Critical Analysis on a Tina Modotti Photograph Tina Modotti was from a very poor working class society. She was brought up in the northeast part of Italy, in Udine, Friuli. She was born at the tail end of the industrial revolution, in 1896. However, you could say, by all means, that her village hadn't changed the slightest since the seventh century. She lived vigorously throughout her childhood, working endless hours in a silk-textile factory to earn a cash flow and to support the family through starvation. After their father had abandoned them when Tina was twelve and fled to America, the land of dreams, to repeat, Tina was the family's sole breadwinner, and played an essential role in the …show more content…
Finally, the texture and even the tone had a great deal of contrast in the photograph. Again, there is evidence of a extremely rough background and very rugged working class hands. The rough puppeteer hands represent the government, you could say she uses the rough hands to symbolise masculinity, power and even toughness. Moreover, the other hand is similar, however, there are differences. It represents the citizens; it is feeble, strangled in wire and being controlled by the other hand, the 'government'. To conclude, the textures play a key role in the development of the idea of power, as well as the contrast in lighting. Tina Modotti grew up in an extremely marginalised and poor environment. The way the government didn't help her family during their rough periods and suffocating them in to labour would have been one of the several reasons that influenced her. Equally important, her personal experiences of constant labour and hunger would have made her come to the conclusion of disliking the government. In my opinion, the way the government had no control over her dropping out of school and letting her go into child labour would have influenced her to produce works that comments on marginalisation in society, the depression and the repression of working class
The painting is depicting Picasso’s mistress Marie-Thérèse Walter. She is looking at herself in the mirror. The woman in the painting has very elegant feature. She has an even complexion and beautiful eyes. One side of her face is yellow which appears to be makeup with a greenish eye shadow and bright red blush. The other side of her face is a lavender color which is the same color as her arm, hands, breasts, stomach, and legs. The lavender side of the face does not have any makeup and is very smooth and blemish free. In the mirror her reflection she has darker purple complexion with added green and red on her face. There is a shadow on her face of the side of her head and neck. Her body is covered in light green lines that are all slanted downward. In the reflection both of her eyes are round and two different shades of red. One is a bright red and the other is a deeper red and they both look out of focus.
The American Photograph was taken by Photographer Jose Juarez outside of the Fort Field stadium, in Detroit, Michigan September 10, 2017, during Sunday’s game between the Detroit Lions and the Arizona Cardinals, NFL football teams. Protestors along with 50 members of Colin Kaepernick’s fraternity, Kappa Alpha Psi, rallied in support of Colin Kaepernick former quarterback of the 49ers. Colin Kaepernick took a knee and a seat several times during the national anthem at football games, making his motive clear that he was protesting racial injustice in American, especially police brutality, and the shooting of many black people. In the image, protestors are taking a knee and their fist is balled in the air. They are seeking out justice for Colin
How proud we must all be to live in an era of unbiased judgment and true equality amongst all. In a time so prosperous and friendly as now, it's all we can do to not scoff at decades past for all the bigotry and prejudice existing back in those days of such ancient history. To think of a time when ethnic groups were discriminated against, or poorly represented would mean to be thinking of years before the mid/late 1900s, before the struggle for fair judgment was fought for and won. Or has equality been won at all? After about a week of scanning newspapers and websites worldwide for important news created recently and in the past few years(though some pieces of news are old, their effects can be felt even today), it's disturbingly evident that
Dorothea Lange creates a work of art using her camera. This black and white photograph from the depression era portrays the struggle of motherhood while in a destitute state. This photograph would be much different if the value was altered. Using black and white with the photograph represents the depression that overcame society at this time. The intensity the photographer reveals would alter if the photo was in color. The focal point is the women’s hand on the lower corner of her face as she stares off in the distance. One could hypothesize the photographer’s immediate image following this one could be that of the woman’s hand on her forehead; suggesting the illusion of motion and time within this frame. The rough premature wrinkles on the
Tina Manley, a native of Rock Hill, South Carolina and Winthrop alumni, is a photographer with over 40 years of professional work in over 68 different countries. Her photographs, available mostly in black and white print, has been sponsored by various organization and is widely recognized. The appeal to her approach has featured in various education platforms such as, The National Geographic Magazine on more than one account. At the begin of her career, photography was nothing more than a hobby to Tina, who’s subject(s) of work were that of her own children. In due course, she found that capturing images of both children and elderly people portrayed more raw senses of feeling(s), and would soon become her preferred area of study. To her, she
When looking at this image I personally cannot relate to the troubles Florence Thompson went through because she was living during the Great Depression as a single mother with her children. The image portrays more than just a woman, it shows hope and resilience, which is probably why it is such an iconic image. Comparing this image of the Great Depression to others of its time, Thompson’s gaze is serious and many describe her as beautiful in a motherly way. In reading other people’s point of views, the image of Thompson seems to be a mystery to all. It must be the serious gaze she reflects while looking away from the camera. The image should make many thankful not having to live during the Great Depression. This was a time where many families became homeless, divorced, sick and fatalities where at its high. The image of Thompson is a historic picture and for good reason. This is because her image is still taught in today’s classroom in American society as a symbol of hope in desperate
As the artist I chose to paint a very common scene for the 1920’s. I was strongly influenced by a prominent theme in The Great Gatsby: the role of women in society. The painting portrays two women at “Tony’s” which is a jazz bar situated in the heart of New York City. It s the typical scene of secretive alcohol consumption and sensuality. The dancing woman is seemingly carefree whereas the second woman is leaning flirtatiously at the bar as if to get the attention of the bartender. Outside the buildings and roadway are presented in black and white to contrast with the bright, jovial interior of the bar. The Great Gatsby often touches on the many facets of New York. The novel alludes to the fact that there is more to just the appearance of something. I feel as though my piece represents this in an interesting way.
MAIN IMAGE: an extreme close up is used of Florence's face. this shows the audience who the magazine isfeatured on. She is looking straight at the audience and this use of direct address catches and draws in people's attention. Prop is used as blue eye shadow around her eyes to enhance and draw the audience's attention to her face. The image has high key lighting and is illuminated, this maked her really stand out against the brightness and intense colour of her hair. It could also be suggested that the image is provocative with her lips being parted and the heavy use of make up also draw make attention towards the magazine.
In the section designated “bodies” a painting by the artist Amedeo Modiglini is displayed. This female nude is titled Reclining nude. Like some of the other nude that were being painted after the idea of romanticism influenced art Modiglini’s nude didn’t follow the rules of classical painting. The nude is lying horizontal across the entire painting with her hands and feet cropped from view. This cropping put the viewer very close to this nude woman in a very sexual and provocative position. The contrast of the light and dark really brings her right out at you.
At the beginning of my essay, I am going to attach a picture by Laura Williams, one of my favorite photographer from United Kingdom. I am going to describe her picture and tell the people why this picture is special to me. After that, I am going to tell my experience that make this picture seems special.
As the author pointed out in her essay, Art Cycle curated by a group of young Argentine artists from Buenos Aires and Rosario which took place in 1968 as part of the cycle of events shows this paradox. Graciela Carnevale opened her exhibition in an empty gallery space, which windows had been papered over by the artist without attendee’s consciousness. The audience was invited into the space and were locked for more than one hour without prior notification. The artist claimed that she hoped to incite a form of “exemplary violence” among the participants, who would be forced to take action once they realized their plight, by breaking through the gallery’s glass front door. “Guest or prisoners” as the artist later referred them. Only afterward
You're right, photographs aren't meant to be for everyone. Some people appreciate all photography, but some like to focus on a certain type of photography. Some people may just like the ones that stand out to them. I like how you brought up in your second paragraph, that photography is art because we want to know what is happening behind the picture. The photo of the man in the backseat is a perfect example of "hidden meaning."
This painting was created in 1513, it portrays a hideous italian woman with wrinkled skin and beast like features. At first glance, I noticed her facial features, to resemble of a old woman, yet her clothing reveals that her status may be upperclass. This could indicate that beauty could have base off of intellectual values instead of physical appearances, which this woman was lacking. This woman could have been highly intelligent or her personality brought pleasure to the people who were attracted towards her. Furthermore, her beauty is put into question as time has past and with society
Marina Abramovic’s photograph “Light Side/Dark Side” is a black and white portrait of a young lady looking straight into your eyes. If you look at this photograph, it’s not her piercing look that perplexes you; it’s the hand hiding her left eye that prevents you from discovering the mystery behind that face. As the partial face leaves the viewer curious to see the rest, the shades of black and white add to the gloominess evident on her face. But you realize that you are not the only one whose view is obstructed, hers is too. It’s evident that the hand is not hers. The hand can be viewed as a symbol of distortion. Like in the photograph, distortion can obstruct the view of the world and leave you disturbed when you are unable to see the complete picture. But whose hand is ‘distorting’ your view and the lady’s?
The lighting and placement are very prominent. The light hues of the paint draw your eyes directly to Paganini's face and delicate hands on the violin. This dark contrast makes the images jump out at you, creating drama and intrigue. It leaves me wondering what lies in the black luminous area surrounding the violinist.