Crucial Confrontation In Billy Bud Sailor

     Captain Vere knew that Billy did not mean for him to die but he still calls a trial for murder. Captain Vere knew that Billy was not going to revolt as well but because of the mutinies that had been taking place at that time, Vere did not want to show any weakness. Billy could have probably gotten off had he turned in the other men who were actually planning to revolt but he didn’t because of his loyalty to his crew. He lost the trial and was hanged, his last words being, “God Bless Captain Vere!';

The central conflict of this book is Billy coming to terms with the unfortunate events happening around him, and facing this character versus world scenario of everything and everyone always being against him in some way or another. Billy sees so much suffering and so much death. He is blamed for the death of Ronald Weary, which is not his fault. He witnesses the Dresden Firebombing, and has an overall uneventful blain life to begin with. Billy needs to find a way to cope with this unbearable pressure, and whether or not the Tralmalfadorians are real, their message is real to Billy. The philosophy they present is the excuse Billy needs to justify all the wrong he sees around him. The Tralmalfadorian belief being that there is no free will, and that you timeline is fact, and that you simply experience death, but continue “existing” afterwards. Essentially, you always exist and what happens to you is predetermined fate. This allows Billy to pass on all of the death and misery around him as meant to be. He can rest assured knowing that there is nothing he could about anything in the past, present, or future. There was nothing he could have done or can do to stop the death and torture, weather it is the death of his wife, the firebombing in Dresden, or even his own death. This motivation-less philosophy is his resolution to his devastating conflict, and is directly responsible for his lack of action throughout the story.

Billy is a handsome, young sailor, new to the ship and eager to impress. Billy becomes very popular with the crew. When seeing Billy accepted by the crew it reminds him of the their dislike for him and he becomes jealous. The Dankster’s conversation with Claggart also shows his fear that he will lose the power he held from the fear of others

To the casual eye, Billy looks like the typical bad boy. A boy that ran away from home, showing his rebellious tendencies. A boy that would most certainly be a bad influence over anyone. However, as we take a closer look into Billy's true personality,

want Billy to suffer with his extreme guilty until a martial court can see his

It was very unlike Billy to ever do something so rash; he brought out the best in everyone. Captain Vere felt in his heart that Billy’s actions were a mistake, but he could not be sure. The accusation Claggart made was mutiny, and mutiny was a serious crime. Vere had no proof that Billy was not guilty, so for the safety of himself and his crew, he sacrificed Billy’s life.

After Billy and Weary are caught the German photographer wanted a picture of an American being captured so that it could be published in the papers,“The photographer wanted something more lively, though, a picture of an actual capture. So the guards staged one for him. They threw Billy into shrubbery. When Billy came out of the shrubbery, his face wreathed in goofy good will, they menaced him with their machine pistols, as though they were capturing him then”(Vonnegut 74). Billy blindly follows what the guards tell him to do because he is under their control. Billy does not have the ability to act on his own accord. In the novel it is stated that,“'Saved your life again, you dumb bastard,’ Weary said to Billy in the ditch. He had been saving Billy's life for days, cursing him, kicking him, slapping him, making him move... Billy wanted to quit. He was cold, hungry, embarrassed, incompetent. He could scarcely distinguish between sleep and wakefulness now, on the third day, found no important differences either, between walking and standing still”(Vonnegut 43). Even though Billy is technically free at this moment he is still under the power and control of Weary. He is a Prisoner to Weary’s need to be

With this description, Vonnegut vastly distances Billy from the ideal, strong and mighty image of a soldier, yet Billy is a soldier nonetheless. Not only is this weak and ungracious character fighting and representing the honour of his country but also he is one of the few soldiers who survive the war; he outlives many of the other soldiers that could be considered better suited for war. Furthermore, Vonnegut compares Billy to a filthy flamingo, highlighting the distance that exists between society's soldier ideal, graceful and admirable, and the soldiers' reality, harsh and rampageous. In short, Billy is so far from what is expected that he “shouldn't even be in the Army” (51). However, Billy is not the only soldier in this ludicrous predicament. Vonnegut describes the entire Army as chaotic, confused and ludicrous:

Part of Billy's appeal to his shipmates was due to his unparalleled feats of strength that had become canonized amongst them. Just as Jesus' tales of miracle workings and deeds helped to further His legend, Billy's prodigious exploits and physical attributes in turn furthered his own: "Tales of his prowess were recited. Ashore he was the champion; afloat the spokesman; on every suitable occasion always foremost" (1486). The recantation of Billy manhandling Red Whiskers, who is openly hostile towards Billy, and subsequent winning of his allegiance, can be viewed as an allegorical tale of Jesus winning over the stubborn Simon Peter into His congregation of Apostles. Billy, like Christ, is a symbol of peace and unites the other sailors into a familial contingent: "But Billy came; and it was like a Catholic priest striking peace in an Irish shindy. Not that he preached to them or said or did anything in particular; but a virtue went out of him, sugaring the sour ones" (1488). The familial aspect of the crew is alluded to in the description of Billy not having any known relatives or family members: "for Billy, as will shortly be seen, his entire family was practically invested in himself" (1490). This idea goes along with Christian theology often invoking the image of the

Billy had no mental problems. He was more than capable of having a conversation and could have explained himself to the captain. Billy let his emotions get the best of him. Billy regretted striking Claggart. Billy was punished correctly for the crime he

When he tells Billy that he needs to figure it out and snap out of it, Billy says, “ You guys go on without me. I’m all right” (Vonnegut 47). This just displays the hopelessness in Billy’s life. The war has driven him to lose touch with himself and not value his own life. This makes it very easy for a reader to feel empathy for Billy and get an idea of how war can really affect these men. Billy isn’t the only character that Vonnegut uses to depict the terrors of war.

The gullible nature of Billy Weaver is quite interesting as he does not show any sign of stupidity, but his gullible state got the best of him. There are numerous reasons to portray the nature of Billy as abnormal.The first sign shown by Billy is when he figures out the cost of staying at the Bed and Breakfast for a night. In the passage, it states “Five and sixpence a night, including breakfast” (Dahl 2). He subsequently says it was “fantastically cheap” (Dahl 2). but he never thought of the consequences he would face or think why it was so cheap, as many places would charge twice as much. This shows his gullible state of mind at the extremes. Billy Weaver finally asks about how this cheap of a place did not get lots of customers and she answered: “I’m inclined to be

While constantly aware of Miss Drew’s situation, Billy can’t escape the realization of his position’s possible transiency and the fact that his life depends on his usefulness in the gang: “all I had to remember was how small of a mistake was sufficient to change my fortune, maybe even without knowing it. I was an habitual accomplice to murder. I could be arrested, tried, and sentenced, to death”(123). From this, Billy is impressed with one of the fundamental rules that accompanies inclusion in gang life—absolute loyalty to the gang’s interests. Billy observes the consequences of breaking this rule of loyalty when he hops onto the boat and into the scene of Bo’s sinking figure, and later, when Schulz’s personal life becomes complicated with a pending courtcase. The gang loyally relocates to the rural small town of Onondaga to help ensure the boss avoids jailtime. After painstakingly building an amiable reputation in the town for the Boss, Schultz’s temperament leads to “the president” Julie Martin’s murder in the hotel. The entire gang dutifully cleans the room and removes the body with cover up concluding with and unprepared Billy being punched in the face. After the fact, Billy comes to see the necessity of his subsequent broken nose yet is internally insulted and cannot shake the urge to “get revenge” (159). This affront to his own ego caused a shift

William ‘Billy’ Budd has been described as a ‘Christ’ like character. His physical appearance remains to be a focus throughout, and his perfection is, ultimately, what attracts all the sailors to him. Billy has an innocence to him that many on the ship have lost. However, nothing is perfect as it seems, as Billy’s flaws lead to his demise. Billy’s stutter, as well as his childlike mentality when it comes to aggravated situations show that while God can create seemingly ‘perfect’ beings, Satan and evil also have their say and play a crucial part. Billy’s death in the novella can be considered a mirrored image of Christ’s death in the bible. Even their last words bear a sense of forgiveness. Billy’s final “God Bless Captain Vere!”, (page 86), is very similar to Christ’s, “Father, forgive them for they know not what they do.” Billy’s final exclamation results in a lack of wavering faith and, almost, forgiveness for Captain Vere’s condemning William to death. Additionally, as written in chapter 27, Melville compares Billy to

Claggart has often been described as a serpent like creature, he looks at Billy with "serpent fascination" (Melville 449), and when Billy helps Captain Vere to lift the corpse of Claggart, "it was like handling a dead snake" (Melville 478). It would also seem that Billy did not intend or want to kill Claggart as he did, but that due to what Claggart had done, he was unable to react in a different way. "But he foully lied to my face and in presence of my captain, and I had to say something, and I could only say it with a blow, God help me!" (Melville 482). Here Billy actually says that his killing of Claggart was not intentional, and if Claggart never lied to Billy and Captain Vere, Billy would never have reacted as he did. His exclamation of "God help me!" clearly displays that he knows what he did was his loss of innocence as did Adam as soon as he bit the apple.