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Criticism Of Hedda Gabler

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5.1) Brief Summary:
Before this chapter, this research comprises of four chapters. The first chapter, consist of the introduction of the problem and a brief background of the research. At the end of the first chapter, brief biographies of both the figures are given. The body of works has done on the same problem by other writers is compiled in the second chapter. There is also a detailed account of the criticism done on Hedda Gabler as well. In the third chapter, methodology and data collection are discussed. The fourth chapter contains the collected and analyzed data to get all the research questions, answered. Now, here the entire research is going to be concluded.

5.2) Conclusion:
The present research has been contrived to explore Psychoanalysis
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Henrik Ibsen wrote Hedda Gabler at the time when most of his Victorian colleagues were discussing about idiosyncratic females problem. The psychological processes of the characters of the work are discussed one by one. Initially, Hedda’s mental condition is described who is abandoned over-aged, unmarried by his “authoritative father” and leaves her without providing her any psychological and physical support. She is dumped to a society where she is suffering from gender conflict and class discrimination as well. Both the issues affect her and she feels herself dumped, abandoned, lonely, rejected and has irregularity in her thoughts and in her daily routine…show more content…
She has no significant role in the play but the relation of other characters with Bertha reveals their psychological insights of mind.
The third character is Miss Tesman(Aunt Juju), who has devoted herself to Tesman. She tries a lot to get along with Hedda, but the difference in their class backgrounds is painfully apparent. These two sisters are also shown with an isolated background, who cannot enjoy any kind of love ; whether fatherly, motherly, brotherly or by husband.
The fourth is Mrs. Elvsted , who is showing modern psychological traits in her attitude. She has abandoned her husband and her whole life aside in order to fulfill her passion. She blatantly verbalizes her emotion and desires. Like Hedda, her slips of tongue prove her to be a victim of bipolar disease and personality disorder.
The fifth one is Loevborg, vigorous character, but shows the symptoms of psychological disorder. He has shown optimistic, enthusiastic, brilliant, man of present in the start of the play but his suicidal attempt proves him to be a man of fear. His weakness is easily spoiled by Hedda with her manipulative tactics, which shows him incapable of keeping his
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