Cruella De Vil

Everyday men and women go to work in a variety of jobs as different as those in them.

Using different opinions and perspectives in her analysis proved that she is not biased for or against Disney. While there were many aspects of the novel that I agreed with, there were also some that I did not. I did not fully agree with the chapter “Analyzing the World According to Disney”. Wasko talks about how Frances Clarke Sayers, children’s literature expert, claims that “ Disney falsifies life and is not really related to the greater truths of life” (Wasko 126). I think that statement is being too harsh as Disney does teaches kids some good life lessons. Without a doubt, children deserve some fantasy and excitement in their lives. Regardless of what other people believe, I see Disney films as a way to escape and teach lessons to not only children, but also adults as well. Our society today is constantly being exposed to the harsh realities of life, and many can tell that the world of Disney is a utopia. In addition, Sayers explained that Disney’s adaptions of classic fairy tales make it so that there is nothing to make a child think or feel or imagine (Wasko 128). I completely disagree with this statement. After talking to many people, everyone claimed that after watching a Disney movie, they wanted to be one of the

Starting off her paper, Lacroix begins with an anecdote of her visit to a theater’s premier of The Lion King. Within her anecdote, Lacroix remarks that “a toddler…began shouting with glee” for the character Timon from The Lion King, which Lacroix found concerning as the toddler “was all too aware” even before the movie started playing (213-214). Lacroix directs attention to the repeated exposure of

Byron Howard and Nathan Greno’s Tangled and the Grimm Brother’s “Rapunzel” tell two similar but noticeably different versions of the story about a girl with long hair kept locked away in a tower. While Tangled presents a fairly lighthearted story, with some moments of despair, “Rapunzel” is told in a mostly despondent manner. This paper will attempt to discern the differences in themes by comparing and contrasting the routes taken the stories.

I admired the character Princess Jasmine in the film “Secondhand Lions” by Tim McCanlies because she was a minor character but she stood out in the film. This movie was about a fourteen year old boy whose mother sent him off to his Great Uncle's farm on a mission to find their millions that rumor said they had stashed away. His summer stay features stories of his Uncle's past and of their adventures a long time ago with princesses, wars and evil sheiks. Film techniques helped manifest Jasmine’s importance in the movie through narration, music and costume. This essay in my opinion, concludes Jasmine was a minor character that was seen rarely, but her presence was overall substantial.

Throughout the Lais of Marie de France there are several themes presented as central to the various stories. Some of these themes are present in all of the lais. One such example is that of courtly love and it's implications. Courtly love being one of the more prominent themes in all of medieval literature, it is fittingly manifested in all of the lais as well. Another theme present in two of the lais is isolation. The theme of isolation plays a large role in the stories of Guigemar and Lanval. In each of these lais we see isolation as a factor in determining the fates of the central figures. Within each lai isolation is represented on several different occasions, each time having a direct impact on the outcome. These instances of

“Everything you see exists together in a delicate balance. As king, you need to understand that balance, and respect all the creatures from the crawling ant to the leaping antelope,” said Mufasa, a supporting character in the film depiction of Walt Disney’s: The Lion King (1994). The Lion King is a timeless archetypal work that time after time has given youth hope and has shown them that courage is not always innate, but can be learned from just living life with a little “hakuna matata”. The Lion King, through the use of classic archetype, vivid surrealism, and iconic symbolism, shows a coming to age story that shows children that life is an adventure worth the trouble.

Many people may argue that Marie Antoinette was the biggest factor for why France fell into a revolutionary state, however, Marie Antoinette was a queen victimized and forced to play role from a young age to satisfy the French people who disapproved. Marie Antoinette was falsely blamed for her actions when in fact it wasn’t her fault. Marie Antoinette was forced to accept a society where she had to learn new customs and traditions. She had to leave everything behind, consequently become something she isn’t. Her frustration and unhappiness with Versailles was no surprise. Marie Antoinette was frustrated by her marriage. At Versailles her husband-to-be, Louis Auguste had no interest in her. In the film, Marie Antoinette, the director clearly

“We don’t like what we don’t understand, in fact it scares us,” is a disturbing, yet unfortunately (occasionally) true line from “The Mob Song” in Disney’s Beauty and the Beast. While it is sung by a group of fearful townspeople, this has been known to ring true in everyday life. Thankfully, the people behind Disney’s classic, Beauty and the Beast, tried to teach a generation this lesson through the protagonist, Belle. Through her caring nature, Belle drives the movie’s theme of not judging a book by its cover.

a) Describe the major influences that led to the rise to prominence of your chosen personality in her nation’s history.

Lazarus states her thesis by saying: “The Lion King is breaking box office records. But it’s not breaking stereotypes (1)”. She discusses how at first she believes it will be different from the traditional Disney movies because it is based on a group of animals and not on sexist princess movies such as The Little Mermaid and Beauty and the Beast (1). Lazarus says she had grown “weary of reinforcing women’s subordinate status by screening fables about a beauty who tames an angry male beast or a mermaid who gives up her glorious voice and splits her body to be with a prince.(1)”

Approaching the scene where her body was dumped had to be done with great caution. Some of her remains were scattered due to animals feeding on her. The area was photographed first before colleting her remains. It would be a difficult area to search, there was a lot of growth around her body. There would not be much evidence found on her remains, her body had been

This article is divided into three different sections- Finucane’s Theory, the Hottie Mystique and the media onslaught. The Finucane Theory comes about because of a mother that was worried about her daughter and the influence they were having on her. Her theory states “Many Parents and commentators defend Happily Ever After against what some critics call a rising “feminist attack,” and credit the comely ladies with teaching values such as kindness, reading, love of animals, and perseverance. When questioned, Disney never really responded to the allegations but stated the same standard statement, “For 75 years, millions of little girls and their

Have you ever looked at a piece of art and wondered how it could be based on real life, because it was just so beautiful? Well Elisabeth Vigee Le Brun was able to paint in such new and exciting ways; people were left wondering just this. Elisabeth Vigee Le Brun was a woman of many talents. In her life time she came up with new ways of painting, revolutionized fashion in France, and overcame any prejudice thinking because she was a woman. Before dying at the age of eighty-seven, she had gained the respect of women and men all across the world. Being a female artist in the eighteenth century was not easy, especially when you had to keep a career and your life together during the

From the moment the world introduced us to television, we have been bombarded with images of fantasy and “happily ever after’s.” Perhaps the most well known corrupter of reality lies within the Disney franchise. Disney’s, The Little Mermaid, follows a typical fairy tale format in which all goals and dreams are achieved. Its counterpart, however, moves to the beat of a different drum. Hans Christian Andersen’s, The Little Mermaid, portrays a more serious plot much different from Disney’s loveable adaptation. One may conclude that the most these two stories have in common is their titles, but a deeper theme runs throughout both of these fictional plots. Despite these two stories’ conflicting agendas and the