Criticism In Lullaby

In the short story “Lullaby” by Leslie Marmon Silko, nature is an evident theme. Nature is a very important part of Native American culture and it heavily influences their beliefs. “Lullaby” is a story about a Native American woman named Ayah. Ayah goes through many hardships and uses nature to get through these traumatic events. Nature is a significant part of the story because Ayah finds comfort within it, nature is symbolic throughout the story and Ayah receives closure from nature when Chato perishes.

Whiskey Lullaby is a song sung by Brad Paisley (ft. Alison Krauss) which narrates the story of a soldier coming back from war to find his wife in bed with another man. After this, the man drinks away his life trying to escape the pain until he commits suicide. Then the song continues to talk about how the woman follows down the same path after hearing about his death. In the end of the song they both get buried next to each other which symbolizes how they are finally together. The audience for this country song is those who have served or who have had family members serve. The unexpectedness of how life will figure itself out when the soldiers return. Also, how hard it is for families when their loved ones are out fighting, and they are

The poet orders his listener to behold a “solitary Highland lass” reaping and singing by herself in a field. He says that anyone passing by should either stop here, or “gently pass” so as not to disturb her. As she “cuts and binds the grain” she “sings a melancholy strain,” and the valley overflows with the beautiful, sad sound. The speaker says that the sound is more welcome than any chant of the nightingale to weary travelers in the desert, and that the cuckoo-bird in spring never sang with a voice so thrilling. Impatient, the poet asks, “Will no one tell me what she sings?” He speculates that her song might be about “old, unhappy, far-off things, / And battles long ago,” or that it might be humbler, a simple song about “matter of today.” Whatever she sings about, he says, he listened “motionless and still,” and as he traveled up the

A Mother to her Waking Infant was first published in 1790; the poem is narrated by a mother who is focusing her thoughts and words towards her newborn baby. The poem is directed solely at the child of the title, with the mothers words starting as the child awakes, Now in thy dazzling half-oped eye. Joanna Baillie uses a number of techniques to mirror and represent a new mothers emotions and affections for her child. The meter and form of the poem help to emphasise these emotions and the various other uses of language contribute to the effect of the piece on a reader.

The novel is described as a coming of age story starring a young, insecure black girl. Living in the south and in California during the 1930’s and 1940’s, Maya was exposed to the harsh and limiting effects of racism. As young kids, Maya and Bailey struggle with being abandoned by their biological parents. For some time, their grandmother is the only influential figure in their lives. Their grandma, who is eventually called “Momma” runs a general store in Stamps, Arkansas. Maya spends time at her Momma’s store, watching the cotton-pickers travel to and from the working fields.

Many were forced to evacuate to other regions within the country and endure the infamous Trail of Tears. While Native Americans are not forcibly removed from their homes anymore, this story shows a modern-day example of mistreatment or borders that Native Americans deal with. While the mother faced many different conflicts, externally and internally, she readily accepts the challenge and is not willing to step down. She displays the pride of the Blackfoot Indians and is not willing to let the government tell her who she is and let them define her. She sets an example for Native Americans, standing up against a government that has held them down for so long. That they should always have pride in who they are, and where they came

In author Cristina Henriquez’s novel The Book of Unknown Americans, the characterization of Alma Rivera is used to convey how grief and misery is magnified when all that a person had ever known has been taken away for some reason out of their control; it is only when they learn to give up control and forgive themselves, that they overcome the feelings of grief and guilt.

Ghost Singer by Anna Lee Walters is a tale of the historical injustices suffered by Indigenous peoples and the modern consequences of those injustices. Although it is clear that the spirit people in the novel serve as the most outwardly fearsome people in the novel, it is important to take into account the overall systemic injustices that the characters of Native American heritage suffer under throughout the histories presented in the novel. Walters addresses fearsomeness and sympathetic characters through the use of dangerous characters and situations presented directly and indirectly to the characters. The fearsomeness of the characters and the sympathy felt for the characters is dependent upon the perspectives of the readers since these fearsome figures are “a cultural construct and a projection” of that cultures fears (Cohen 1). The fearsome figures in the novels are presented to initially be the spirits haunting the artifacts, but upon closer examination the larger more entrenched issue of outdated models of thought in relation to Indigenous peoples appear to be the most important fearsome figure. The protagonist of the novel is dependent upon the views taken, and the fearsome figures that the historians, such as David Evans, and characters are attempting aid the spirits, such as George Daylight. Walters addresses the fearsome nature of a system dependent on examining and judging indigenous societies based on white values, which is problematic since both cultures do not

In Louise Erdrich’s Famous work of poetry, “Indian Boarding School: The Runaways”, shows how the context of the work and the author play major roles in understanding the poem from different aspects and angles to see between the lines of what we really call life. The Author Louise Erdrich is known for being one of the most significant writers of the second wave of the Native American Renaissance. She is a member of the Turtle Mountain Band of Chippewa Indians and her writing on Native American literature is seen throughout the world. Through word decision, repetition, and symbolism bringing out her incredibly fierce tones, the author recalls the hurt and enduring impacts of Native American children being forced to attend Indian boarding schools. These schools emerged of a post-Civil War America in an effort to educate and also “civilize” the American Indian people.

The mother begins to rebel against tradition by taking an active role in educating and freeing herself. Through her radio, telephone and trips out with her sons she develops her own opinions about the world, the war, and the domination and seclusion of woman. She loses her innocence as a result to her new knowledge and experience.

For every child being raised in the foster care system, nearly twenty five children are being cared for by grandparents, who supply their basic needs. Maya Angelou and Bailey Johnson are included in that group, because from a young age Momma, their grandmother, took care When it comes to making difficult decisions Momma always seem to make the right ones, including the choice to send her grandchildren to San Francisco. In I Know Why the Caged Bird Sings , an autobiography by Maya Angelou writes that “In San Francisco, for the first time, perceived myself as part of something” (179). In this quote Maya Angelou describes her overall feelings on the topic of San Francisco and how it changed her life for the better. As a result of Momma choosing the correct path for Angelou and Bailey, they gained freedom, escaped a racist environment in Stamps, Arkansas, and were guaranteed a little bit more protection in San Francisco.

    Leslie Marmon Silko is a Native American from New Mexico and is part of the Laguna tribe.  She received a MacArthur "genius" award and was considered one of the 135 most significant women writers ever.  Her home state has named her a living cultural treasure.  (Jaskoski, 1)  Her well-known novel Ceremony follows a half-breed named Tayo through his realization and healing process that he desperately needs when he returns from the horrors of World War II.  This is a process that takes him back to the history of his culture.

In the first stanza it is the semantic field of water: ‘waters’ (twice), ‘sea’, ‘drowning’ and ‘being drawn’. As I mentioned earlier, water is often the symbol of life but it also evokes tears, sadness and despair.

Lullaby by Nickelback mainly talks about suicide, and this song demonstrates that the singer is very concern for this person. He shows many examples of how he worries for that person, for instant “And if you can't tell, I'm scared as hell 'cause I can't get you on the telephone”. This shows that he cannot contact this suicidal person, and he is thinking about the worst possible situation. Another example is he sings “Please let me take you out of the darkness and into the light” he shows that he's truly concerned and he wants to help this person recover from their depression. The singer has also shown that he has suffered from depression from this quote “Well, I know the feeling of finding yourself stuck out on the ledge”.

At the age of fourteen, the nameless protagonist meets Old Chief Mshlanga on a walk with her dogs, a native tribal leader who used to own the whole area. The chief's pride and respect make the girl gingerly change her opinion of natives and reconsider her prejudiced vision and idea. As a result, she begins to be more pleasant towards the natives she encounters.