Critical Review Skene

A crew includes a screenwriter, whose job it is to provide the written blueprint version of the entire film. This is basically the starting point for any movie. Next there is the producer. There are many types of producers; executive producers, co-producers, assistant producers and line

For our project on animation I was in charge of the motion graphics subheading for all of the four assignments. The rest of the information such as introduction, conclusion, engagement etc. was split evenly among the five of us so we can all contribute fairly. I helped with the mind mapping part of the project since my other team members never used a mind mapping site or application before. I was glad to be able to guide them

In 1962, an American film critic, Andrew Sarris, wrote the “notes on the auteur theory.” He stated that the “first premise of the auteur theory is the technical competence of a director as a criterion of

Producers have financial and administrative control over the making of movies, plays, and TV shows. Producers hire directors, principal members of the cast, and negotiate contracts with artistic personnel, often in accordance with collective bargaining agreement (“Actors, Directors, and Producers” 180). Together with the

The beginnings of the art director job entailed the fairly obvious step for filmmakers just starting up: networking. Through family members and mutual friends, I was able to get in touch with one of the producers of the film who spoke with me about what experiences I’d had with film already, the available job, and the duties along with it. From there, I spoke with the director, read the script, and researched the film, respective genres, and previous works by Archetype Pictures to understand the spirit and behind the scenes of the film. This way I was able to get a good idea of what I would

As the 1st AD I was the right hand person to the director, I had found out through basic research that my role required me to help decide a shooting order and how long each scene will take to film, creating a shooting

The film industry has continuously changed since its inception due to rapid technology advancements. Camera technology has been a key factor that has influenced the growth of filmmaking. The first motion picture in the world was produced in the early 1880s, and the first public screening occurred ten years later. It didn’t take long for the quality of films to improve as new filmmaking equipment emerged. Ever since the first movie was produced, the film industry has been continuously changing in response to emerging filmmaking technology. Introduction of digital photography and digital data storage along with the development of internet significantly influenced the film industry (Barsam, 2015). These technologies contributed

But it is in directing that I am able to combine all of these different theatrical interests into one cohesive piece of art. From working with actors to conceptualizing a show to designing costumes or scenery, directing is the culmination of all theatre and thus the perfect way to express my voice, beliefs,

In this essay I will be discussing five key points throughout Post Production history between the 1900s-1960s. Post Production is seen as a vital component in the cinematic industry as it essentially finalises the final products. Techniques that have been developed over the years are incredibly important, but they all have an origin. Although these techniques started out without overwhelming effect, they are now unbelievably crucial to how films are constructed. The five points I wish to discuss go as follows: The Great Train Robbery and Edwin Porter himself, D.W. Griffith and his overwhelming influence on editing, The Jazz Singer, the Kuleshov Effect and finally, 2001: A Space Odyssey. As well as discussing these key factors, this essay will take into consideration secondary material.

The focus lies on the question of how the architecture of film can be reinterpreted as filmic architecture. The project aims to enhance the experience of each art and deepen people's experience of the city as a whole.

Every so often a movie is released with such tense anticipation and glamorous visual art that the public is drawn to this dramatic rendition of life in the theatre. For even just two hours or so, you are put into a different lifestyle. Action, drama or comedy it may be. We are thrust into a different way of thinking. We are forced to learn the characters thoughts and feelings. The hard work and artistic skill that goes into these magnificent films is not an easy thing to mimic. Out of the thousands of movies released worldwide each year only a handful are truly worthy of the label film art. Most of the great movies are either produced by a multi million dollar

During the News broadcast, I was the floor manager of the crew, this basically put me in charge of all the cameramen, lighting assistants and presenters. Not wanting to do this job in the first place did make me worried and nervous for it. During the first lesson in the studio, I did hold back a bit as I was unsure of my job roles. To get around this I could have easily had researched my roles as floor manager and not just have guessed them. Doing this role again in the future I would be more aware of all the potential health and safety dangers in the TV Studios; wires, hanging lights and equipment are all potential dangers so I would be much more observant and alert the crew more often of the risks thus lowering accidents and not stop rehearsal time.

The cinematographic camera industry emerged in fact more than 100 years ago, it was only until recently that significant digital changes took place, apart from minimal technological improvements. Before the invention of digital cameras the main medium for shooting a movie was on celluloid film in which the quality of the image was very high from the beginning. However these cameras had some inconveniences. The cinematographer would have to set the lighting and frame to the directors vision and make sure that it was right. He could not see immediately if the scene was shot as desired and this caused the workflow to be very complex and time consuming which most producers would see limited. The developing, processing, transferring, editing and conforming the film normally took a day and the director along with the cinematographer would sit

Set Design was my first choice, followed by Costumes, and finally Stage Lighting. Much to my dismay, I was assigned to the lighting crew. Though disappointed, I tried to stay open-minded. I knew nothing about lighting, but followed the slogan which kept repeating in my head: "Dare to fail...."

Although these crews meant for temporary work only, their skills are most needed during the production stage of film shooting. The crews’ employment rise as the production begins. On the pre-production and post production stage, only several crews’ needed depending on their skills. At the end of making the film the organisation formed for this purposes ceases to exist, leaving no fixed assets and no structure for continued learning.