Critical Analysis of Walter Mosley “You have the right to remain silent. Anything you do or say may be used against you in a court of law.” Although no one wants to hear these words, they are words that are known across the country and are uttered every day. Walter Mosley takes this concept of “by the book” law enforcement and jazzes it up in The Devil in a Blue Dress, a novel based on Ezekiel Rawlins, a character stuck between the struggle of enforcing the law or engaging into criminal activity. Rawlins is content with life itself, as long as the whit majority does not surround him. Even though Mosley’s writing breaks color barriers, it also takes on racial motifs that emerged during post World War II Los Angles. In Walter …show more content…
Easy felt threatened by Albright’s handshake. Mosley exploration in racism is a theme writers continue to explore today. The impact of Mosley’s literature on America is that his novels convey great literature in the mystery field to back up the historic writers as Rudolph Fisher and Chester Himes. Mosley exposes racism struggles between blacks and law enforcement in a creative way. Easy is accused of murder which a white man committed, but the police do not believe that a white man would kill a person, so they accuse Easy. Easy comments the accusations with, “I’ve played the game of cops and niggers before” (Mosley 138) realizing that in post world war II America, people are always going to look at the black man to be the ones who did the wrong in a situation.
The impact on the racial themes comes from Mosley’s upbringing in post world war Los Angles, California, in the town of Watts. Mosley was born in the 1950’s where he saw much racial discrimination and sought out the scenery that helps build the settings of his novels today. Mosley’s father, Leroy Mosley, gave the basis to the main character of Ezekiel Rawlins. Through Leroy’s domineer and life stories of traveling through “the freights” (Pelecanos 1), Mosley evolved that adventurous life style into
The detective genre is recognizable by the mystery that it represents or establishes. Every word of a fiction novel is chosen with a purpose, and that purpose on a detective novel is to create suspense. The excerpts from The Big Sleep by Raymond Chandler, Murder Is My Business by Lynette Prucha, and Devil in a Blue Dress by Walter Mosley, create an atmosphere of suspense and mystery. Even though they all fit into this category, there are some differences that make each novel unique. The imagery that the authors offer in the excerpts helps the reader to distinguish the similarities and the differences.
A lack of self-awareness tended the narrator’s life to seem frustrating and compelling to the reader. This lack often led him to offer generalizations about ““colored” people” without seeing them as human beings. He would often forget his own “colored” roots when doing so. He vacillated between intelligence and naivete, weak and strong will, identification with other African-Americans and a complete disavowal of them. He had a very difficult time making a decision for his life without hesitating and wondering if it would be the right one.
It is painfully obvious throughout Alexander’s book that our criminal justice system works to sweep through colored neighborhoods, lock them up, and label them as second-class citizens, making the New Jim Crow color-minded.
Wright would examine racial profiling if he was to write Black Boy today. Racial profiling is a very serious issue in the society today. Many African American were being target, and in some case murdered by law enforcement official because of their race. On August 9, 2014, a white police officer named Darren Wilson shoot an unarmed black teenager named Michael Brown multiple time in Ferguson, Mo. According to news article “From Ferguson to Charleston and Beyond, Anguish about Race Keep Building”, Even though there was a video tape showing that the black teenager was unarmed, the county grand jury still decided not to indict the police office because they believed the old assumption that African Americans are more likely to be criminals. “Grand juries have tended to give the benefit of the doubt to police officers. National polls revealed deep divisions in how whites and blacks viewed the facts in each case. Whites were more likely to believe officers’ accounts justifying the use of force. Blacks tended to see deeper forces at work: longstanding police bias against black men and a presumption that they are criminals”.
Stylistically, Revoyr’s deliberate prose permits readers an uncomfortable gratitude of the slow marks racism burns on the appearance of a community. Both the Japanese and African-American characters in book Southland wear the marks of prejudice, from removal to internment camps to LA rebellion racial profiling (Revoyr, 2003, pg. 68). Her prejudiced white cop character Nick Lawson does not brave out and speak his hate in a quick, convenient slur; rather, she permits his expressions and sensitively disposition to shape through small, hostile gestures. When eventually he fires off his descriptions, revealing to abandoned witnesses his real feelings, the sickening permits any reader may harbor is well earned (Ranford, 1994, pg. 67). Racism is not certainly the quick match and moment when their neighborhoods erupt into a form of riot in Southland; for Revoyr’s, it appears gradually, on a slowly accumulating bed of fuel.
During the section of the book entitled, Application of Laws Bill Bradley Senator, D-New Jersey, Smith scorns and resents police force by, providing a personal story given by Senator Bill Bradley’s about his friend who was racially profiled and harassed by police officers. As the police officers wrongfully arrest the African-American man with insufficient evidence, one of the officers states “You’re being held against your will, aren’t you, being held against your will” to the young man’s white passenger. Cather exposes the racialized mentality that is ingrained into the officer’s minds. Not only did they wrongful detain the black man, they accused him of kidnapping a white woman. This personal story told by a prominent political figure elucidates and strengthens Smith’s critique of the police brutality sprouted by institutionalized racism within American society. Not only are ordinary citizens aware of the misconduct of the police, but Smith uses this personal account emphasizing that prominent political figures also are aware of police corruption. She places the audience into the victim’s positions, compelling individuals who identify with the white-dominated hegemony to comprehend the racist ideals that continue to plague the country. Another detail that criticizes American law enforcement is when the white passenger provides her thoughts of the altercations by
“This book is boring.” “This book is full of facts.” “I fell asleep reading this book.” These are the nonfiction genre stereotypes that most people think. Erik Larson changed that stereotype and wrote a nonfiction book with real characters and overall facts. The Devil in the White City does not only tell an elaborating true story, but it tries to grab the reader to believe that they are actually living in 1893 during the Chicago World’s Fair trials and tribulations. To tell this story, Larson combines qualities of a nonfiction book and a generic novel to successfully craft a narrative built on historical facts, therefore developing distinct persons in the cases and elaborating on what their possible feelings were.
First and foremost, this novel is about Chicano people and the struggles they endured. While each small passage can be viewed as the progression of the unknown male protagonist, it also gives a multitude of other views as well. Middle-aged male
In his novel, Philadelphia Fire, John Edgar Wideman takes on the task of reimagining the African American male. While this role may seem daunting to some it was a challenge that Wideman accepted. Through various forms of written and spoken language Wideman follows the male narrative of Cudjoe as he tries to understand what happened on the day of the MOVE bombing. Wideman challenges the reader’s idea of a typical novel. He aims to give a new perspective on the African American and does so in a unique and descriptive way. Wideman’s re-representation of the African American male fails in a major way. The violation, objectification, and silencing of the Euro-American women in the novel prevents Wideman from changing the perspective the reader has on African Americans (males specifically).
Oswald Mosley was a man “intellectually and temperamentally a product of his aristocratic upbringing and the emotional aftermath of the First World War” (Beadle 328). During this time period, he influenced his surroundings with distinct political views and actions throughout Britain. Oswald Mosley influenced his time being a Member of Parliament however discounted many opportunities for action blinded by the search of personal power. This blindness led to a fascist approach towards government with views of leadership, resembling control and courage, and actions facing the problems of the new modern world.
Walter Mosley’s novel, Devil in a Blue Dress, explores the racial prejudices in Los Angeles during the 1940’s. The novel takes place in 1948, when the United States was still legally segregated into black and white communities and when people divided themselves into lower and upper classes. Easy Rawlins, the main character in the book, is an ordinary lower class African American worker, who faces limited opportunities and little money to live on. Throughout the novel, Easy Rawlins experiences firsthand the blatant racism prevailing in 1948. Walter Mosley’s novel reveals how life was in Los Angeles after WWII, before the civil rights movement. By viewing an American city from the perspective of a black lead character, Devil in A Blue Dress helps one become more conscious of how racial barriers have appeared in the eyes of African-Americans.
According to Discover The Networks, criminologist Michael Tonry wrote in 1995, “Racial differences in patterns of offending, not racial bias by police and other officials, are the principle reason that such greater proportions of Blacks than whites are arrested, prosecuted, convicted, and imprisoned.” Even in these times, racism is still alive and present. It has gotten better, but there is a very real possibility that this is the most controlled it will get. Back in the early 1990’s, racism was legal. Today, it is not. Yet, there are still instances where even the government demonstrates racism. The attitudes between specific characters and communities, as well as the racism affecting the trials, show astounding similarities between Lee’s To Kill a Mockingbird and the Scottsboro case.
One of the intresting things about the book is that the author is almost like a combat or field journalist in the way he approaches the subject matter going to the extremes of changing his skin color with pills and tanning lamps, and trying to live the actual experiences of a black man in the south at that time that the author really wants to get it right in telling the story that he has to get in the mix and really live it instead of observing from the sidelines that the author is in a way is almost willing to lose life and limb to live the experience and get
In Walter Mosley 's White Butterfly, Mosley uses the detective genre to counter stereotypes and myths regarding black masculinity. The book was published in 1992 and the story takes place in 1952 in Watts, Los Angeles California. The main character of the story is Ezekiel "Easy" Rawlins and he is the main resource used by Mosley to redeem the image of the black man. Easy Rawlins is a hard-boiled detective which means he is a cynical investigator with pejorative tendencies. It is an analogy made because boiling usually softens things up, but when an egg is boiled the egg hardens. It is similar to when present struggles developing strength for the future. The hard-boiled detective usually has a wicked perception of the world and as a result
In these novels the theme I chose was racial prejudice, were it also gives a message racism and how far it could go. Further into “From An Ordinary” it's