Criticalpaper And A Rose For Emily

Throughout the short story Gilman depicts the wife’s growing frustrations when she disagrees with the treatment plan her husband, and her brother, and one of the most well renowned physicians for females (who is also male) all agree on. One of the first examples of this is when she is discussing the

Charlotte Perkins Gilman uses her short story “The Yellow Wall-Paper” to show how women undergo oppression by gender roles. Gilman does so by taking the reader through the terrors of one woman’s changes in mental state. The narrator in this story becomes so oppressed by her husband that she actually goes insane. The act of oppression is very obvious within the story “The Yellow Wall-Paper” and shows how it changes one’s life forever.

Through a woman's perspective of assumed insanity, Charlotte Perkins Gilman comments on the role of the female in the late nineteenth century society in relation to her male counterpart in her short story "The Yellow Wallpaper." Gilman uses her own experience with mental instability to show the lack of power that women wielded in shaping the course of their psychological treatment. Further she uses vivid and horrific imagery to draw on the imagination of the reader to conceive the terrors within the mind of the psychologically wounded.

Women in the eighteenth century were confined by their husbands, and imprisoned in their own homes. Women had no rights to their own lives, or a say so in how to live it. Women at this time struggled for equality, and they were unable to think or live for themselves. If they showed any signs of being unhappy they were condemned by society and their master. In this process many women transcended into severe nervous depression. In the story “The Yellow Wallpaper”, we observe a woman’s descent into madness, and we can better understand how women of this time suffered with oppression. This story is a glimpse of Gilman’s real life struggle with gender roles, inner conflict,

In her story, The Yellow Wallpaper, Charlotte Perkins Gilman expresses exasperation towards the separate male and female roles expected of her society, and the evident repressed rights of a woman versus the active duties of a man. The story depicts the methods taken to cure a woman of her psychological state during Gilman’s time, and delineates the dominant cure of the time period, “the resting cure,” which encouraged the restraint of the imagination ("The Yellow Wallpaper: Looking Beyond the Boundaries") Gilman uses the unnamed narrator to represent the average repressed woman of her time and how her needs were neglected in an attempt to mark a fixed distinction between the standards and expectations of men and women. John, the narrator’s husband, take the designated and patriarchal role of a man who believes he knows everything there is to know about the human mind. His belief of his superior knowledge pushes him to condescend, overshadow, and misunderstand his wife. As a result, his wife loses control of her life and escapes into her own fantasy world, where she is able dominate her imagination, free her mind, and fall into insanity. Gilman describes her era’s approach toward female psychology in order to criticize the patriarchal society she lived in as well as to reveal its effects on the women of her time.

The story is scattered with metaphors and allegories pertaining to the issue of female oppression and can be seen in the actions of the narrator and her husband in the story. During the story, the narrator is pressured by her husband and the doctors about her nervous condition, and agreed to the treatment, because that is what her husband would want. Gilman uses many typical characteristics of a woman in her story; innocent, loyal and obedient to her husband. Like many historical disputes of women writing, her husband bans her from writing, and even diagnoses her as ill to stop the writing. Phrases in the story also link

Kessler emphasizes the point that this one short story seemed parallel and mirror the views of Gilman in regards to the oppression of women in her society. Comparing the two, Kessler writes, “This once she was able to join her public and private expressions in a work of devastating impact” (Kessler 1991 p.159). Gilman, who was a leader and crusader in the women’s rights movement, tried to expel away the gender bias that plague women, just as the narrator in her story tries to pull off the wallpaper in her room to free the trapped women behind it. The patriarchal society at that time period was Gilman’s wallpaper. She had to work hard at trying to force through societal changes. Just like the resistant old wallpaper in her story, ridged and yellow with age, Gilman and her counterparts had much difficulty in pushing through the wallpaper of tradition.

In a struggle to retain what they believe is tangible, two very different, yet so analogous women are introduced in the diverse domains produced by two authors. The first, Charlotte Gilman’s “The Yellow Wallpaper,” where the narrator is a woman from an upper middle class upbringing who’s taken to a house by her husband for their summer vacation where she begins to feel confined and the later, William Faulkner’s “A Rose for Emily,” where Emily is the daughter of an influential man who does become confined to her house after her father passes away. Although their stories are written by two very different people, the women share an eerie resemblance as they begin to fall into an insanity driven by fixation. To explore and understand these connections, one must look into themes and symbolisms to further magnify the foundation of their stories.

Life during the 1800s for a woman was rather distressing. Society had essentially designated them the role of being a housekeeper and bearing children. They had little to no voice on how they lived their daily lives. Men decided everything for them. To clash with society 's conventional views is a challenging thing to do; however, Charlotte Perkins Gilman does an excellent job fighting that battle by writing “The Yellow Wallpaper,” one of the most captivating pieces of literature from her time. By using the conventions of a narrative, such as character, setting, and point of view, she is capable of bringing the reader into a world that society

The structure of the text, particularly evident in the author’s interactions with her husband, reveals the binary opposition between the façade of a middle-class woman living under the societal parameters of the Cult of Domesticity and the underlying suffering and dehumanization intrinsic to marriage and womanhood during the nineteenth century. While readers recognize the story for its troubling description of the way in which the yellow wallpaper morphs into a representation of the narrator’s insanity, the most interesting and telling component of the story lies apart from the wallpaper. “The Yellow Wallpaper” outwardly tells the story of a woman struggling with post-partum depression, but Charlotte Perkins Gilman snakes expressions of the true inequality faced within the daily lives of nineteenth century women throughout the story. Although the climax certainly surrounds the narrator’s overpowering obsession with the yellow wallpaper that covers the room to which her husband banished her for the summer, the moments that do not specifically concern the wallpaper or the narrator’s mania divulge a deeper and more powerful understanding of the torturous meaning of womanhood.

Gilman's writing becomes more disordered as the story develops, for she is allowing her illness/insanity to take control. Her punctuation is limited near the end because her thoughts are all fragmented as her illness progresses. The story took place in 19th century, a time and place when women had

The actual state of the narrator's sickness throughout the story is also symbolic of the narrator and more generally, women breaking free from society's stereotypes and expectations. Although she may only be breaking free through hallucinations and craziness, it is important because she is making a stand against the norms and expectations put upon her. Her insanity, for Gilman, represents feminist anger at society's rules and restraints for women. She is saying that women during the late 19th century were expected to be domestic housewives and that was it. That was their identity. But through this woman, Gilman began the idea that even if insanity was the only escape from the dumb, doting, docile domestic that women were supposed to be, she would rather take that than be

The women in Faulkner's and Gilman's stories are victims of male over-protectiveness.  The men that rule their lives trap Emily in "A Rose For Emily" and the narrator of "The Yellow Wallpaper". Each character must retreat into their own world as an escape from reality.

The main characters in “The Yellow Wall-paper” and “The Cask of Amontillado” both illustrate insanity, what’s of particular interest is the differences between Poe and Gilman’s portrayal of insanity. Gilman and Poe have different writing styles, are of the opposite sex, lived in different time periods and came from different backgrounds, therefore, give very different perceptions of mental illness. Gilman, being a prominent American feminist, wrote “The Yellow Wall-paper” to expose how women were treated in society during the nineteenth-century. “The Yellow Wall-paper” shed light on the conventional nineteenth-century marriage, where a distinction between domestic roles of the female and the dominate roles of the male led to direr consequences. By drawing from her personal experience, having recovered from a nervous breakdown herself in 1890, Gilman gives a truly terrifying glimpse at how these types of social limitations can cause total emotional collapse.

Gilman adds emphasis to the scenario by leaving the narrator unnamed, showing she is subordinate to the men in the book. This further creates an understanding for just how present sexism was in the late 19th