Critical Analysis Of Heart Of Darkness

Kurtz is Africa's Satan, who's forbidden fruit is ivory, drawing him away from the rules of civilization and creating a monster that feeds on fulfilling that one job, no matter the consequences. Kurtz has no restrain in his actions, having been consumed by the chaotic darkness that surrounds him and that he becomes a reflection of. His fall from grace comes in the form of the manager and all others on the rescue expedition despising him. They realize his flawed methods and his lost mind and are disgusted by him. Kurtz falls away from the rules of civilization into the darkness of the jungle and all of its chaos. He presents himself as a god to the natives, who are awed by Kurtz's magnificence and become his devoted followers, his own fallen angels. There, in the deepest pits of the jungle, those demonic and primitive people and their god partake in hellish rituals and orgies, taking all of the ivory they want without hesitation, living as they please. This is especially shown when we hear from the harlequin that Kurtz threatened to shoot him for his ivory, "because he could do so, and had a fancy for it, and there was nothing on earth to prevent him

Kurtz's behavior in Africa. The Russian tells Marlow how he has nursed Kurtz back to health. Kurtz, however, has grown overcome with an obsession for ivory. The Russian tells us, "He [Kurtz] declared he would shoot me unless I gave him the ivory ...because he could do so, and had a fancy for it, there was nothing on earth to prevent him from killing who he jolly well pleased." (p.72) Kurtz realizes that he has the power to kill who he wants to and take what he wants to and will do so since there is no one to overlook him and tell him not to. We learn that Kurtz has resorted to brutal raids of the country in search of ivory because of his hunger for it. Kurtz even planned an attack on Marlow's steamer so that Marlow and his crew would think he was dead. He did this so he would be able to carry out his plans for obtaining more ivory.

Both Kingsolver and Conrad use similar story construction and point of view in these texts. The truly pivotal characters in each text, rather than the narrators, are the mostly unspoken antagonists of the story. In Heart of Darkness, the story is centered on Kurtz and his actions involving the Congo. The true focus of the novella lies not with Marlow, but rather Conrad uses Marlow as a medium in order to examine Kurtz. In the novella, Marlow is an outside observer. The story follows Marlow’s ever-changing perception of Kurtz in order to characterize the unseen character. When Marlow first learns of Kurtz, he is told that he is “a remarkable person…a prodigy” (Conrad 69), but as the story progresses, both Marlow and the reader delve into Kurtz’s true character and discover a tyrant of imperialism.

In Heart of Darkness, Joseph Conrad suggest that true human existence cannot prevail productively without the dynamics of society. Throughout numerous scenes in the novel, Conrad stresses the necessity of societal restraints through Kurtz’s inability to prosper as a human being when he is removed from the expectations of civilization. In the scene above, Marlow’s myopic observations of Kurtz reveals Conrad’s theme by illustrating the annihilation of Kurtz’s essential human characteristics as he descends into a barbaric lifestyle absent of the norms of society. Not only does the above scene support Conrad’s main theme, but it portrays his writing style, characterization of Marlow, and symbolism as used throughout the novel.

Kurtz’s lack of restraint and hunger for ivory consumes not only his soul but drains all of his physical existence. Upon seeing him, Marlow states, “I could see the cage of his ribs all astir, the bones of his arm waving (126)”. Conrad focuses on the physical features of Kurtz to display the madness that has consumed him. However, though Kurtz’s body is deteriorating, Kurtz’s mind continues to thrive. Conrad shows this in Marlow’s shock of witnessing a flame of passion that remains in Kurtz’s eyes as he converses without signs of exhaustion (126). Conrad continues to describe Kurtz as a shadow composed of tranquility and satisfaction. Conrad’s incorporation of this detail signifies the evil and greed that consumes Kurtz and is reflected through his physique. However, the power of Kurtz’s presence is personified through the action of his words. As the strength in his voice captures Marlow’s attention, it merely reflects his influence upon his followers. The power reflected through his voice displayed his confidence as well as his position as a leader for the natives. Hi demeanor displays an air of arrogance that makes others feel less equal to him. Those who follow him fear him, but also continue to respect him.

    Joseph Conrad's Heart of Darkness is full of oppositions.  The most obvious is the juxtaposition of darkness and light, which are both present from the very beginning, in imagery and in metaphor.  The novella is a puzzling mixture of anti-imperialism and racism, civilization and savagery, idealism and nihilism.  How can they be reconciled?  The final scene, in which Marlow confronts Kurtz's Intended, might be expected to provide resolution.  However, it seems, instead, merely to focus the dilemmas in the book, rather than solving them.

In Heart of Darkness, Kurtz is depicted as an upstanding European who has been transformed by his time in the jungle- being away from the society he was used to that could have prevented him from becoming such a tyrant. I have experienced being in a situation where I was very different from the people around me. It forced me to figure out their interests so I was able to join in on their conversations. By the end of the day, I no longer felt alone. So that experience taught me that I am going to come across diversity in life, but I need to be open and accepting of it. If I had chosen to just be shy, I wouldn’t have learned this lesson. I didn’t find myself being pulled toward base, cruel instincts as Kurtz, but I think that’s because Kurtz had no one to control him. If a person gains that much power, it may lead to the transformation that Kurtz experienced. –pg. 144 “But his soul was mad. Being alone in the wilderness, it had looked within itself, and, by heavens! I tell you, it had gone mad.”

     Heart of Darkness by Joseph Conrad is a novel about a man named Marlow and his journey into the depths of the African Congo. Marlow is in search of a man named Kurtz, an ivory trader. Though Marlow?s physical journey seems rather simple, it takes him further into his own heart and soul than into the Congo. The setting, symbols and characters each contain light and dark images, these images shape the central theme of the novel.

Like Marlow, Kurtz began his employment with the ivory company with noble intentions: he wants to create a better way of life for the natives. However, because of extreme hardships placed upon him by the manager, Kurtz becomes the "dark" half of the soul: he symbolizes what Marlow may have become if placed in Kurtz' position.

Marlow tells us about the Ivory that Kurtz kept as his own, and that he had no restraint, and was  " a tree swayed by the wind” (Conrad, 209). Marlow mentions the human heads displayed on posts that “showed that Mr. Kurtz lacked restraint in the gratification of his various lusts” (Conrad, 220). Conrad also tells us "his... nerves went wrong, and caused him to preside at certain midnight dances ending with unspeakable rights, which... were offered up to him” (Conrad, 208), meaning that Kurtz went insane and allowed himself to be worshipped as a god. It appears that while Kurtz had been isolated from his culture, he had become corrupted by this violent native culture, and allowed his evil side to control him.

In the Heart of Darkness, Joseph Conrad suggests that when removed from civilization and unrestrained, people succumb to the evil in human nature and regress into savagery. Charlie Marlow, the protagonist of the story, ventures out into the depths of Africa, eager to explore its unknown territories. Despite hoping for success, Marlow learns of the horrors that lie behind the curtain of civilization. Throughout the novel, the author presents this main idea with certain elements of fiction. A key scene that portrays the theme of the story occurs when Marlow follows Kurtz’s path from his steamboat into the wilderness. Kurtz, who represents the result of unchecked ambitions, recalls his experience in the wilderness, and readers learn of his character prior to his downfall. This scene displays the main idea using the author’s style, the point of view, and the characterization of Kurtz.

The true purpose of the book is to reveal to the European people that Africa is being raped by the ivory traders. Kurtz, the villainous ivory hunter, is portrayed in a captivating manner due to his eloquence. Kurtz is a representation of all European ivory traders, specifically Belgium, who journey to Africa in hopes of striking it rich. Europeans come to take the ivory, but while there, they destroy the land and kill the people. Marlow then meets an accountant after arriving at his post in Africa. The accountant seems to be a representation of the trading companies due to the fact that he is an accountant and dressed immaculately in all white. The trading companies just like the accountant only care about the money being made off of the ivory. The accountant is dressed so perfectly, however is corrupt on the inside.

Kurtz, who has an obsession to power is included in the novella by Conrad to symbolize the greediness for ivory and the immoral values of the Europeans. Initially, Kurtz was out to explore and actually benefit the natives, but that changes when he becomes powerful. Eventually, Kurtz makes it obvious that he is out for one thing, and that is ivory. Unlike the Company, he actually displays his greediness for ivory by threatening his own employees. Kurtz “[declares] he would shoot [the harlequin] unless [he] gave him the ivory” and then commands him to leave the country (126). This presents how he utilizes force to achieve his goals. Kurtz represents the unconcealed avarice of the Company. Kurtz is also another one of the characters that knows that he is harming others, but still desires to get as much ivory as he can. Ivory “was whispered, was sighed. You would think they were

In Heart of Darkness, Marlow and Kurtz have many similarities. Perhaps the most apparent and literal similarity is the likeness of their journeys. Both men journey farther and farther into the African jungle. Kurtz, however, is driven to

 Marlow's journey leads him in an urgent search for Kurtz, the one man who can provide him with the truth about himself. Like Marlow, Kurtz came to the Congo in hopes to bring "light" and civilization to a backwards society. He is a highly-educated, refined gentlemen; yet, in the end, the brutal nature of the Congo forces him to resort to the life of a murderer and pilferer. The name Kurtz itself has symbolic meaning. "The physical shortness in Kurtz implies a shortness of character and spirit" (Heart of Darkness: A systematic evaluation). Marlow and Kurtz both symbolize the two conditions of human nature. "Kurtz represents what man could become if left to his own intrinsic devices outside protective society. Marlow represents a pure untainted civilized soul who has not been drawn to savagery by a dark, alienated jungle." (Heart of Darkness: A systematic evaluation). When the two come face to face, each man sees a reflection of what he might have become in the other. In Kurtz, Marlow sees the potential