Crucifixion By Giotto Di Bondone Essay

Giotto di Bondonne created “Lamentation” circa 1305. This piece depicts Jesus Christ removed from the cross as Mary the Virgin embraces Him. There are two figures in the foreground with their backs facing the audience. Dawning a new style of artwork creating a sense of depth. John the Baptist is seen flailing his arms backwards. Body gestures were stiff and stern in comparison to previous works. Bondonne is an early artist in “the revival of the visual arts” by painting a scene to suggest a story (Richards). For example, angels are captured flying in the distance watching the people care for the deceased Jesus Christ. They grieve in unison with the crowd down below. Bondonne successfully creates a feeling of three dimensions by including a cluster of people on the far left tucked away in the corner. The mass of people gathered around to offer praise for His ultimate sacrifice.

It is a famous example of Renaissance art showing portraiture, realism, and some perspective. In this painting there are four distinct characters. Each has a different expression that shows how they are feeling. There is also more detail in the faces then in any other parts of the painting. Another technique it demonstrates is heightened realism. Whereas before the Renaissance the figures may have been painted simply and in only enough detail to get the general idea across, these figures are shown more realistically. Lastly there is the technique of perspective as shown in the background of the painting. The sea stretches out into the sky and the land in the background is shown how it would look if the viewer was actually

The ominous figure in the centre of the foreground - Jesus Christ hanging lifeless on the cross, in Luca di Tommè’s ‘The Crucifixion’, primarily catches the eye. The symmetrical arrangement of lamenting figures around the cross, as well as the gilded background, highlight him as the focal point of this artwork.

The halo looks to have been carved into the wood and then painted with a little bit of sun gold to heighten its appearance. The lesser portion of the painting has a dark brown color which might have being painted or made from a different type of wood. The base on which the painting stands is painted in dark brown and looks very firm. On the left and right of the arch there are blue colors meant to depict the skies filled with yellow stars. This depiction of the skies is said to be where God the Father resides. In the painting, there are three life like images that are clearly visible. The first one as illustrated in order of importance is God the Father who sits on his thrown that of a chair made from gold. His hair is long down to his shoulders; and he his fully garbed in a mixture of red, white and black being the dominant color. His garments are lined with gold colors and matches his long beard. God the Father hands are partially extended in front of him holding up a wooden cross which displays God the Son.

One of the most effective principles Paolo de Matteis uses in this painting is his use of lines and invisible lines to direct the viewer’s attention to the child in his mother’s arms. The shepherds and their animals, the Virgin Mary, and Saint Joseph are all instances of invisible lines in this painting, as their outstretched hands and lines of vision are all pointing to the baby Jesus. For example, the three women and the child kneeling to the bottom right side of the manger are all staring or pointing to the upper left, toward Jesus. Moving to the upper right corner of the painting, the ox and the donkey are directing their gaze to the bottom left, once again at Jesus. The two men to the right of the animals also point in that direction. In the top and center, Mary and Joseph watch their child, creating yet another invisible line pointing toward the point of emphasis, while the angels

This painting was created by the artist Parmigianino in 1534–1535 during the Renaissance & Mannerism time period in Florence, Italy. The painting is oil on wood. The painting portrays the Virgin Mary placed on a high pedestal in extravagant robes, holding a very large baby Jesus on her lap. Next to her are a few angels showing interest in the baby Jesus. In the lower right-hand corner of the painting shows the emaciated figure of St. Jerome. A representation of St. Jerome was required by the administrator because of the saint's relation with the adoration of the Virgin Mary. The Madonna with the Long Neck is a portrayal of the Virgin Mary who seems to be very disproportioned.

painting. This is a painting in which Jesus is the center of the movement in the work everything

The word courage has been tossed around for centuries. From Christopher Columbus to Drake. The definition is knowing that something scares the living daylights out of you, but facing it anyway. The thing is, there are many different ways to look at courage. For example, perhaps a book about courage. Let's take The Schwa Was Here by Neal Shusterman. The book relates to courage because it show many examples of it by explaining some dares, challenges and messes two kids, one half Invisible, go through. The main person who shows courage is The Schwa, because he has to listen to a bothersome story, sneak into a cranky mans house, even though the whole town is scared of it, and gets in trouble with airport security.

The Bible has very specific parameters for courage. Courage is trusting in God, His nature, and His perfect plans. Trusting in His

”(Chpt. 11, Pg. 128). As readers, we are challenged to make our own definition of courage. Some may be more about helping themselves, other definitions may be about standing up for injustice. I agree with many of these statements, but I feel that it does not fully encompass what true courage is.

To many people, to have courage means to be able to face any difficulty, hardship, or even danger without having any fear. Those that display courage are not always the heroes or leaders in stories but, are sometimes the characters that end up showing the most astonishing amounts of growth throughout a storyline. Often, traits such as courage are used to tell stories and inspire those who wish to make a difference in the world. Once they find a drive or a situation where the risk is pretty much even to the reward, they choose that that will do anything to for either the common good or for their own personal benefit. No matter the perspective of the situation, courage will always be one of the most powerful forces that can be found within.

Courage or the act of being courageous is something that can depict if a person is being weak. This act ties into the classic tale when identifying the strength it took Sundiata to walk. Sundiata was at an age where other young boys were gathering objects for their mothers and he simply could not, due to the fact that he was unable to walk. However, “In a great effort he straightened up and was on his feet at one go, but the great bar of iron was twisted and had taken the form of a bow.” (Page 21) A boy who once couldn't walk was now walking. He who once had to depend on his mother can now be the one his mother depends on. Thus, “ When Sogolon saw her son standing she stood dumb for a moment, then suddenly she sang these words of thanks to god who had given her son the use of his legs”. (Page 21) Sogolon was so discouraged to the point where the sight of her son’s slow development became an embarrassment. She soon became joyful of the courage

The two main characters in the painting display elegant mannered poses and all the figures appear arranged in rather unnatural poses. There is a small scene at the foot of the Saint Catherine and Christ figures. This is thought to be the Christ child with the Virgin Mary and grandmother, Saint Anne. Below these two scenes are three smaller bordered scenes. The central one depicts two enemies reconciled by an archangel and the outer ones show Saints Michael and Margaret fighting demons. All these images show the triumph of good over evil, with the middle characters shedding their weapons and embracing. All these small pictures support that the painting was commissioned by Arigoi di Nero Arighetti to celebrate the end of a feud.

He tended to explore the darker aspects of life and death in his paintings. Rebelling against conventional ideas- divine intervention, Virgin Mary, and death- he came to create his own style, forcing civilization ahead, and forcing others to follow his path. His paintings show pleading through man's direct knowledge of God (Cunningham and Reich 1640). By revolting against the classical traditions, he created his own style, which other artists wished to portray also. Thus, he created a forward movement in the fashion of art and architecture.

It is a scene which is shown after Jesus was crucified, where his body has been removed from the cross and his friends and family mourn over his body. Many artists have focused this scene by just painting four people: the body of Christ, His mother, Saint Mary Magdalene and Joseph of Arimathea.