Cruelty Of Women In Macbeth

In the modern 21sr century, the roles and behaviors expected of individuals remains analogous despite gender. This ideology stems from the preceding movement in equality, which preaches that differences of sex appear insignificant. Despite this notion, there remains distinct differences in the physical and psychological makeups of both men and women. In most cultures, certain duties remain associated with specific genders. With this in mind, Shakespeare’s Macbeth heightens the supernatural evil possessing Lady Macbeth as she condones murder for her own selfish ambition, while in Shakespeare’s time women were regarded as peaceful and full of feminine sympathies. This anachronism with the reality of Shakespeare’s day, illustrates the immense sense of wickedness and abnormality emphasizing her character’s influence on her husband and the plot of the play. In contrast, Macbeth appears to some extent a more acceptable evil due to a greater compliance with the gender standards and moral transition during the Shakespearean era. Shakespeare utilizes numerous literary intentions in order to express these diverse levels of evil to provide an element of depth behind the mental reactions and deteriorations of the characters until their final decease into the complete darkness of death.

In William Shakespeare’s Macbeth, the author uses manipulation to show the protagonist’s downfall rests in the hands of females. The females manipulate Macbeth into doing what they want. They constantly agitate and unnerve Macbeth, forcing him to go against his will. Even when Macbeth wants to do the right thing, these cruel females push him against human nature.

Macbeth by William Shakespeare brings about one of the most controversial topic of the gender portrayal in a play. During Shakespearean times, women were considered as the weaker sex, physically and emotionally. On the other hand, men were seen as the dominant sex that is expected to be the head of their households and a strong figure. Unlike this stereotypical representation of men and women, Shakespeare introduces the reversal of gender roles in his play. Shakespeare’s portrayal of the relationship and characteristics of Macbeth and Lady Macbeth diverged from the stereotypical representation of both men and women. The author, William Shakespeare’s use of reverse gender roles which contradicted with the traditional gender roles, is what

This whole idea of female dominance directly challenges the Chain of Beings and as a result, exemplified Lady Macbeth’s importance as Shakespeare’s device to cause fascination amongst audiences. It also shows explicitly her influence on the main character Macbeth and hence the state of the entire play.

In Medieval times women were viewed as innocent beings who must be controlled by the men in their family; however, in Shakespeare’s Macbeth a woman is the mastermind behind the start of several horrendous deeds. Lady Macbeth was a woman with determination. When it was prophesized that Macbeth would be king, Lady Macbeth wished that her husband would immediately be at her side so she “may pour [her] spirits in [his] ear” (1. 5. 25). Lady Macbeth wanted nothing less that Macbeth to be king. In order for Macbeth to ascend to the throne, it needed to be emptied of King Duncan. Macbeth was an ambitious man but he was not evil, he would not commit murder to gain the throne; therefore, Lady Macbeth took it upon herself to see her husband crowned king. By making Lady Macbeth the mastermind behind a murder, Shakespeare disputed the typical role of women which labeled them as innocent and harmless beings.

We see her as a suppressed female clawing to power through men. The most notable scene where Shakespeare conveys this is Act 1 Scene 5. He has Lady Macbeth say, “unsex me here”, demanding elimination of all womanly attributes. She also says, “take my milk for gall”. This demonstrates she does not want to be a nurturing, mother figure. Lady Macbeth thinks her femininity is useless and that she could accomplish more as a male. In the Elizabethan/Jacobean era, women were often subjugated – made to submit to and follow men, regarded as weak and in need of protection. Given no control, women were forced to stay home and bear children. Lady Macbeth yearns liberation from these stereotypes and ideal standards of her time. Her authority cravings lead her to tell Macbeth, “Leave all the rest to me” – seeking dominance. Her husband is essential to succeed so she can be interpreted as somewhat manipulating him into committing larger crimes – namely

Not feeling any remorse, she is able to skillfully let go of guilt and skillfully get rid of evidence. As Macbeth comes back to her after the deed is complete he is very shaken up and extremely paranoid that someone saw him with the bloody daggers. Lady Macbeth tells him, “These deeds must not be thought after these ways; so it will make us mad” (2.2.34). By saying this she believes that you shouldn’t feel guilty about doing evil, you should just get it done and move on because thinking about it will only drive you crazy. Also she thinks when commiting violent acts such as murder make sure to get rid of any evidence that will lead people to believe you are a suspect. Frustrated and upset that her husband came home bathed in blood and the daggers in his hand she states, “Infirm of purpose! Give me the daggers.”(2.2.52-53). She is extremely disappointed in Macbeth for being so careless and cannot believe that he did not go through the well thought out plan smoothly. In her eyes he is still a coward and does not know how to behave calmy when feeling guilty.

The women in Macbeth, namely Lady Macbeth, contradict these expectations through their commanding, and ambitious tones. During that second half of act one Lady Macbeth is portrayed as the ruling figure in the house. Instead of being a grateful and fulfilling housewife she instead pushes and commands Macbeth to commit assassination. She berates him when he falters and asked if he would rather, “live like a coward in thine own esteem.” (Shakespeare)

Shakespeare’s play, Macbeth, begins with the protagonist, Macbeth, being faced with a supernatural prophecy. The temptation of power further corrupts Macbeth as the play progresses, until his murders catch up to him. Despite the time in which a man lives, he is surrounded by opportunity and the constant battle between the loss and acquisition of power. For those deep in search for power often experience the blurring of the lines between right and wrong. In the 17th century, gender roles were strict and unmoving. Men symbolized the power and strength, while the women represented the caring and submissive traits of human nature. Shakespeare utilizes Macbeth and Lady Macbeth’s marriage to further toy with the audience’s minds and inverts the gender roles.Throughout the play, Macbeth and Lady Macbeth’s marriage demonstrates inverted gender roles; but as Lady Macbeth utilizes her influence over Macbeth, her driven attitude leads him down the path of corruption.

In Macbeth, one of the most tragic and well known plays, William Shakespeare changes women’s part in society. During this time period, women are known to be both mentally and physically weaker than men. Women are called to be only housewives. Shakespeare reflected the image of women in society by giving the men bigger leads in his plays. Only in a few of Shakespeare's plays did he give women strong leading roles. Macbeth is one of the few plays where women play a more powerful role than the men. In Macbeth, he gives the women unusual traits like manipulation and betrayal. In William Shakespeare's play Macbeth, women like Lady Macbeth , the trio witches, and Lady Macduff portray non-feminine traits.

Upon this realization, Lady Macbeth indicates a newfound desire to be rid of her feminine qualities, seeking instead to replace them with masculine counterparts. Crying out, Lady Macbeth declares, “Come, you spirits. That tend on mortal thought! Unsex me here, and fill me from the crown to the toe top full of direst cruelty” (1. 5. 38-41). Her abstinence towards the limitations of gender thus set her down the road to madness.

In Macbeth by William Shakespeare, gender plays a pivotal role in the development of the overall plot and as the play advances, certain characters, including Macbeth and Lady Macbeth experience a reversal in traditional gender behaviors. Additionally, we see gender confusion among other characters that enhances conflict in the play. Originally, Macbeth and Lady Macbeth are portrayed in ways that enforce their respective masculinity and feminism in accordance to the society around them. As Macbeth begins to contemplate his decision regarding the killing of Duncan, his marriage becomes the primary driving force behind his action and thoughts in this matter. Although in some cases, male and female roles in this play remain static, the

Macbeth is a story written by William Shakespeare between 1599 and 1606, in which women who appear, have a very strong character. It is clear that most of the times they are the ones that control the men in the story; a very good example is lady Macbeth, the wife of Macbeth, and though she is portrayed as a very innocent women in his husbands eyes but she is actually the one that is controlling Macbeth in most times.

It is true that the majority of women in the 17th century were housewives (Lambert). However, in Shakespeare’s eyes, this did not translate to inferiority of women. Instead, he believed that society’s flawed thinking was both unjust and dangerous. He saw women for what they were worth: humans capable of performing and becoming something everyone else could. Regardless of their genders, woman could be just as assiduous, shrewd, and vindictive as their male

In perhaps the most pivotal scene in William Shakespeare’s Macbeth, Lady Macbeth’s motives are truly revealed in her manipulation of Macbeth to show how humans have a desire for power and once they get a taste of it, they will go through any lengths to have it, no matter the effect on others. Her lust for power is showcased through how she persuades Macbeth by insulting his masculinity and using emotive language to counter his logical reasoning. This section of the play illustrates the tipping point of each character’s morality with Macbeth having second thoughts about the planned murder and Lady Macbeth diving straight in.