined by Ms. Tozar, is “the character who falls from grace as a result of fate and/or a weakness. In the drama, Antigone by Sophocles, one could argue that there are many tragic heroes. However, the one who stands above them all is that of the character of Creon. Creon is understood by most as the tragic hero in Antigone as evident in his

King Creon was a slave to the social and political order, and the power to execute the will of the state blinded him from human decency. The unyielding and vindictive act of sending Antigone to death, and indirectly his son and wife, proves his hunger for power led to his ultimate demise. This a crucial scene

Creon tries to be a good king, to be wise and great, yet the play shows that his efforts are in vain, for he cannot escape his fate. And his fate is precisely that of being a blind and mad tyrant who will be the downfall of his family. He embodies the political order, and recalls the supremacy of the law. He is the word

Creon had to make a decision after Antigone was caught red-handed. He had to choose either the between his laws of not burying Polynices,

Upon discovering that it was Antigone who tried to bury Polyneices, Creon sentences her to death. He ultimately decides to seal her alive in a tomb, and just after she is led away to her death, blind seer Teiresias arrives with a message for Creon. He advises that Creon give up his grudge against Polyneices and to no longer keep “from the gods below the child that is theirs” (Sophocles 538). He tells Creon that soon the time would come for him to pay back. Even after all Teiresias counsels, Creon is self-absorbed in his words and is insistent that what he is doing is right. However, after Teiresias has said all he came to say, Creon considers changing his mind. It is then suggested by Choragos that Creon free Antigone and bury Polyneices. In this conversation with Choragos, Creon at last experiences an anagnorisis. Sophocles describes, “It is hard to deny the heart! But I Will do it: I will not fight with destiny….I will go. Bring axes, servants: Come with me to the tomb. I buried her, I Will set her free. Oh quickly! My mind misgives -- The laws of the gods are mighty, and a man must serve them To the last days of his life!” (Sophocles 539). Here, Creon finally realizes that he has no place to prohibit Polyneices’ burial, nor to punish Antigone for attempting to put her brother to rest. Despite all of this, Creon is too late when he arrives at Antigone’s vault, and as a