Cubism Art

If people were asked to make a mental picture of a painter working on his work of art, most of them would describe it as a person with a big canvas on a stand in front of them painting the subject which they are looking at. There were two major differences in Pollock's approach to his art compared to other artists. The first major difference was that Jackson painted on the floor. The second difference was that he used a stick instead of a brush. They would say that because they are all not exposed to different types and styles of painting. For those people who do not know much about art wouldn't know the meaning of the painting or how it was created. In some instances people say to themselves, "you call this art, my little brother could

It is composed of geometrical shapes, abstraction and time. There are no specific colors or objects used. Cubists were looking for a different way to express human form as well as art in general. They provided what we could almost call a God's-eye view of reality: every aspect of the whole subject, seen simultaneously in a single dimension. According to Fiero, the Cubist image, conceived as if one were moving around, above, and below the subject and even perceiving it from within, appropriated the fourth dimension-time itself. In a sense, Cubism is four-dimensional: depth, height, breath, and time, but seen all at once. It displays different viewpoints from different aspects. The object is taken and looked at in many perspectives and is represented that way on the canvas.

On the other hand, Vincent van Gogh did not do any cubism work during his time as an artist, however, had more of an interest in drawing. Pablo Picasso had an interest in drawing too, but unlike his work, Vincent van Gogh’s drawings are appreciated without the need for bright colours, drawings such as his depiction of figures, light and landscape. Van Gogh drew using a lot of different media, such as chalks, red pen and charcoal, although he often mixed mediums as well when it came to drawing. He drew on not just paper, but a variety of paper types, and materials. However, Van Gogh’s methods of ‘drawing’ are very different to Pablo Picasso’s.

Even though Jacob Lawrence grew up in the Great Depression, he still became one of the more important artists of the 20th century. As a talented abstract painter with unique style, he loved to paint differently from many artists he admired. He used his art to contribute to the fight that ended segregation. He painted not to become famous, but to change the world.

At the start of his career he was influenced by the Arts and Crafts movement and then painted in a manner that could be compared to those of John Sloan, Edward Hopper, Edouard Vuillard or Utrillo.

Jackson Pollock was a legendary, novel, abstract expressionist who has created numerous paintings through his drip-style, action painting technique (Goodnough, 2012). Theosophical influence arose from Phillip Guston and Thomas Hart Benton, while in the early stages of the artist’s life. Muralists, such as Jose Clemente Orozco and Diego Rivera were also admired and studied by Pollock. He was captivated by the unorthodox techniques of David Alfaro Siqueiros which contributed to the abstract style of Jackson Pollock (Solomon, 1987).

Andrew had quite a vivid memory and a fantastic imagination that led to a great fascination for art. His father recognized an obvious raw talent that had to be nurtured. While his father was teaching him the basics of traditional academic drawing Andrew began painting watercolor studies of the rocky coast and the sea in Port Clyde Maine.

“In Cubism paintings, objects are broken apart and reassembled in an abstracted form, highlighting their composite geometric shapes and depicting them from multiple, simultaneous viewpoints in order to create physics defying, collage- like effects” (Biography.com Editors). This innovative art form was very diverse from any other and he was able to create an unseen theme resulting in the new style, Cubism. As said in this article, “Pablo Picasso is most known for instruction of cubism, and modern approach to painting. Which set forth the movements to follow in the twentieth century” (Pablo Picasso and His Paintings). They were two different forms of cubism that were created, analytical and collage, by Picasso and Baroque. Each type focused on the composition of different ideas combined into one piece of artwork. Analytical, the first form of cubism, was the breaking down but put together form of Pablo’s new art style (Pablo Picasso). An example of this division of art would be “Break and Fruit Dish on a Table”, which shows the new perspective being shown with the fruit dish. The simplicity of the geometrical shapes coming together to form a complex image was repeatedly the case for analytical

Autumn Rhythm (Number 30) is Jackson Pollock’s most famous piece that shows action painting, a defining technique of Abstract Expressionism, and his innovative drip painting technique he developed in 1940. Pollock created his piece by placing the canvas on the floor, then he used brushes, or even his hands and started to drip the paint on the surface. His distinct technique of painting makes him absorbed in the creation of his art piece without being aware of what he is doing. Therefore, Pollock is free from realism and from his own self through painting because it relieves his anxiety now that he is focused only on his art. Pollock’s work is classified as non-objective because Autumn Rhythm (Number 30) cannot be related to any recognizable object from real life, so he is not constraint by reality, but goes outside the box as if liberated to soar free and paint from his

Jackson Pollock was born in Cody, Wyoming, in 1912, the fifth and youngest son of an impoverished family. His father abandoned the family and he was raised by a strict and tough single mother. In 1928 they moved to Los Angeles, where Pollock enrolled at Manual Arts High School. There he came under the guidance of Frederick John de St. Vrain Schwankovsky, a “painter and illustrator who was a member of the Theosophical Society, a group that promoted metaphysical spirituality” (O’Conner). Schwankovsky provided Pollock with basic training in drawing and painting, introduced him to European modern art, and encouraged his interest in theosophical literature. Those theosophical ideas prepared Pollock for his later interests in Surrealism and psychoanalysis.

In this research paper I will not be talking about the full life of Jackson Pollock, rather I will only refer to the time when Jackson Pollock was at the peak of his career, which are the years from 1943 to 1950. When I discuss Pollock’s abstract paintings, I am referring to the paintings such as, Number 1(Lavender Mist), Number 5, Number 30 (Autumn Rythm), and the other paintings that have no subject. Also, when I discuss that America wants to gain more attention for its art I am referring to the state of New York as Americas chosen location to be the center of the art world. There are many similar research papers that discuss this same topic, but

The dominant figure that steered the course of the Abstract Expressionist movement was the infamous painter Jackson Pollock. He was born Paul Jackson Pollock in Cody, Wyoming on January 28, 1912. He was the fifth and youngest son and grew up in Arizona and California after his family left him when he was a little over one year old. Pollock's artistic journey began at the Manual Arts School in Los Angeles, California where he joined two of his brothers. From there, he went on to New York to attend the Art Students' League after being convinced by one of his brothers whom also attended the school.

Aggressive and harsh, raw in colour, the texture thick and heavy as if it had been relentlessly worked and re-worked over again and again. Pictures don't have the delicacy of Pollock's. Shapes are vaguely suggestive , pressed together, brush strokes are dense

What is Cubism and Fauvism? Well, lets start with Cubism first. Cubism is a style of modern art developed by Pablo Picasso and Georges Braque. These two artist were always working with each other very closely, so closely that their paintings were almost indistinguishable in who the artist was. Fauvism on the other hand, “was the first of the avant-garde movements that flourished in France in the early years of the twentieth century” (Rewald, Hilbrunn Timeline of Art History). Fauvism was first portrayed by Henri Matisse and also shown somewhat in the paints of Van Gogh’s. So what is the different between Cubism and Fauvism? Many characteristics separate Cubism from Fauvism, such as: multiple angles, reconstruct objects, flattened space and geometric blocks of color. There are also many characteristics that separate Fauvism from Cubism, such as: sketchy brushwork, explosive colors, impulsive brushwork, and having themes of modern urban alienation. Some of the artists of Cubism and the paintings that we learned about are Pablo Picasso and his House on the Hill, and Georges Braque and his Violin and Palette. These paintings are easier on the eye compared to Fauvism. Fauvism has a more bold personality and can sometimes be harsh on the eyes. Artists of Fauvism include Henri Matisse and Van Gogh. Henri Matisse most famous Fauvism painting that the book talked about was The Joy of Life (Le Bonheur de vivre). This painting is full of colors exploding across the canvas. The Joy of

Taking following extreme cases of abstraction, when speaking of Pollock’s work such as his ”Autumn Rhythm” (1950), we realize how the visual formed is fully based on science and gravity that permits the dripping and pouring of the paint on the horizontal canvas. But, by walking around/on the canvas we can argue Greenberg’s analysis and suppose that the painter possibly connects with it, he gets drowned in the act and merges inside the painting while mechanically pouring paint on the canvas. This means that even though the painter tries to focus on the flatness of the painting rather than the content and is physically detached from the canvas, this focus cannot erase an emotional