Critical Analysis of Sonnet 29 by William Shakespeare

Shakespeare examines love in two different ways in Sonnets 116 and 130. In the first, love is treated in its most ideal form as an uncompromising force (indeed, as the greatest force in the universe); in the latter sonnet, Shakespeare treats love from a more practical aspect: it is viewed simply and realistically without ornament. Yet both sonnets are justifiable in and of themselves, for neither misrepresents love or speaks of it slightingly. Indeed, Shakespeare illustrates two qualities of love in the two sonnets: its potential and its objectivity. This paper will compare and contrast the two sonnets by Shakespeare and show how they represent two different attitudes to love.

To begin the second stanza, Henry questions sleep asking why it will visit those “in smoky cribs” but not him in the “perfum’d chambers” of his castle. With this classic struggle between classes, Henry highlights how the nobles felt entitled to more than what everyone else had. Ironically, Henry address sleep as a “dull god” in the second sentence of the stanza. Just some lines before Henry was questioning sleep as if sleep was unaware of the special treatment that Henry thought he deserved. Moreover, Henry’s mind continues to fall into chaos and change the role of sleep from a gift-giving person to a god who grants his followers tranquility. Henry tempts the “god of sleep” by offering him a place “under the canopies of costly state.” At this moment, Shakespeare parallels a scene from the bible where the devil tempts Jesus (God), but Jesus never cowered. The last sentence consisting of eight lines and conclude with a period shows the kings panic and stress as he loses control. The structure of the sentence shows how sleep “rock[s] his brains” causing a “rude imperious surge” of emotion. The kings’ mind degrades from his sleep deprivation. What once was a mind of authority becomes a mind of “clamor in the slippery clouds” of his brain. The final convoluted sentence attempts to establish structure, but loses focus until after the last comma when Shakespeare

William Shakespeare was a playwright and author in the 16th and 17th centuries, with at least 37 plays and 154 sonnets to his name. His many works span in genre and form, from the tragedy of ‘Romeo and Juliet’ to the poem of a father’s unconditional love and eventual acceptance of a loved one’s death. Through a vast variety of linguistic and structural techniques, he is able to promote, develop and explain his personal ideology of love. Evidence of this is seen through the character of ‘Romeo’ in ‘Romeo and Juliet’ and the narrative voice in a selection of sonnets.

In a quick look into this quotation, it mentions great buildings, possibly inspired by the new theatres and other creations that awed the English citizen, and it also mentions them vanishing. However, Shakespeare may have been concerned not just for England, but also for its previous citizens: the Separatists.

   Sonnet 73 by William Shakespeare is widely read and studied. But what is Shakespeare  trying to say? Though it seems there will not be a simple answer, for a better understanding of Shakespeare's Sonnet 73, this essay offers an explication of the sonnet from The Norton Anthology of English Literature:

Shakespeare’s sonnets are considered to be some of the greatest and most eloquent poems in all of English literature. So by analyzing his genius in poetry and style, scholars and ordinary readers alike, try to understand the genius in the poet. There is very little known of Shakespeare’s personal life or feelings he had about himself. This being so a lot of scholars focus on his style and way of saying things to try and get a better understanding of Shakespeare the person. Many scholars have tried to get an insight into shakespeare by analyzing how and what he wrote. Many poets use poetry as a way to express their feelings and emotions, so readers of Shakespeare should be able to start to grasp a picture of who he was by reading his poetry and paying attention to the similarities and unique differences of his work to the norm of the day.

After all, if every play were written in the magical world of The Tempest, Hamlet would have been reunited with Ophelia, and King Hamlet would have risen from the dead in order to forgive his murder and restore his kingdom (Johnston 6), or Lady Macbeth would have finally washed that “damned spot” out of her hand, with out going crazy, and Duncan would have forgiven Macbeth before he obtained his extreme pessimistic view of life in general, provided that Macbeth surrender his kingdom back to Duncan. It is a world without real tragedy, only staged tragedy, and it is the world in which Shakespeare is possibly trying to imply that the playwright lives, because his magic, like Prospero’s is only good in his world, or in his case, the stage.

William Shakespeare’s Sonnet #55 is a Shakespearian sonnet. It contains three quatrains, or four line stanzas, and ends with a couplet. The poem is written in iambic pentameter William Shakespeare’s Sonnet #55 is a Shakespearian sonnet. It contains three quatrains, or four line stanzas, and ends with a couplet. The poem is written in iambic pentameter.

Ultimately, Shakespeare expresses his own feelings and opinions through the sonnet. His usage of language techniques helps him do so. Love is shown to be not only a quality, but it is personified as a perfect, unchanging thing, unaffected by time. Shakespeare has really proved himself to be a prolific writer and extraordinarily capable poet as result of this

has the gentle heart of a woman but is not inconsistent as is the way

The majority of Elizabethan sonnets reflect two major themes: time and love. William Shakespeare, too, followed this convention, producing 154 sonnets, many of which deal with the usual theme of love. Because the concept of love is in itself so immense, Shakespeare found several ways to capture the essence of his passion. Therefore, in his poetry he explored various methods and used them to describe the emotions associated with his love for a mysterious "dark lady." These various ideas and views resulted in a series of sonnets that vibrantly depicts his feelings of true, undying love for his lady. Instead of making the topic less interesting, as some might expect, Shakespeare's myriad approaches

Shakespeare’s sonnet 60 expresses the inevitable end that comes with time and uses this dark truth to express his hopefulness that his poetry will carry his beloved’s beauty and worth into the future in some way so that it may never die. This love poem is, as all sonnets are, fourteen lines. Three quatrains form these fourteen lines, and each quatrain consists of two lines. Furthermore, the last two lines that follow these quatrains are known as the couplet. This sonnet has the rhyme scheme of ABAB CDCD EFEF GG, as most Shakespearean sonnets follow. In each of the three quatrains, Shakespeare discusses a different idea. In this particular sonnet, the idea is how time continues to pass on, causing everything to die. The couplet connects these ideas to one central theme, this theme being Shakespeare’s hope for the beauty of his beloved’s immortality through his poetry’s continuation into future times.

     The sonnet, being one of the most traditional and recognized forms of poetry, has been used and altered in many time periods by writers to convey different messages to the audience. The strict constraints of the form have often been used to parallel the subject in the poem. Many times, the first three quatrains introduce the subject and build on one another, showing progression in the poem. The final couplet brings closure to the poem by bringing the main ideas together. On other occasions, the couplet makes a statement of irony or refutes the main idea with a counter statement. It leaves the reader with a last impression of what the author is trying to say.

“Sonnet 130” written by William Shakespeare, is one of his most well known poems and can be analyzed and broken apart in great depth. The poem is written in fourteen lines which makes it a sonnet. Like all of Shakespeare’s sonnets the meter is iambic pentameter. The rhyme scheme for “Sonnet 130” is ABAB CDCD EFEF GG. An overlaying theme for “Sonnet 130” is, “True love is based on how beautiful you find someone on the inside.” Shakespeare proves to have a great view on true love in this sonnet. He cares more about what’s on the inside rather than what’s on the outside. “Sonnet 130’s” theme can be proven by Shakespeare's use of poetic and literary devices, the tone and mood of the sonnet, and the motif of true love.

Shakespeare, who wrote the sonnets in 1609, expresses his own feelings through his greatest work of literature. The theme of love in the poems reflect thoughts from the Renaissance period. Love is one of many components of Shakespeare’s life shown in the sonnets. Love can be defined in many ways other than a strong affection for a lover. In Shakespeare’s sonnets, the concept of love can be seen through many uncommon means such as the love of life before death in “Sonnet 73,” love in marriage in “Sonnet 116,” love through sexual desire in “Sonnet 129,” and love through nature in “Sonnet 130,” proving that love can be expressed through many different feelings and emotions.