Cruelty In Kate Chopin's The Story Of An Hour

She realizes that her husband`s death was a turning point to her to begin a new chapter in her life. She is a free woman to do anything. Mrs. Mallard kept saying, "Free! Body and soul free!" (Chopin, 101).

Mallard’s heart trouble, after she goes to her room, “we realize that the problem with her heart is that her marriage has not allowed her to ‘live for herself’.”(Hicks) With the news of her husband’s death Mrs. Mallard has now been reborn. She is now free, free from the shadow of her husband. Although the author gave little details about the marriage between Mr. and Mrs. Mallard, the story suggests it had not been unhappy but Mrs. Mallard had felt repressed. “She knew she would cry when she saw the kind, tender hands folded in death; the face that had never looked save with love upon her, fixed and gray and dead.”(Chopin) She knew her husband loved her and she said she loved him sometimes. However, after his death, “there would be no one to live for during those coming years; she would live for herself. There would be no powerful will bending hers..."(Chopin) Mrs. Mallard felt it was a crime to impose one person's will on another person. The thoughts of her freedom brought out a joy from within her. This she describes as a "monstrous joy" because it comes from her husband's death but allows her complete happiness to be free. As Berkove says,” The monstrous surge of joy she experiences is both the cause and first sign of a fatal overload to her feeble heart. Physically, her heart is weak, and emotionally, it had no room for anyone else.

In Kate Chopin’s “The Story of an Hour” allows one to explore many ironic instances throughout the story, the main one in which a woman unpredictably feels free after her husband’s assumed death. Chopin uses Mrs. Mallard’s bizarre story to illustrate the struggles of reaching personal freedom and trying to be true to yourself to reach self-assertion while being a part of something else, like a marriage. In “The Story of an Hour” the main character, Mrs. Mallard, celebrates the death of her husband, yet Chopin uses several ironic situations and certain symbols to criticize the behavior of Mrs. Mallard during the time of her “loving” husband’s assumed death.

Mallard after her sister tells her the news of her husband is not the common reaction expected when someone suddenly dies. Her reaction quotes, “She did hear the story as many women have heard the same, with a paralyzed inability to accept its significance. She wept at once, with sudden, wild abandonment” (Chopin 653). This quote indicates the fact that she does not react the way that a spouse would when he or she’s spouse has passed and having the utter feeling of denial. Though uncertain of her own feelings, Chopin begins to describe Mrs. Mallard’s decaying thoughts of her former lifestyle into something more

Angelyn Mitchell interprets Chopin’s work “The Story of an Hour” as a feminist piece of work. She believes that Chopin wants to prove the double conscience of females, which is when women connect their inner self with their outside and gain freedom. “In ‘The Story of an Hour,’ the quest for freedom is complicated by three important factors: biological determination, patriarchal social conditioning, and the patriarchal institution of marriage.” Mitchell uses Mrs. Mallard’s heart condition to show biological determination. “Richards, a friend of her husband, rushes to relate the sad news of his death before someone ‘less careful, less tender’ can do so.” Patriarchal social conditioning is shown by showing that Mrs. Mallard does not act as a woman

Mrs. Mallard is, outwardly, a typical woman in the 19th century with a husband, family, and home. It is first apparent that Mrs. Mallard is not satisfied with her role as a wife when she receives the news of her husband’s death and begins to feel a sensation of joy that overcomes her. The wife’s unhappiness with her married life is enhanced when the narrator states, “She breathed a quick prayer that life might be long. It was only yesterday she had thought with a shudder that life might be long.” (Chopin 16) The reader infers that Mrs. Mallard was figuratively suffocating under the duties and stereotypes a 19th century woman was subjected to, such as caring for a house and family instead of pursuing a career outside of the home. Mrs. Mallard views her husband’s death as an escape from her role and a chance to have control over her life and choices, showed when she whispers “Free! Body and soul free!” (Chopin 16) In the final portion of the story Mrs. Mallard’s husband returns home, having never been in an accident, and she dies of what doctors determine is an overwhelming joy for seeing her husband alive. The reader infers that Mrs. Mallard has lost her chance of a new start and freedom from her role and dies of grief over her loss of freedom. The author contrasts Mrs. Mallard’s lack of control and freedom in her life to

In the short story, “The Story of an Hour,” author Kate Chopin presents the character of Mrs. Louis Mallard. She is an unhappy woman trapped in her discontented marriage. Unable to assert herself or extricate herself from the relationship, she endures it. The news of the presumed death of her husband comes as a great relief to her, and for a brief moment she experiences the joys of a liberated life from the repressed relationship with her husband. The relief, however, is short lived. The shock of seeing him alive is too much for her bear and she dies. The meaning of life and death take on opposite meaning for Mrs. Mallard in her marriage because she lacked the courage to stand up for herself.

Traditionally, women have been known as the less dominant sex. They have been stereotyped as being only housewives and bearers of the children. Many interesting characters in literature are conceived from the tension women have faced with men. This tension is derived from men; society, in general; and within a woman herself. Kate Chopin‘s short story, “The Story of an Hour”, focus on a woman’s dilemma near the turn of the 19th century. Contradicting the “normal” or sad assumption of death, “The Story of an Hour” illustrates the significance of death representing freedom. The Story narrates about an hour of Louise Mallard’s life, as she tries to understand, and deal with her feelings of her husbands death.

Proving how the dramatic irony used throughout shows Mallard’s excitement. Also, how shock, not joy kills her because she was ready for a life controlled by where she controls her choices. This is ironic because while most women would react to their husband's death in a negative way; Mallard exhilarates with joy because of the ability to have independence. In addition, Chopin applies repetition to urge Mrs. Mallard does not die the way the other characters assume she did. Mrs. Mallard as she grieves skips, the words, “free, free, free,” helping to bring emphasis to the point of how women often felt confined by the oppression of their husbands (Chopin 1).

Mallard’s unexpected bout of joy also supports the theme; if she was not feeling confined, her feelings of grief would not have been replaced by excessive joy. Time moves along, and she continues to whisper “free! Body and soul free!” (Chopin 2). It is further understood that the character was released from a constricted marriage because the words willingly slip roll off her tongue.

Mallard’s unhappiness in her marriage probably had to do more with her own desires and dreams than with her husband. The story even states “she had loved him---sometimes. Often she had not” (Chopin 2). During the time period in which the story takes place, the eighteen hundreds, marriage has an oppressive nature, which limits the wife’s choices, freedom, and independence. Because of this, “Maybe it's not about Mr. Mallard in particular that Mrs. Mallard has a problem with.

A Woman Far Ahead of Her Time, by Ann Bail Howard, discusses the nature of the female characters in Kate Chopin’s novel’s and short stories. Howard suggests that the women in Chopin’s stories are longing for independence and feel torn between the feminine duties of a married woman and the freedom associated with self-reliance. Howard’s view is correct to a point, but Chopin’s female characters can be viewed as more radically feminist than Howard realizes. Rather than simply being torn between independent and dependant versions of her personality, “The Story of an Hour’s” Mrs. Mallard actually rejoices in her newfound freedom, and, in the culmination of the story, the position of the woman

Mrs. Mallard suffers from a heart condition; thus, her sister Josephine gently and carefully breaks the news of Mr. Mallard’s death. Richards, a close friend of Mr. Mallard, is the first to discover the news of Mr. Mallard’s railroad tragedy. When hearing the news, Mrs. Mallard collapses in grief into her sister’s arms and retreats upstairs into her room. While her sister begs Mrs. Mallard to open the door, Mrs. Mallard reflects on her feelings. She sinks into an armchair facing an open window noticing the “new spring life, the delicious breath of rain in the air, the peddler in the street crying his ware, the notes of a distant song which someone was singing and countless sparrows twittering in the eaves” (Chopin 556). This signifies a new blossoming life: a life that she would live for herself. Although her husband is loving, and she knows that she will weep again when she sees his dead body, she realizes how confined marriage is for her. Robert Evans, author of “Literary Contexts in Short Stories: Kate Chopin's “‘The Story of an Hour,’” claims that Mrs. Mallard looks forward to a bright future rather than a dreadful life. She becomes aware that she must live alone rather than being imprisoned by marriage. As these thoughts circulate in her mind, she keeps whispering, “Free! Body and soul free!” (Chopin 557).By conveying the story through Mrs. Mallard’s thoughts, Chopin portrays how women actually feel compared to what they present in society. While Josephine and society expect Mrs. Mallard to be grieving, Mrs. Mallard is actually looking forward to the days ahead of her: “Spring days, and summer days, and all sorts of days that would be her own” (Chopin 557). When Mrs. Mallard discovers that the news of her husband’s death was inaccurate, Mrs. Mallard dies from a heart attack after seeing her husband alive. The

In Chopin’s short story “The Story of an Hour” focuses on the character Mrs. Mallard and how she comes to terms with the death of her husband. But the story also subtly suggests how woman were labelled as these domesticated creatures and controlled by societies principles in that time and age. This can be interpreted in the setting of the story and the characterization of the individuals within the story.

“The Story of an Hour” by Kate Chopin describes an hour in the life of an oppressed woman bound by marriage in the nineteenth century. It is only when Mrs. Mallard’s husband dies in a sudden railroad accident that she realizes she is no longer tied together by the ropes of man. At first she is shocked and horrified by the tragedy, for she did say “she had loved him – sometimes” (Chopin). However, once the tears were wept, a new bountiful life of freedom was now in the eyes of Mrs. Mallard. Chopin uses imagery, third person omniscient point of view, and concepts of relief and joy in “The Story of an Hour” to convey the true feelings of Mrs. Mallard as she is freed from the strenuous and unjust oppression of women due to society’s expectation of gender roles.