Critical Themes Of Black Boy By Richard Wright

In Richard Wright’s novel, Black Boy, Richard is struggling to survive in a racist environment in the South. In his youth, Richard is vaguely aware of the differences between blacks and whites. He scarcely notices if a person is black or white, and views all people equally. As Richard grows older, he becomes more and more aware of how whites treat blacks, the social differences between the races, and how he is expected to act when in the presence of white people. Richard, with a rebellious nature, finds that he is torn between his need to be treated respectfully, with dignity and as an individual with value and his need to conform to the white rules of society for survival and acceptance.

His resolve to rise above his broken beginnings persisted while many other black people essentially ceded power to the dominant white population. He was never afraid to question what shaped his life, despite opposition, and he started with his lack of sustenance. Physical hunger was a critical factor in Wright’s existence that underscored his actions and gave weight to Black Boy.

2. The novel “Black Boy” by Richard Wright is structured into twenty chapters and two parts. Part one is about Richard Wright childhood and growing up in a difficult time where whites are cruel to all African Americans. Part two focuses more on Richard’s life as an adult and how he struggles to maintain a good job. The story starts from when he is a young child and to when he is an adult.

“Whenever my environment had failed to support or nourish me, I had clutched at books.” –Richard Wright, Black Boy. The author suffered and lived through an isolated society, where books were the only option for him to escape the reality of the world. Wright wrote this fictionalized book about his childhood and adulthood to portray the dark and cruel civilization and to illustrate the difficulties that blacks had, living in a world run by whites.

Richard Wright was born after the Civil War but before the Civil Right Era. If he were writing an autobiography titled Black Boy today (2016) about a black boy growing up in the United States, he would write about racial profiling against African Americans, the wide education gap between black and white, and the unequal job opportunity for African American.

Black Boy is an autobiography of Richard Wright who grew up in the backwoods of Mississippi. He lived in poverty, hunger, fear, and hatred. He lied, stole, and had rage towards those around him; at six he was a "drunkard," hanging about in taverns. He was surrounded on one side by whites who were either indifferent to him, pitying, or cruel, and on the other by blacks who resented anyone trying to rise above the common people who were slaves or struggling.

In Black Boy, Wright expressed his childhood memories even though they were not very good. The critic, Adams, argues that Richard Wright shared his misrepresentation of his personality, rae, and family in his childhood by explaining that they did not help him. He believed that everyone prevented him from hearing or speaking the truth. The only time someone listened to him was when he lied (Adams). Wright was independent from his family early on in his childhood because he knew that they would not support his views and dreams in life. In addition, Robert J. Butler exclaims, “ … ‘red circle’ of flame which consume the curtains can be seen as a revealing symbol of Wright’s early life- a trap of spreading violence which can easily destroy him…” (Butler 62). If Richard Wright grew up to be who his parents taught him to be, he would never understand the danger of his childhood years. However, he did which let him leave it behind as soon as he could.

Richard Wright uses language in his novel, Black Boy, as a source to convey his opinions and ideas. His novel both challenges and defends the claim that language can represent a person and become a peephole into their life and surroundings. Richard Wright uses several rhetorical techniques to convey his own ideas about the uses of language.

This experience was not unique to Wright, however; it was a reality felt by many blacks sharing his time and place. Wright was growing up in the Jim Crow era in the South, when, despite the North having won the Civil War, blacks had been successfully segregated by law and custom in “practically every conceivable situation in which whites and blacks might come into social contact”. This was a time when signs dictating where blacks could and could not walk, eat, live, and enter were everywhere, impacting the daily lives of black Americans and shaping their mannerisms to a huge degree. Wealth, skill, and personality did not matter; if one’s skin was black, one was subject to these laws and customs. Thus, skin color at this time was the most significant defining feature among Southern individuals with or without their consent, and by using the term “Black Boy” in his title, Wright drew attention to and challenged this unjust reality of race relations during his early years.

     Richard Wright's novel Black Boy is not only a story about one man's struggle to find freedom and intellectual happiness, it is a story about his discovery of language's inherent strengths and weaknesses. And the ways in which its power can separate one soul from another and one class from another. Throughout the novel, he moves from fear to respect, to abuse, to fear of language in a cycle of education which might be likened to a tumultuous love affair.

keep your mouth shut or the white folks Ôll get you too." As a teenager Wright

The African-American literary period of Realism, Naturalism, and Modernism, also referred to as the Age of Wright, was when the writers and artist would expose the realities and identities of living in America and the harshness of society. This African-American literary period would begin around the time the Great Depression ends and would end the year in the death of Richard Wright, which was 1960. One of the most notable writers of this period was, of course, Richard Wright. By his way of thinking and the way he wrote literature, “Wright [had] effectively executed his own blueprint by rejecting what Locke termed the ‘decadent aestheticism’ of Harlem Renaissance writers and by drawing on the presumably more ‘nourishing’ elixir of Marxism and social protest” (Gates, 97). Richard Wright’s Blueprint for Negro Writing appeared in the journal New Challenge that he and other African-American writers had published in 1937. Although Richard Wright’s Blueprint for Negro Writing was written before 1940, this literature work makes an excellent representation of Urban Realism. This text represents this literary period because it tells about the reality, but also the promotion of success in African-American literature by criticizing black culture and nationalism in literary works.

Black Boy is a denunciation of racism and his conservative, austere family. As a child growing up in the South, Richard Wright faced constant pressure to submit to white authority, as well as to his family’s violence. However, even from an early age, Richard had a spirit of rebellion. His refusal of punishments earned him harder beatings. Had he been weaker amidst the racist South, he would not have succeeded as a writer.

Since Richard exited his mother’s womb, he had to undergo bigotry and unseen detestation from white southerners because of his color (Hart 35). Starting his first day of life on September 4, 1908, Richard Wright overcame several impediments and later became one of the first famous African-American authors. The Wright family lived in Natchez, Mississippi, and his parents worked, during his toddler years. Nathaniel Wright, Richard’s father, was a sharecropper. He labored for the rich plantation owners, while Richard’s mother was a school teacher. (Shuman 1697)Because of the constant beatings, Wright was obedient to all types of authority but anxiety and distrust formed in his mind. Richard unintentionally set his grandparents’ house

He does explain that oppression and racism affected both whites the oppressors and blacks the oppressed. He also explains how a white like girl, befriended a black man, and that a lot of what happened was because of the lack of understanding of the others culture. Yet, I feel that Mr. Wright’s emphasis was more on the struggles that the African Americans endured during the 1930’s. I feel he felt that this oppression and racism affected them the most so he tends to favor their plight more than that of the whites. Wright uses this quote to express how Bigger felt, “To Bigger and his kind, white people were not really people: they were a sort of great natural force, like a stormy sky looming overhead or like a deep swirling river stretching suddenly at one’s feet in the dark.” (109) Wright does not downplay the suffering that they endured at the hands of the whites. He depicts their poverty, in Bigger’s case the cramped rat infested apartment his family lived in. Wright uses this quote to express the living conditions, "Gimme that skillet, Buddy," he asked quietly, not taking his eyes from the rat. Wright tells of some of their racial struggles and inequalities like not being able to be educated, being forced to live in areas that were not as good as those the whites lived in but still over paying for them. It reads “black people, even though they cannot get good jobs, pay twice as much rent as whites”(248) Wright also declares that Bigger was not even allowed a fair trial to defend himself even though he was guilty of what he had done because of this racism. The headlines “NEGRO RAPIST FAINTS AT INQUEST was featured in the Tribune and in the article, Bigger is described as looking “exactly like an ape with “exceedingly black skin” (279). Wright allows the reader to know that he feels this misguided oppression and racism shows that both races lost the realization that all men are