Critique of "Woman as Storyteller in Wide Sargasso Sea

The film The Sea Inside shares the heart warming real life story of a man named Ramon Sampedro. At the young age of twenty-six he suffered an accident while diving into shallow waters of the ocean that left him a quadriplegic. Now at the age of fifty-four, Ramon must depend on his family to survive. His older brother Jose, Jose’s wife, Manuela and their son Javi do their best to take care of Ramon and make him feel loved. Although Ramon is extremely grateful to his family and friends for their help all these years, he has come to see his life as aggravating and unsatisfying. He wishes to die with the little dignity he has left in his life. However, Ramon’s family is dead set against the thought of assisted suicide and the

The epic journey of “The Old Man and the Sea” describes struggle, discipline and manhood. The main characters relationships exemplify how faith and skill overcome man’s adversity during life on the sea. Santiago’s growing relationship with the boy idealizes his statute as a father figure and develops his integrity and values towards the boy. Hemmingway shows us how an old fisherman’s will to overcome the sea’s obstacles proves his manhood to himself and the young boy. His skills and knowledge of the sea provide a positive influence for the young boy to become a great fisherman someday.

Does deviating from one’s gender norms inevitably doom one down a spiral of moral corruption? Tim O'Brien, author of “Sweetheart of the Song Tra Bong” and Ernest Hemingway, author of “The Short Happy Life of Francis Macomber”, certainly seem to hold this view, as evident by the fates of the major female characters in their respective works. The deviance of the major female characters in both works appears to corrupt not only themselves, but also pollute their partners, causing them to suffer injury or harm as a result. The degree of injury ranges from negligible, like Fossie’s demotion and broken heart, to fatal, like the bullet that rips through Macomber’s skull. It begs the question, are these stories meant to serve as cautionary tales for their female readers, or possibly for their husbands, so they may recognize gender deviance and stop it in its tracks before their wives transform into Margot Macomber or Mary Anne Bell? This essay will analyze what such characters say about pervading views of women, both in society and in literature.

Literary writers incorporate narrative elements in order to convey the flaws of humanity in society, such as gender or class based issues. The Wife of Martin Guerre, by Janet Lewis, portrays the individual’s struggles in feudalist, sixteenth century France and delves into the issues of a complete authoritarian rule, the place of women in patriarchal societies, and the concepts of family honour, justice, truth and love. Lewis utilises metaphorical characterisation of Monsier Guerre, Bertrande de Rols, Martin Guerre

In Jean Rhys' novel Wide Sargasso Sea, whether Antoinette Cosway really goes mad in the end is debatable. Nevertheless, it is clear that her life is tragic. The tragedy comes from her numerous pursuits for love and a sense of belonging, and her failure at each and every one of these attempts.

A patriarchal society is a world in which men are the sole decision makers and hold positions of power. As a result, women are introduced to a world made by men, and a history refined by a man 's actions. In Jean Rhys 's Wide Sargasso Sea, conceptions of gender are purposefully problematized. Women characters such as Antoinette and Christophine are pitilessly exposed to constraints of an imperial world.Wide Sargasso Sea presents a modern form of feminism which takes into account the intricacy of male-female interactions to find that efforts to surpass gender norms are despairing.

Within My Last Duchess, The Bloody Chamber and Dracula, there is evidence to suggest that women within the gothic genre as portrayed as victims of male authority, as well as evidence to disprove this argument, instead suggesting that it is the women within the Gothic genre which makes themselves victims. ‘Angela Carter is particularly interested in the portrayal of women as victims of male aggression as a limiting factor in the feminist perspective of the time’[i] Carter, with her modern twist on traditional fairytales places a

In the novel Wide Sargasso Sea by Jean Rhys, Antoinette Mason’s identity is frequently discussed. Antoinette, the daughter of ex-slave owners and a woman whose life is dictated by mental illness, grows up in the Caribbean as a Creole during the nineteenth century. As a young adult, she is forced into a marriage with a white man from England, an event that ultimately leads Antoinette to her downfall. At the start of the novel, Antoinette and the characters around her are optimistic about their identity and future. As the plot progresses, Antoinette increasingly struggles to understand who she is and what her future entails. Ultimately, Antoinette loses her identity and her purpose. Throughout the text there are many reoccurring motifs. A motif

Crossing the Mangrove by Maryse Condé first published in 1989, offers a fitting representation of French Caribbean history and culture. The novel stands out for its celebration of diversity and the concept of root identity throughout French Caribbean society. Condé’s novel reflects on the people living in Guadeloupe and the complex system that colonialism has created in the Caribbean. Also, it links the créolité movement from its counterpart Negritude and demonstrates how it shapes the identity of individuals living in the French Caribbean. The population of Rivière au Sel exemplifies the mixture of Guadeloupian people and how they interact with each other in a small community. Countless waves of immigrates to the Caribbean have brought African, East Indian, Europeans, Asians and other racial groups to live in close proximity to each other in Guadeloupe. In Praise of Creoleness, it explains the emergences of créolité and how it is a metaphor for a unique Caribbean identity completely separated from other movement in the Caribbean.

Physical isolation is present in both texts, with Jane in Jane Eyre and Antoinette in the Wide Sargasso Sea experiencing absolute isolation

Gordon, Alan. "Dreams in Wide Sargasso Sea." Dreams in Wide Sargasso Sea. Victorian Web, 21 May 2004. Web. 19 Nov. 2014.

   Jean Rhys' complex text, Wide Sargasso Sea, came about as an attempt to re-invent an identity for Rochester's mad wife, Bertha Mason, in Jane Eyre, as Rhys felt that Bronte had totally misrepresented Creole women and the West Indies: 'why should she think Creole women are lunatics and all that? What a shame to make Rochester's wife, Bertha, the awful madwoman, and I immediately thought I'd write a story as it might really have been.' (Jean Rhys: the West Indian Novels, p144).  It is clear that Rhys wanted to reclaim a voice and a subjectivity for Bertha, the silenced Creole, and to subvert the assumptions made by the Victorian text.  She does so with startling results.

Melville's novel, Moby Dick, has only men. Melville's men's club sails a sea whose gender changes often and whose personality is resolutely enigmatic. The feminine in Melville¹s novel hides her face in a veil of stars and behind a cloud of words.

Rhys weaves the themes of women's sexuality, madness and slavery throughout her story of Wide Sargasso Sea. Antoinette yields to insanity apparently inflicted by Rochester's controlling ways as he sets out to deconstruct her personality. Her madness is a symbolic death, an escape from her situation of female dependence and male dominance. Rochester changes Antoinette's name to Bertha, ("Wide Sargasso Sea," Part 2 p 87) stripping her of her identity. He later fragments this even further for her taunting her; "Marionette, Antoinette, Marionetta, Antoinetta." ("Wide Sargasso Sea," part 2, p99) inferring she is a malleable puppet, and he is the puppet master, the controller.

Walcott redefines and reinvents the literary epic in Omeros and Rhys challenges the ignored narrative of Bertha/Antoinette in Wide Sargasso Sea. In Omeros, I propose on demonstrating how Walcott uses Helen as a symbol of the St. Lucia and how her struggle represents the struggle of the island. I will investigate the images of the victimized Helen of Troy in contrast with this Antillean Helen who, rather than a victim, is the seducer of the men, and resists the domination of the men and the effects of colonialism. This gives Helen a tremendous amount of power. She represents the beauty and desire through which the men of St. Lucia define themselves. I will zoom in on how Walcott uses Helen through her resistance of the influences of New World and the tourism to show how the natives still try to hold on to their traditions and strive to create their own identities in an environment that is constantly causing the natives to reinvent themselves to suit the colonizers and tourists. Walcott uses Ma Kilman as the mother healer who heals the “wounds” of