Critique Of The Movie Blood Diamond, By Edward Zwick

The 1992 film, Thunderheart, directed by Michael Apted and written by John Fusco, portrays young FBI agent, Ray Levoi, who is a quarter Sioux Indian, investigating a homicide case on a Native American reserve. The movie incorporates themes of self-acceptance and discovery as Levoi reflects on who he is and discovers not only himself and his culture but the ugly truth about the reserve.

Lots of music, fast cuts, fantastic cinematography and superb sets and costumes make it the lively tale it was meant to be. These features also make the film somewhat cartoon-like with a lot of heightened realism. Don't expect to see British people prancing around in tights when you rent this one. Luhrmann creates a world where gun-toting youths sport Hawaiian shirts and beachfront brawls are an everyday event.

When one is on the other side of the earth, there is only so much information that a person could obtain. This was a great enough reason for the author, Greg Campbell, of "Blood Diamonds" to expose what all eyes are not seeing and what many are blind to in this world. Campbell went out to research the tracks and origins of a very valuable stone known as the diamond. In doing so, he urges to research the origins and life of this precious rock. He goes about researching just exactly how the life of the diamond begins in the jungles of Sierra Leone and ends up in the London on its market. This is what could be said to be the ultimate reason for this book "Blood Diamond”. Evidently, Campbell wanted to expose or let it be known how African

This study will analyze three central characters in the film: Blood Diamond (2006) by director Edward Zwick. By understanding the moral and ethical dilemma of illegal “conflict diamonds” being stolen and smuggled by Danny Archer (Leonardo DiCaprio) there is an unethical and immoral business dilemma he must deal with through other characters he encounters during the Sierra Leone Civil War of 1999. Another character, Solomon Vandy (Djimon Hounsou), is a native of the region that has been captured and forced into slavery as a diamond miner/laborer that invariably comes into contact with Archer after he discovers a large and rare diamond that he hides during his work shift. This aspect of the film opens the possibility of Archer slowly coming

This production was directed by Ridley Scott and the screenplay was written by Callie Khouri. It starred various actresses and actors. In the main roles were Geena Davis (Thelma) and Susan Sarandon (Louise). Other roles were played by Brad Pitt (JD), Harvey Keitel (Hal), Michael Madsen (Jimmy) and lastly Christopher McDonald (Darryl).

Cast: Joaquin Phoenix, Reese Witherspoon, Ginnifer Goodwin, Robert Patrick, Dallas Roberts, Dan John Miller, Larry Bagby, Shelby Lynne

Through the depiction of Chiron and his struggle in the film Moonlight Jenkins shows that the system one lives in and the internal self results in domination against oneself. Chiron the protagonist of the film is considered weak and fragile in comparison to his classmates and the people in his community and thus Chiron is targeted by his peers and even within his own household. In Frantz Fanon’s Black Skin, White Masks it is argued that the black man plays a part in their own domination by constantly viewing themselves as less than the white men.

Jared Diamond's bestseller Guns, Germs, and Steel (GG&S) is an attempt to explain why some parts of the world are currently powerful and prosperous while others are poor. Diamond is both a physiologist and a linguist who spends a good deal of his time living with hunter gathers in Papua New Guinea. As a researcher and as a human being, he is convinced that all people have the same potential. Hunter gatherers are just as intelligent, resourceful, and diligent as anybody else. Yet material "success" isn't equally distributed across the globe. Civilization sprung up in relatively few places and spread in a defined pattern. I should emphasize that Diamond doesn't equate material

Since 1968, there have been at least 25 films made that portray the events of the Vietnam War. Historians have to ask themselves when watching these films, "Did the fictional character represent historical figures accurately? Is this how a soldier would react in this situation?" The point of view of the director of the film can change with simple alterations in camera angles. For example, a view from the ground of a battle seen can show how the innocent people had the war in their own backyards. The view from a helicopter can show Viet Cong firing rounds at American troops and the troops can't tell the difference between the innocent and the enemy. The audience feels empathy and sympathy for the person from whose point of view the

All of the characters presented in the movie have a distinct personality, making the viewer engage deeply in the heart pumping action and drama.

The movie "Blood Diamond" was released in 2006 and featured Leonardo Di Caprio as an arms smuggler whose main goal is to obtain a seemingly priceless diamond from a villager during the civil war in Sierra Leone. The film, although it has been called mild in comparison to reality, depicts the brutality that inhabitants of diamond villages were subjected to. The film was nominated for five Academy Awards, and won numerous other awards.

Comedic films and theatrical productions generally focus on the average human. This excludes people with extraordinary amounts of influence or power such as kings, queens or superheroes. Grecian comedy dissects the social or personal aspects of an average human’s life and uncovers their foibles and frailties. A minor weakness will usually lead to the character falling into some form of temptation which stands as the climax of the plot. This minor weakness of the character helps develop the storyline. For example, the play, Lysistrata, centers around the Grecian army and their wives. Aristophanes presents sex as a weakness of men and women in Greece in the play. The temptation for the army wives is to relinquish the sex strike that they

The film’s casting is related to historical and fictional characters. For instance, some of real travelers in the RMS Titanic are portrayed in the film. This is helpful for the viewers to identify the historical element of the film. On the other side, the protagonist and the heroine are fictional characters. For instance, Jack and Rose, (the protagonist and his lady love) are fictional characters who inculcated the element of romance in the film. One can see that the director’s decision to caste Leonardo DiCaprio as Jack Dawson (say, the protagonist) is one of the elements behind the commercial success of the film. Besides, DiCaprio’s youthful exuberance suits his character in the film. On the other side, Kate Winslet’s character as Rose DeWitt Bukater is apt

Since its humble beginnings in the later years of the nineteenth century, film has undergone many changes. One thing that has never changed is the filmmaker’s interest in representing society in the present day. For better or worse, film has a habit of showing the world just what it values the most. In recent years, scholars have begun to pay attention to what kinds of ideas films are portraying (Stern, Steven E. and Handel, 284). Alarmingly, viewers, especially young women, are increasingly influenced by the lifestyle choices and attitudes that they learn from watching these films (Steele, 331). An example of this can be seen in a popular trope of the “romantic comedy” genre in this day and age: the powerful man doing something to help, or “save” the less powerful woman, representing a troubling “sexual double standard” (Smith, Stacy L, Pieper, Granados, Choueiti, 783).

The film I picked for my critique is Red Tails, a historical World War II drama. The movie starred Cuba Gooding Jr., Terrence Howard and Gerald Mcraney, was written by John Ridley and Aaron McGruder, better known as the creator of the comic strip “the boondocks”, from a book by John B. Holway, directed by Anthony Hemingway and produced by George Lucas . In this paper the author will show how all elements of filmmaking