Critical Analysis Of Art Work : Execution Of Emperor Maximilian

What first catches the viewer 's eyes are the vivid colors used in the painting. Ultimately what jumps out the most is the man on the right 's red robe. The artist intended this for a reason, discussed later. The room where the men are standing is front lit. Also the atmosphere is

Considering its position within the museum and in comparison to the other works with which it is exhibited, the painting definitely holds a dominance in the room and must therefore draw much attention from viewers. It size, as well as its subject matter, make it a very notable piece of artwork as well.

It is a famous example of Renaissance art showing portraiture, realism, and some perspective. In this painting there are four distinct characters. Each has a different expression that shows how they are feeling. There is also more detail in the faces then in any other parts of the painting. Another technique it demonstrates is heightened realism. Whereas before the Renaissance the figures may have been painted simply and in only enough detail to get the general idea across, these figures are shown more realistically. Lastly there is the technique of perspective as shown in the background of the painting. The sea stretches out into the sky and the land in the background is shown how it would look if the viewer was actually

One of the aspects I believe unifies this painting is, as I talked about above, the continuation of the blue of the woman’s clothing continuing up into her hair, which gives the piece a sense of wholeness and relativity. There is also balance in this piece, for while the woman’s head is offset, this is balanced out by the elongation of her shoulder and arm in the right side of the image. Variety is also achieved in this piece through the use of a variation of hues and a lot of tonal difference. Emphasis is placed upon the hair with the use of an unnatural hair colour, as well as the face where light colours are used to highlight and pull the attention. Space is not so much of an active principle in this piece, but is still present nonetheless. Beryl is placed in the middle of the painting, with her taking up roughly 50% of the space, and the rest taken up by background.

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I am very fond of this work of art. The way every part of it is different and that there is no pattern and nothing is the same really intrudes me. The detail on each figure is incredibly real. The fact that someone did this in today’s world is also extremely interesting. By looking at this piece at first I thought for sure it was from the far past, when I found out it was not and that it was a newer piece I was

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In this painting, two visual elements stand out over all the rest. These elements are that of color and texture. Color in art is an element that has to be phenomenal in order to get recognition and true appreciation from the viewers. In this painting, the colors are rich, vivacious and standout as dark, but bold representations of the uniqueness of it all. The use of brown and yellow and green and grey and white all come together in a harmony of color and unity. As for the texture in the painting, it is that of brisk and roughness that is nature. The sharp edges of the bucks rack and the cold, rough edges of the dead tree show

My favorite part of the painting could possibly be a fluke. The canvas is textured using the technique called impasto. The interesting part of the canvas is where there are distinct lines running through the painting. These lines are predominately on the people in the painting and especially on the shirtless man that is unable to walk without help. I feel that these raised lines signify the whippings that the slaves received. Seeing these raised lines on the shirtless man, who was also injured, hurt my stomach. It was a compelling piece to the story. I would be very interest to know if these raised lines were supposed to be part of the story or if they were from the painting

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Concerning color, there is a stark contrast between the figure on the painting and the background. More specifically, the figure of the woman is predominantly delineated in white color, especially pale, ashen white, as far her apparel and facial complexion are concerned, while there are also various hues of grey, with respect to her hair and accessory feather. These white and grey shades are vividly contrasted with the prevailing red and crimson hues of the background (viz. the drape, armchair, and table). Moreover, one can detect colors of dark green (jewelry), some beige on the left (pillar), and darker or lighter shades of blue on the right side of the canvas (sky), which all in concert and in addition to the subtle purple hue forming the sun or moon exude a certain dramatic sentiment. Also, there is brown, which often easily segues into gold (viz. books and attire details respectively). The main contrast of colors between white and red would be interpreted as serving the purpose of rendering the figure of the woman, and especially her face, the focal point of the work, despite, paradoxically enough, the lush red shades at the background. Bearing that in mind, the significance of the woman’s face will be enlarged upon later, when discussing aspects of her identity.

Manet is believed to be the man with light colored hair and well-groomed beard who interacts directly with the audience in an unnerving way, the opposite of the Polichinelle, as he stares straight out to the viewer on the opposing side of the painting. Not only is Manet, the man, present at the ball, but if one looks closely at the crumpled paper lying at his feet, there his signature rests, positioning Manet as not only creator of the painting, but also as an active participant in the action. In front of Manet is a petite woman with an open fan and a bourgeoisie man stands close and glances down at her, their

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"A picture can paint a thousand words." I found the one picture in my mind that does paint a thousand words and more. It was a couple of weeks ago when I saw this picture in the writing center; the writing center is part of State College. The beautiful colors caught my eye. I was so enchanted by the painting, I lost the group I was with. When I heard about the observation essay, where we have to write about a person or thing in the city that catches your eye. I knew right away that I wanted to write about the painting. I don’t know why, but I felt that the painting was describing the way I felt at that moment.