Crime And Punishment By Fyodor Dostoevsky

Raskolnikov’s brusque affectation eventually yields to his predilection for salvation and redemption. He ultimately comes to the realization that he is not worthy of being “extraordinary” because of the crippling guilt that followed his murder of the pawnbroker. Raskolnikov reflects upon the implications of his crime on his psyche, “I murdered myself, not her! I crushed myself once for all,

    The confusion in Raskolnikov’s soul is best seen when he tries to help a girl in the street who has been raped and left to the whims of whoever may

In this quote, Raskolnikov wakes up from his illness, and realized that he is really confused about his reality . He has forgotten what we might assume the things that he would rather forget. Raskolnikov wants to see life clearly but everything is so confusing that he can't at that moment. But in this passage, we see that forgetting is actually causing him pain and suffering.

The mood of confusion due to the characters disorientation from his guilty conscious is what manipulates the tone. The mood and tone are also expressed during the state of agitation the character encounters when battling his conscious about committing the murder in the first place. Going back to the point of the characters un-confessed sin which is his main cause of his torture; there comes the moment of truth within the story. In the excerpt, the author says, “There had been little difficulty about his trial. The criminal adhered exactly, firmly, and clearly to his statement… He explained every incident of the murder” (lines 4-6). This is the point in the story where Raskolnikov unleashes the demons in his mind and confesses to his sin. It’s shown here just how brutal the battle with his guilty conscious truly was, by Raskolnikov being pushed to a confession, stating the exact incidents and not missing a single detail, all while showing absolutely no remorse for himself. There is finally a sense of hope that is shown for the main character at the end of the excerpt when the author describes the moment in prison after his confession. When the author says “In prison, how it happened, he did not know. But all at once something seemed to seize him and fling him at her (Sonia’s) feet. He wept and threw his arms round her knees. They were both pale and thin; but those sick pale faces were bright with the dawn of a new future, of a full

In “How to Read Literature Like a Professor” by Thomas C. Foster there are three new concepts I took and analyzed at a deeper level when reading “Crime and Punishment” by Fyodor Dostoyevsky. Foster tells us that in stories drownings or deaths that take place in water is serving a purpose whether it is to help the theme development, failure, guilt, or plot complication. In Crime and Punishment after Raskolnikov has committed the murder of his land lady. He begins to have suicidal thoughts of jumping off the bridge into the river. However, this idea does die quickly when a women standing right next to him decides to jump off the bridge. As he sees what has taken place he quickly snaps out of his guilt driven thoughts and the matter never comes up again. The water represents baptism. If ,Rasolnikov would've thrown himself into the river it would symbolize as a baptism to cleanse all his

Often times in literature, we are presented with quintessential characters that are all placed into the conventional categories of either good or bad. In these pieces, we are usually able to differentiate the characters and discover their true intentions from reading only a few chapters. However, in some remarkable pieces of work, authors create characters that are so realistic and so complex that we are unable to distinguish them as purely good or evil. In the novel Crime and Punishment, Fyodor Dostoevsky develops the morally ambiguous characters of Raskolnikov and Svidrigailov to provide us with an interesting read and to give us a chance to evaluate each character.

The protagonist, Rodion Romanovich Raskolnikov, a former student, decides to murder and rob an old pawn broker, Alyona Ivanovna, not due to his desperate need of money, but due to a theory he wants to test. Raskolnikov leaves no evidence which would lead the investigation to him; however, the police lieutenant in charge of the case, Porfiry Petrovich, a meticulous thinker, understands Raskolnikov’s theory and has a big role in influencing the student to confess. Between the murder and the confession, Raskolnikov undergoes a long and painful process of thought. His friend, Razumikhin Prokofych, along with a prostitute and his future significant other, Sonia Semyonovna Marmeladova, are part of the protagonist’s path. In the end, Sonia turns out to be Raskolnikov’s salvation as she helps him find redemption and start living

Through this “juxtaposition between life and death it because evident the prominent shift in Raskolnikov stance when it comes to confessing at the crimes he has committed. Dostoevsky used the metaphor of the man on the ledge condemned to death wanting to live despite the consequences as a representation of Raskolnikov’s internal conflict and contemplation of his life if he were to confess. Although to the reader “to live somewhere high up on a cliffside, on a ledge so narrow that there was room only for his two feet--and with the abyss, the ocean, eternal darkness, eternal solitude, eternal storm”(158) feels touchorous and appealing to the reader to Raskolnikov it is much better than living a life filled with guilt. By using the word

When he first enters his house, his family had “been crying” and had “suffered agonies” waiting, yet it changes to a “cry of rapturous joy” once he appears, immediately displaying the stark contrast between his emotional and affectionate family and him (186). His mother and sister clasp him in their arms, yet a “sudden, unbearable thought” prevents him from even “lifting his arms to embrace them (186).” As his family affectionately cries and hugs him, he is so selfishly concerned with his own past actions, he fails to return even the slightest bit of their caring and endearment. In exact contrast to his family “kiss[ing] him, laughing” and “cry[ing],” “he took a step forward, faltered, and fell to the ground (186).” Raskolnikov obsesses so much about his crime and his guilt, that when he tries to take a step forward and accept his family’s love, he falters and faints, showing after his murder of Alyona, he is completely unable to reunite with the pure joy and love that his family

Raskolnikov murders an old pawnbroker woman for seemingly no reason at all. His sister and mother move to St. Petersburg following his sister's engagement to a man whom Raskolnikov was extremely displeased. Raskolnikov undergoes severe mental trauma, and falls ill after the

In Crime and Punishment, Fyodor Dostoevsky discusses justice, questioning who or what determines this ideal. Primarily, he focuses on a man named Raskolnikov, who murders two women and then wrestles with his motives. As Raskolnikov’s hopeless outlook drives him to madness, his friend Sonia reveals an alternative view of justice, which allows for redemption. Through analyzing his character’s viewpoints, Dostoevsky never explicitly defines justice; instead, he exposes his audience to different interpretations to form their own conclusions. However, by depicting Raskolnikov spiraling into madness, Dostoevsky guides his reader to reject justice as determined by man in favor of it established by a higher power.

Even when Raskolnikov was asleep he received painful messages of others who were suffering, just as he was. In one particular instance, before the double-murder, Raskolnikov is brought back to the poverty he suffered throughout his childhood. He once again feels a great empathy toward the suffered, but this time

The title of Feodor Dostoevsky’s work, Crime and Punishment, leads the mind to think that the book will focus on a great punishment set by enforcers of the law that a criminal will have to endure, but the book does not really focus on any physical repercussions of the crimes of the main character, Rodion Romanovich Raskolnikov.

If I could meet Dostoevsky I would ask him what his inspiration for Crime and Punishment was. Sometimes I wonder if the novel was written to give us insight to how Dostoevsky felt about the world. Maybe he is using the character Raskolnikov to portray a part of him who feels alienated from the world, and is torn apart

We know that Raskolnikov Rodion Romanovich, the main character of the novel who cruelly killed the old pawnbroker and her sister, finally, confessed to the murder and was sentenced to nine years of obligatory work in Siberia. New environment and the love of Sonya Semyonovna helped him realize his mistakes and change his beliefs and values. He became more humane, social, and gained peace of mind. Nevertheless, the life of Raskolnikov could have ended “going to America” or, in the other words, committing suicide. He was thinking about killing himself several times: while he was walking on the bridge, after the conversation with Svidrigailov Arkady Ivanovich and Porfiry Petrovich. He knew that this action could release him from internal suffering and agony. However, if he did that, it also would have affected the lives of other people. For example, Kolya, Christian boy who took the blame for the murder he did not commit, could have spent a lot of years in prison. Sonechka could have possible become a prostitute again or followed Raskolnikov’s footsteps and kill herself as