Critical Analysis of a Wagner Matinee Essay

Johannes Brahms was a German Composer, Pianist and conductor of the 19th century or the Romantic period. He was one of the 3 B's or the Big three: Bach, Beethoven and Brahms. Johannes was a very self-critic man he burned many of his pieces before he could get anyone's opinion on them and he burned all of his compositions that he wrote before the age of 19.

When I went to go see The Lion King on Broadway a few words came to mind after the play; amazing, stunning, and unbelievable! I was a little unsure at first, because I thought I was too young to see something from a Disney World production. I was also wondering how Disney was going to manage putting a film starring non-human characters, into a three-dimensional stage. However, using all their “Disney magic” with a little help from a great stage producer The Lion King Musical kept my attention all the way through with their; voice and diction, staging, and many other elements.

The Italian opera and the German opera are two different fields that both share characteristics, some of which are paralleled, and some of which contrast. Specifically, Giuseppe Verdi and Richard Wagner use motifs such as: redemption through love, patriotism, and sacrifice which run throughout both of their operas. The theme of betrayal also seems to be echoed throughout both operas; yet they are each used to project a different response. The significance of this comparison demonstrates that Verdi and Wagner may allude to the same references, such as Victor Hugo, Shakespeare, and Byron, but the operas The Flying Dutchman (German opera) and that of Nabucco (Italian opera) are completely different in context, and musical style; perhaps even

Aunt Georgiana gave up her freedom and the love of music for a marriage that concealed her true identity. She isolated herself from her past. This can be seen when Clark the nephew said “She seemed not to realize that she was in the city where she had spent her youth, the place longed for hungrily half a lifetime.” All of the life that was once inside of her, are in hiding. Afraid of showing her emotions, she locks them up, thus locking herself up from reality.

“All the world’s a stage, and all the men and women merely players.” William Shakespeare may have written these words in As You Like It in 1600, but Erving Goffman truly defined the phrase with his dramaturgical theory. Dramaturgical analysis is the study of social interaction in terms of theatrical performance. Unlike actors though, who use a script telling them how to behave in every scene, real life human interactions change depending upon the social situation they are in. We may have an idea of how we want to be perceived, and may have the foundation to make that happen. But we cannot be sure of every interaction we will have throughout the day, having to ebb and flow with the conversations and situations as they happen.

Mozart’s Requiem is “one of the most performed and studied pieces of music in history” (Stango, n.d.). The story behind the start of this piece begins with Count Franz von Walsegg, who commissioned a requiem mass for his wife Anna (who had passed away). Throughout his work on this piece, Mozart began to get so emotionally involved with the piece that he believed that he was writing a death mass for himself. Mozart died December 5, 1791, with only half of the Requiem finished (through Lacrimosa). Franz Xaver Süssmayr finished the Requiem based on Mozart’s specifications from notes and what he had already written. The completed work is dated 1792 by Süssmayr and was performed for the first time on January 2, 1793. Mozart’s intent for this

Oklahoma! The first collaboration of Rodgers and Hammerstein was entitled Oklahoma! The idea of the musical came from a play called Green Grow the Lilacs, written by Lynn Riggs in 1931. This story is about the state of Oklahoma at the turn of the century, when the Indian Territory joined the United States. It is the story of a girl named Laurey Williams and her (sort of) love triangle with two boys by the names of Curley McClain and Jud Fry. Laurey is in love with Curley, but she attends a dance with Jud instead. At the dance, Curley surprised Laurey by bidding an enormous amount on the basket of food she has prepared. They soon marry, and after the wedding, Jud starts a fight with Curley, but he

Only one man could claim the title as probably the greatest composer in American history for writing so many unforgettable works: Aaron Copland. He lived a life inspired by many things as well as inspiring people all across the nation, and it really led to the opposite of being drawn into himself, as he described in the quote above. He was born in Brooklyn, New York on November 14 in 1900. He was the youngest of five children to Sarah and Harris Copland. A musical spark came out in Copland already at the age of 11 as he began piano lessons with his sister. His musical talents

A reader can gain much knowledge from just one book. Willa cather is an amazing authors that can transform the way you think , and your outlook on the subject. Williams states, “ The early years of young Willa's life left a memorable impression on her and formed the basis for many of her stories and characters. The Cathers travelled west across six states landing in Nebraska, Webster county, in 1883 to live at her paternal grandfather's farm” In “My Antonia” by Willa Cather, is one of America’s great love stories. Her main characters face challenges but yet still find a way to live. Also by Willa Cather, “A Wagner Matinee” is also a very informational text. In this piece, A woman leaves her home and sees what she is missing in life. SHe realises the grass is greener on the other side, and never wants to go back. The three things that I learned about the West from Willa Cather's “My Antonia” and “A Wagner Matinee” are beauty is in the eye of the beholder, change is a good thing, and love is eternal.

Wilhelm Richard Wagner was a renowned German opera composer who lived in the 1800s. Besides his extravagant operatic works, he dabbled in written essays with the most notable being his Judaism in Music published in 1850. Wagner’s essay made very clear his views on Jewish composers and performers in the German musical realm—he loathed them. His anti-Semitism is made blatantly clear in the very first paragraph, “It will not be a question, however, of saying something new, but of explaining that unconscious feeling which proclaims itself among the people as a rooted dislike of the Jewish nature.” While his ideology was not the first part of Wagner that Hitler took a liking to, it became a defining factor in Hitler’s perspective on society during the reign of the “Thousand Year Reich”.

mark on the musical world. From Mozart, to Beethoven, to Chopin, to Brahms, each famous

Since the Baroque era, the concerto has played a vital role in the music world. According to the Merriam Webster dictionary, a concerto is “a composition for one or more soloists and orchestra with three contrasting movements.” There are two main types: the concerto grosso and the classical concerto; both will be discussed later. While the term concerto is relatively easy to understand in context, when put into use the term becomes more complicated to define.

“The Story of an Hour” by Kate Chopin is a wonderful short story bursting with many peculiar twists and turns. Written in 1894, the author tells a tale of a woman who learns of her husband’s death, but comes to find pleasure in it. Many of the elements Kate Chopin writes about in this story symbolize something more than just the surface meaning. Through this short story, told in less than one thousand one hundred words, Kate Chopin illustrates a deeper meaning of Mrs. Mallard’s marriage with her husband through many different forms of symbolism such as the open window in the bedroom, Mrs. Louise Mallard’s heart trouble, and Chopin’s physical description of Mrs. Mallard.

Wilhelm Richard Wagner was one of the greatest opera writers of all time. He helped to take opera to a whole new level from even Verdi and Puccini. Some say that Wagner was very egotistic, however; “his extreme egotism rested on conviction, Wagner had the ability to do great things” (Colles 207). He was extraordinary at composing music as well as formulating words. He was not a prodigy however his musical skills surpassed many other composers from his time period.

On Friday November 3rd I had the pleasure of attending an evening of Opera titled Love Through the Ages with Maria Fortuna and Nancy Townsend at the Sean O’Sullivan Theatre. Having never been to an Opera performance I had no idea of what to expect and was looking forward to this new experience. Fortuna was accompanied by multi-faceted pianist Nancy Townsend. These two musicians showed tremendous expertise and were able to keep my attention through the extent of the program.