Creon's Mistakes In Antigone

First off, Ismene, Antigone’s sister, actually was the one that incited Antigone's actions that led to everything else that happened in the story. Without Ismene, there would not be a plot. In lines 52-59, Ismene said to Antigone “What? You'd bury him— when a law forbids the city?” Antigone replied “Yes! He is my brother and—deny it as you will—your brother too. No one will ever convict me for a traitor.” Ismene said “So desperate, and Creon has expressly—” and Antigone interrupted with “He has no right to keep me from my own.” Here Ismene is telling Antigone that her actions are not something that are legal and that comply with Creon’s laws. Antigone, being hard-headed, decides that she is not going to let a law determine what she does for

“Tell me briefly—not in some lengthy speech— were you aware there was a proclamation forbidding what you did?” (503-505). The actions, context of Antigone’s words, and also the ideas she proposed, very indepthly contrasted with Creon’s character. Thus resulting in there being a verbal confrontation between the two characters. The conflict between the two caused conflicting motivations such as stubbornness, disrespect, and anger to be projected with Creon’s character. Ultimately, these conflicting motivations develop Creon as a tragic hero by portraying that he knew, the decisions he made were of error, and the character interactions advance the plot by causing conflict throughout the play. Creon had also begun to change throughout the play,

Teiresias: “You’ve thrown down to those below someone from up above- in your arrogance you’ve moved a living soul into a grave, leaving here a body owned by god's below- unburied, dispossessed, unsanctified.” (Lines 1196-1200). Teiresias has given Creon insight on how he drove his fate to its edge. In Antigone by Sophocles, Creon is portrayed as a tragic figure who functions as a tool for suffering because he had brought a series of unfortunate events to those who were close to him by not allowing his emotions to surpass his overwhelming power and taking drastic actions towards Antigone and Haemon leading to unwanted deaths.

In all works of literature you will find characters that change. From Oedipus the King to Antigone, Creon changes a great deal. In Oedipus the King, Creon has no intention whatsoever of being king. By the end of the play he makes it clear that his intentions have changed and he does want to take Oedipus’s power and become King of Thebes. When we see Creon in Antigone he has become king and he begins to make his mistakes.

Power. Such a small word with a big meaning that could possibly change a society. When someone is to gain more and more power, the more likely it is for them to over see why they have power in the first place. Power has a negative effect on others because it can be used to affect someone's life and can cause diversity through fear in a society.

Is Antigone ignorant or wise about her choices and reactions to Creon? Some people say she maybe be wise for burying Polygonises out of God's law instead of Creon’s law. Antigone is indeed a wise and faithful woman for burying Polygonises because of her beliefs; she is also bold about her beliefs because of her bold statements about Creon’s law (with him being the king).

Like Creon, Antigone also never falters in standing up for what she believes in. Although Creon fights for stubborn pride, Antigone is trying to promote what is right and shows her higher reverence for God’s law rather than for Creon’s laws. In the eyes of the townspeople, Chorus, Choragos, and Haimon, Antigone is sacrificing herself to give her brother Polyneices the rightful honors due to the dead. Many side with this brave, honorable girl because she would rather suffer persecution and even death rather than give into Creon’s illogical demands. In the play, the chorus says about her, “You have made your choice, Your death is the doing of your conscious hand”. Antigone knew of the consequences before she acted and in doing so she chose her fate. At the time, she pleaded her sister Ismene to help her bury Polyneices but was rejected. Despite being alone in trying to rebel and perhaps she may have been afraid, Antigone goes out of her way and puts her life on the line to bring her brother respect.

The qualifications of a tragic hero vary between Aristotle and Shakespeare. Aristotle thinks of a tragic hero as someone who is a noble character by choice and makes his/her own destiny, while Shakespeare sees a tragic hero as someone who is born of nobility and born to be important. Although both tragic hero's end in a tragic death that effects many people, not all tragic hero's fit perfectly into both categories. In Sophocles’ Antigone, Creon is considered a tragic hero. Creon follows Aristotle's definition of a tragic hero by being a noble character by choice, having important potential, and falls due to "miscalculations" with circumstances that are beyond control.

Tradedy befalls from ignorance and suspicion. In Burial of Thebes, a version of by Seamus Heaney, Antigone goes against the civil law, and follows her heart. She goes out of her way to give her bother, Polyneices, a proper burial after a war in their homeland of Thebes. The king, Creon prohibits the burial since Polyneices was seen as an enemy. Creon is in a quest for absolute power accuses the Sentry of greed, Antigone and Ismene of lust for power, and his last son, Haimon, of being a fool in love. However, Creon is the criminal and the fool himself. A good leader is someoneone who the people barely know he exists, when his work is done, his aim fulfilled, they will say: we did it ourselves. Creon distunighs him as the ultimate ruler and

Sophocles is an ancient playwright who wrote mainly about tragedies. One of his most famous works is Antigone. Antigone includes the main character antigone who wants to bury her brother after Creon her ruler says that he may not receive a proper burial. Antigone's brother Eteocles was fighting against his brother Polyneices in a battle and they were both killed. Eteocles was fighting with Thebes against his brother.

A tragedy, as defined by Ms. Tozar, is “the story of a falling from a high place to a lower place by a character.” In other words, a tragedy is a story of an individual who starts in a high position and descends throughout the story to end in a position that is lower than original position. The individual who makes the descent is known as the tragic hero. The tragic hero, as defined by Ms. Tozar, is “the character who falls from grace as a result of fate and/or a weakness. In the drama, Antigone by Sophocles, one could argue that there are many tragic heroes. However, the one who stands above them all is that of the character of Creon. Creon is understood by most as the tragic hero in Antigone as evident in his

One way this theme was developed was through character emotion. When Creon made the law that no one could give polynices a proper burial and that if someone was caught in the act they were to be killed. Creon create this law because Polynices fought for the other side Argos and killed a lot of thebes soldier. This made Antigone mad because he is her brother by blood. She tell Ismene her sister ¨He is my brother and deny it as you will your brother too. No one will convict me for a traitor.¨ She is annoyed that the law will convicted her for burying her brother but then she is more annoyed that her sister is not willing to give in and help bury a brother by blood because he fought for the Argos. Antigone goes to the point when she yells at her

In the play Antigone the reader's lower the tragic hero down to antigone and creon. This essay will explain who it is and why. This play was written by Sophocles in the 5th century B.C. as part of the dionysus tribute ceremony. It was the third part of the oedipus cycle trilogy. My claim is that creon is the tragic hero.

In the play Antigone, the protagonist Antigone is engaged in a war against man- not just Creon but man in general. She disregards the laws of man and initiates a symbolic man vs. gods battle. Although Antigone dies in the end, she succeeds in her goal of acting upon her divine beliefs above all else, even death. Throughout the play, Antigone, as a representative of the gods, continues to prevail over Creon.

Antigone is the young princess who pits herself against her uncle, King Creon. She defies his cruel judgement forbidding the burial of her brother Polyneicess who in attempt to invade Thebes and seize the thrown from his brother Eteocles, slew himself into mortal combat and in turn was slain. Against the pleas of her sister Ismene and her fiancé Haemon. Antigone goes to her death holding to her defiance and buries Polyneicess.