Critical Analysis of William Blake's Poem "The Tiger'

Unlike the lamb this poems meaning is something different I believe. In my opinion this poem can be interpreted as a response to the industrialization that Britain was going through during the time of Blake. I think we first see this in the title “The Tyger” or tiger misspelled. When you think of a tiger you think of ruthlessness, ferocity, fast acting, just as the industrialization of Britain. This theme is very common through out Blake’s pieces as we see it in almost every poem. It is present in “The Chimney Sweeper” and “London”. Blake paints an image of what the tiger represents through out this poem and its harsh nonetheless, which further makes me believe that he is talking about the revolution. I believe that the description of the tyger that Blake gives us an insight to think that it is unpleasant and hurtful, not necessarily the tyger itself but the revolution that is tied in with it. We see the word “dread” repeatedly used in describing the tyger and we can draw a conclusion to say that it puts an emphasis on the pain and suffering that was

The poem, The Tyger, contrasts innocence and experience, and good and evil. The description of the tiger in the poem is as a destructive, horrid creature. The original drawing on the poem shows a smiling, cuddly tiger which is quite the contrast to the tiger described in the poem. This picture might suggest a misunderstanding of the tiger and perhaps the fears that arouse from the poem are unjustified. This poem contrasts the tiger with a lamb which often symbolizes innocence, Jesus, and good. The tiger is perceived as evil or demonic. Blake suggest that the lamb and the tiger have the same creator and in a way states that the tiger might also have the ability to have the benign characteristics of the lamb. The tiger initially appears as a beautiful image but as the poem progresses, it explores a perfectively beautiful yet destructive symbol that represents the presence of evil in the world. In the poem, Blake writes: " What immortal hand or eye, / Could frame thy fearful symmetry (4-5)." It is hard to determine if the tiger is solely evil or good.

The great debate whether Satan is the hero of Milton’s Epic Poem, Paradise Lost, has been speculated for hundreds of years. Milton, a writer devoted to theology and the appraisal of God, may not have intended for his portrayal of Satan to be marked as heroic. Yet, this argument is valid and shares just how remarkable the study of literature can be. Milton wrote his tale of the fall of man in the 1674. His masterpiece is an example of how ideas of a society change with time. This is because it wasn’t until the 1800’s during the Romantic era, that people no longer saw the hero of literary works as perfect in every way. It started to become more popular to develop the flawed character similar to the ones written in the classics. A literary

In “The Lamb” by William Blake, you will see that, if analyzed closely, the lamb is a personal symbol which signifies God himself. The innocence of a child is like that of a lamb, and serves as a model for humans to follow. In the first stanza, the speaker is the child who is also the teacher. The child asks the lamb who gave him life and all his needs, along with a voice so "tender”. Then, the child declares that he will tell the lamb who their creator is. The creator shares the same name as the lamb, which is a reference to Jesus Christ. The end of the poem is giving way to a blessing which, gives an expression of the child’s adoration at the connection the lamb makes in child,

Rosemary Dobson’s The Tiger delicately examines the notion of discovery as a medium of freedom, relating back to her own mental captivity similar to a tiger in a cage. The extended metaphor allows careful analysis of the sub-lying plot describing a poet's sense of discovery through their imagination. Through Dobson’s use of emotive language in “smouldering with rage,” the audience can better understand the poet’s deeply felt emotion, being unable to write to her heart’s content. “Behind the black-barred page” further accentuates, assisted by the alliteration, the statement's metaphoric value of remaining captive under frustration and oppression, destroying any belief or hope of achieving freedom to discover. Additionally, the hyperbole in the celestial frame of “He rakes the sky and stars...and is not done,” emphasises the search and will to discover, explaining that Dobson will do anything for her freedom, in order to achieve self gratification. The extended metaphor is resolved in the final

Before watching your presentation, I only knew the basics regarding William Blake. There are various interesting things that you mentioned that I did not know about. For example, you mentioned how he was more commonly known for his art rather than his poems. His art as a whole is really interesting. You mentioned how he took his encounters with the people around him, his brother’s death, and visions and reflected them into his work. One thing from that list that stood out to me the most were his visions. He was able to take his visions and portray them in his paintings even when many people found it difficult to understand the meanings behind it.

The Songs of Innocence poems first appeared in Blake’s 1784 novel, An Island in the Moon. In 1788, Blake began to compile in earnest, the collection of Songs of Innocence. And by 1789, this original volume of plates was complete. These poems are the products of the human mind in a state of innocence, imagination, and joy; natural euphoric feelings uninhibited or tainted by the outside world. Following the completion of the Songs of Innocence plates, Blake wrote The Marriage of Heaven and Hell and it is through this dilemma of good and evil and the suffering that he witnesses on the streets of London, that he begins composing Songs of Experience. This second volume serves as a response to Songs of

In "London", William Blake brings to light a city overrun by poverty and hardship. Blake discards the common, glorifying view of London and replaces it with his idea of truth. London is nothing more but a city strapped by harsh economic times where Royalty and other venues of power have allowed morality and goodness to deteriorate so that suffering and poverty are all that exist. It is with the use of three distinct metaphors; "mind-forg'd manacles", "blackning Church", and "Marriage hearse", that Blake conveys the idea of a city that suffers from physical and psychological imprisonment, social oppression, and an unraveling moral society.

The poem “A Poison Tree” by William Blake discusses human nature’s true form. Someone who is furious with a friend would obviously want to mend the friendship, so they let their anger simmer. However, someone who is upset with an enemy has no reason to tell him or herself to not be mad because all they are to you is an enemy. Therefore, your hatred eventually takes over and you do something dreadful. This literary composition shows the readers how anger can take a toll in two different directions. The poet writes with such ease, that it makes us readers believe he’s gone through it already.

Writers and authors for centuries have used different strategies to compare living things with one another, as well as non-living things with one another. During the Romantics era, it was a time during economic destruction. People had little hope and writers and poets began to express their emotions as well as critiques on this time period. William Blake was a poet as well as a painter, who wrote works that addressed the social issues around the area in which he lived. The country dealt with several deaths, which caused the nation to go under depression. Furthermore, the essay, Blake's 'Self-annihilation': Aspects of Its Function in the Songs, with a Glance at Its History, by Harold C. Pagliaro, a professor as well as book writer, informs,

Blake not only talks of fire and evil when referring to the tiger, but of art and beauty as well; “what

The poem begins with the question, "Little Lamb, who made thee?" The speaker, a child, asks the lamb about its origins: how it came into being, how it acquired its particular manner of feeding, its "clothing" of wool, its "tender voice." In the next stanza, the speaker attempts a riddling answer to his own question: the lamb was made by one who "calls himself a Lamb," one who resembles in his gentleness both the child and the lamb. The poem ends with the child bestowing a blessing on the lamb.

William Blake is one of England’s most famous literary figures. He is remembered and admired for his skill as a painter, engraver, and poet. He was born on Nov. 28, 1757 to a poor Hosier’s family living in or around London. Being of a poor family, Blake received little in the way of comfort or education while growing up. Amazingly, he did not attend school for very long and dropped out shortly after learning to read and write so that he could work in his father’s shop. The life of a hosier however was not the right path for Blake as he exhibited early on a skill for reading and drawing. Blake’s skill for reading can be seen in his understanding for and use of works such as the Bible and Greek classic literature.

The first stanza focuses on the tigers and creates an impression of majesty and power, such as with their ‘sleek chivalric certainty’ (l.4). In psychology and literature, ‘the symbol of the cat was related to the redemption of something feminine’ , and so Rich’s use of the tigers as a predatorial and strong member of the cat family demonstrates Aunt Jennifer’s internal power that derives from her being a woman. The word ‘chivalric’ is traditionally associated with knights and military prowess, and Rich subverts this typically male adjective to the feminine tigers and their representation of Aunt Jennifer’s inner strength (l.4).

William Blake was one of those 19th century figures who could have and should have been beatniks, along with Rimbaud, Verlaine, Manet, Cezanne and Whitman. He began his career as an engraver and artist, and was an apprentice to the highly original Romantic painter Henry Fuseli. In his own time he was valued as an artist, and created a set of watercolor illustrations for the Book of Job that were so wildly but subtly colored they would have looked perfectly at home in next month's issue of Wired.