Herman Melville’s “Bartleby, the Scrivener” and Willa Cather’s “Paul’s Case” present the complexity of both the experience and interpretation of loneliness by providing two antithetical lenses through which to view the title characters’ isolation. The end of “Bartleby, the Scrivener” is consolatory in nature, for Melville’s narrator sympathetically transfigures Bartleby from a symbol of difference to one of commonality. Melville implies that there is comfort to be sought in placing Bartleby within a larger picture by emphasizing the narrator’s sympathy for and affinity to Bartleby. Conversely, the final scene in “Paul’s Case” is disconsolate, for Cather suggests that the larger design to which Paul belongs is unsympathetic to his …show more content…
Alternatively, Cather’s “Paul’s Case” suggests that an objective, impersonal reading is appropriate by portraying Paul’s story as a “case”. The medical connotations associated with the term “case” distance Paul by implying that the events presented in the narrative are unusual and are consequently under examination. Thus, the stories differentially emphasize the requirement of a compassionate reading, as indicated by the language of the titles. It is this incongruity in the stories’ presupposition of readerly sympathy that the endings confirm and use to enhance the authorial attitudes.
The final scenes of “Bartleby, the Scrivener” and “Paul’s Case” affirm the contrasting positions set up by their titles through their opposing applications of hope, closure, and consolation. In accordance with Melville’s prescription of a sympathetic reading, he indicates that there is hope to be found at the end of the story. Despite the “amazing thickness” (Melville 536) of the jail walls within which Bartleby is kept, there is grass that, “by some strange magic” (Melville 536), began growing. The image of the grass blossoming in a setting that is not conducive to germination provides hope that something may grow out of the narrator’s experience with Bartleby. In fact, the almost talismanic quality of the blooming grass implies that there may even be hope for Bartleby, who “by nature and misfortune” (Melville 537) was disposed to a “pallid hopelessness” (Melville 537).
People one can never really tell how person is feeling or what their situation is behind closed doors or behind the façade of the life they lead. Two masterly crafted literary works present readers with characters that have two similar but very different stories that end in the same result. In Herman Melville’s story “Bartleby the Scrivener” readers are presented with Bartleby, an interesting and minimally deep character. In comparison to Gail Godwin’s work, “A Sorrowful Woman” we are presented with a nameless woman with a similar physiological state as Bartleby whom expresses her feelings of dissatisfaction of her life. Here, a deeper examination of these characters their situations and their ultimate fate will be pursued and delved into
“Bartleby, the Scrivener” by Herman Melville, is a story about the quiet struggle of the common man. Refusing to bow to the demands of his employer, Bartleby represents a challenge to the materialistic ideology by refusing to comply with simple requests made by his employer. The story begins with the employer having trouble finding good employees. This is until the employer hires Bartleby. At first, Bartleby works hard and does his job so well that everyone has a hard time imagining what it would be like without him. After three days, Bartleby is asked by his boss to examine a legal paper. He replies with “I would prefer not to”. The story ends with Bartleby being discovered occupying the office at weekends and being taken into custody for
It is both an unarguable and undesirable fact that we live in a society completely remote from our fellow man. There is no longer a sense of community between friends and neighbors — no brotherhood in the presence of coworkers in the commercial workplace. Even the higher, spiritual presence that had once bound together all things in worship and praise has faltered in the face of this profound apathy. It is not that mankind has lost its ability to communicate — modern technology provides us with the ability to speak to one another over tremendous lengths and sustain friendships in staggering amounts. The reason for this chasm of communal indifference stems from man's lost desire to understand one another, as well as the divine presence around
Herman Melville is an acclaimed author of the American Renaissance period and his most commendable works include “Bartleby, the Scrivener”. The story of “Bartleby” is not only a revelation of the business world of the mid-19th century but at the same time, it is also the manifestation of the emerging capitalistic lifestyle of perhaps New York’s most prominent street, Wall Street. Bartleby is a rather peculiar yet captivating figure. Bartleby’s life and death contribute to a sort of enigma for the reader and his employer. “Bartleby, the Scrivener” is a story that criticizes the monotonous day-to-day cycle that the modern working man is forcibly put in by society. With that being said, the death of Bartleby not only serves as a reflection
At first, the story ''Bartleby, the Scrivener'' by Herman Melville was unusual for me. Moreover, I thought that at the conclusion, we would know the Bartleby's secret. Why he is the ''riddle'', what he is hiding and what caused him so different from any other people from Wall Street.
Herman Melville’s, “Bartleby, the Scrivener,” tells the tale of Bartleby, the new scrivener at a lawyer’s office on Wall-Street. In an office of industrious, distressed workers who endlessly perform mundane tasks due to the orders of the lawyer, Bartleby forms a mystifying exception. Bartleby baffles his boss and colleagues by responding to requests with his famous line, “I would prefer not to.” His response demonstrates an unwillingness to work and a willingness to do what he truly desires, which is extremely unusual to both his colleagues and their society and creates a massive social divide between them. Due to the abandonment of those around him resulting from their growing frustration with his inactivity, Bartleby ultimately faces a swift
Bartleby is a very ignorant man who commonly refuses to do the simplest tasks. He would often be asked by his boss to copy down a legal document and he would just refuse. He resembles the human pattern of an American archetype that was unwilling to accept change. Bartleby displays his unwillingness to change when he is given the choice to either move out of his office or go to jail and says "at present I would prefer not to make any change at all." (Melville 26) He believes that his life was perfect the way it was. This was commonly seen in America during the time period when you had a battle between the younger generation with new ideals and the older generation refusing change. Bartleby is acting like the older generation by ignoring the need to move on and willingness to open up to new ideals. It is even seen in today’s culture often seen with gay rights and the fight between Democrats and Republicans on rights for
In the short story “Bartleby, the Scrivener,” which was written by Herman Melville, the character named Bartleby is a very odd, yet interesting individual. In the story, Bartleby is introduced when he responds to a job opening at the narrator’s office. Although there is no background information given about him, it becomes very apparent that he will be the antagonist in this story. Unlike the usual image put on the antagonist, Bartleby causes conflict with a very quiet and calm temperament. This character’s attitude, along with the fact that he is a flat and static character, makes him a very unique antagonist, and this fact is shown through the way other characters approach and deal with his conflict.
In the short story, "Bartleby the Scrivener," Herman Melville employs the use of plot, setting, point of view, characterization, and tone to reveal the theme. Different critics have widely varying ideas of what exactly the main theme of "Bartleby" is, but one theme that is agreed upon by numerous critics is the theme surrounding the lawyer, Bartleby, and humanity. The theme in "Bartleby the Scrivener" revolves around three main developments: Bartleby's existentialistic point of view, the lawyer's portrayal of egotism and materialism, and the humanity they both possess. The three developments present the lawyer's and Bartleby's alienation from the world into a "safe" world of their own design.
Recently, I have learned that urban settings creates an opportunity for intimacy with one another; however, in “Bartleby, the Scrivener” written by Herman Melville, that was not the case. He describes the nature of the world of work and business through concrete description of the scenery. The story is set on Wall Street in New York City which had become the core of American business life during the 1850s. The setting is a critical component of Bartleby, because it emphasize the author’s concern about the effects that an environment has on American society. Bartleby’s environment separated him from nature and the people around him. To illustrate Bartleby’s detachment from society, he worked in “a corner by the folding-doors” behind a screen and has a window that “commanded at present no view at all” (1489). A creation of emptiness in the business life was molded. The setting indicates a sense of isolation and failure to connect; however, it establishes the relation between the walling out of Bartleby from his boss, passive
There are times in life when people become their own demons whilst there are other times that life is not fair to some people. When some people face problems in life, and they cry out for help, sometimes they get that help they need. On the other hand, some victims refuse the help offered to them. In “Bartleby the Scrivener,” written by Melville Herman, the narrator shouted, “Ah Bartleby! Ah Humanity!” when Bartleby died; an indication of devastation from him after attempts to help Bartleby, a scrivener in his office failed and let to his death. This shows the lawyer was caring, sympathetic, regretful, and devastated at the death of Bartleby.
Willa Cather's "Paul's Case," displays the conflict between conformity and individuality through the main character, Paul. On a number of occasions, Paul is forced to lie and steal to escape the conformists who wish to control him and stifle his unique imagination. However, his lying, stealing, and attempts to escape the conformists, only force Paul into isolation, depression, and feeling a sense of shame for his individuality. Throughout the story one might see Cather's constant contrast of individuality versus conformity, as well as Paul's lying and stealing. Cather seems to draw the conclusion that extreme individuals, much like Paul are simply misunderstood, and not offered the acceptance they desire
Melville’s short story Bartleby the scrivener, describes the narrator as an elderly old man that wishes to give details of the life of Bartleby the scrivener. Bartleby was a completely emotionless human being who refuses to interact with the world around him. These actions shape the short story, picking at its viewers mind as to why Bartleby is disconnected from society. Bartleby worked in the dead letters office this may have triggered his inability to relate to the world around him. This motionless docility covered his inner troubles that he withheld from the world. The narrator states “I have known very many of them, professionally and privately, and if I pleased, could relate divers histories, at which good-natured gentlemen might smile, and sentimental souls might weep.” (Melville’s). In this he means that many persons might choose to smile as they find pleasure in reading “Bartleby” as much as those who might weep because they find the short story to be discouraging. In the 1970’s adaptation is one of those sentimental souls that the narrator is talking about in that it weeps for Bartleby, however the narrator brings the humor to life as he becomes speechless to Bartleby preferring not to do his work.
Willa Cather’s “Paul’s Case” is a story about a young 16 year-old man, Paul, who is motherless and alienated. Paul’s lack of maternal care has led to his alienation. He searches for the aesthetics in life that that he doesn’t get from his yellow wallpaper in his house and his detached, overpowering father figure in his life. Paul doesn’t have any interests in school and his only happiness is in working at Carnegie Hall and dreams of one-day living the luxurious life in New York City. Paul surrounds himself with the aesthetics of music and the rich and wealthy, as a means to escape his true reality.
The narrator went to great lengths to avoid a confrontation. When Bartleby refused to leave the office after being fired, the narrator chose to move his office to a different location instead of removing the eccentric man by force. The narrator informs the reader of this idea when he says, “ No more then. Since he will not quit me, I must quit him. I will change my offices.” (2422) By doing so, the narrator displays just how far man is sometimes willing to go to avoid conflict. The final theme is man’s desire to have a free conscience. Melville reveals this theme through the actions of the narrator as well as the new tenants of the office. The narrator attempts to appease his conscience by giving Bartleby money above his wages when he fired him. The new tenants of the office try to put the responsibility of dealing with Bartleby back on the narrator, but they are denied and eventually have the man removed from the premises by law officers. Herman Melville uses the actions and reactions of the characters in “Bartleby the Scrivener” to disclose three important themes, alienation, man’s desire to avoid conflict, and man’s desire to keep a free conscience. In doing so, he gives us an inside look into the workings of the human mind. The reader is left with the impression that all people, including lawyers, have compassion for other humans, and at some point, that