Cubism : The Art Movement Of Modern Art

Cubism is a new and so far highly influential art style created by two incredibly talented artists Pablo Picasso and Georges Braque. They came up with the style initially three years ago (1907) and have been developing the idea ever since. Cubism’s style represents the flat, two-dimensional surface of an image, disregarding traditional methods such as view, chiaroscuro, modelling and foreshortening.

Throughout the first decade of the twentieth century, a group of young painters, Pablo Picasso and Georges Braque developed something which was to revolutionize modern art. In 1907 Pablo Picasso painted the huge canvas “les Demoiselles d’Avignon “ Both his laborious preparation for it has confirmed his dedication towards it so. The painting represents not only a new phase in Picassos art but the beginning of truly modern art. It is also the first cubist work. In this painting he used distortion of female’s body and geometric forms in an innovative way, It also shows the influence of African art on Picasso. The geometrical aspect of their works quickly attracted the name “Cubist”. “ Cubism”.

“In Cubism paintings, objects are broken apart and reassembled in an abstracted form, highlighting their composite geometric shapes and depicting them from multiple, simultaneous viewpoints in order to create physics defying, collage- like effects” (Biography.com Editors). This innovative art form was very diverse from any other and he was able to create an unseen theme resulting in the new style, Cubism. As said in this article, “Pablo Picasso is most known for instruction of cubism, and modern approach to painting. Which set forth the movements to follow in the twentieth century” (Pablo Picasso and His Paintings). They were two different forms of cubism that were created, analytical and collage, by Picasso and Baroque. Each type focused on the composition of different ideas combined into one piece of artwork. Analytical, the first form of cubism, was the breaking down but put together form of Pablo’s new art style (Pablo Picasso). An example of this division of art would be “Break and Fruit Dish on a Table”, which shows the new perspective being shown with the fruit dish. The simplicity of the geometrical shapes coming together to form a complex image was repeatedly the case for analytical

2). This is the second version of the same painting and it has the similar palette seen in the analytic phase of cubism in both Picasso and Braque’s works (Soltes, L38, 14:55). Again in this painting is the stylistic reduction of natural and geometric forms. He illustrates the same figure at different moments going down the stairs. There is a sense of fluidity and motion in the figure as it blends into each other at the different moments on the stairs that is reminiscent of Picasso’s Portrait of Art Dealer Ambroise Vollard blending into the background. According to Professor Soltes, this is also Duchamp’s attempt at futurists that is to depict movement in a static medium (L38,

It would allow Picasso to move forward into a kind of paintingthat was totally new (Sayre 455). The painting is considered the predecessor of Cubism, anartistic style initiated by Picasso and his friend and colleague painter, Georges Braque. In Cubistpaintings, objects are broken apart and reassembled in an abstracted form creating college-likeeffects. His creative styles go beyond realism and abstraction, Cubism, and Surrealism. Picassoonce said, “You expect me to tell you: What is

While Picasso’s Demoiselles is not a true Cubist work, it was nonetheless a major step towards Cubism. It features nude figures and background that are so distorted they seem to forgo any spatial depth. The softness of classical female bodies are restructured by Picasso into

During the early 20th century an artistic and social movement originated in Italy and was known as futurism. It was an innovation in technology. A similar movement was also occurring in Russia France England and etc. The persons who practiced such phenomenon were known as futurists. Futurists practiced in every art aspect that there was. Such as music, poetry painting theater etc. In each different part of Europe where futurism was evolving there were unique artists arising. Such Luigi Russolo Vladimir Mayakovsky Filippo Tommaso Marinetti Richard Wagner and Claude Debussy amongst others.

Their idea was meant to show the originality of the painting and the complication of the painting. One of their very first paintings was Mia Jolie which amazed everyone. Picasso wasn't known for cubist style painting instead many know him for his artwork blue period. Soon after he discovered worm colors he ended his blue period painting style.

Picasso was not interested in pleasing the public, by using the method of cubism he was saying, “he is getting beyond the surface appearances, to the core.” Picasso was not interested in what we see but what we know and feel. It didn't phase him that

Since the first day of this class, we know that the art is made by what the artist think, see, and imagine but not by how we can interpret the artist’s work in our eyes or other senses of interpretation in any scene. To make an exception, Picasso broke all the known classical rules of three-dimensional space as we can see in the "Les Demoiselles d'Avignon," the use of colors, figures and subject matter. In a known art style called "cubism", Picasso painted one of the most important works of art in all art history and began a new era with a single work of art. In Les Demoiselles d'Avignon, the painted his initial attempt by breaking all classical rules and changed the world of painting forever. One aspect that makes Pablo Picasso's art to be distinguished from earlier artists is the lack of three-dimensional space displayed in his art. In “Les Demoiselles d'Avignon”, the five lady figures seem to be enveloped in what might be construed as the background. If we look closely, the painting seems to be in a form that goes around all pursuits of spatial depth and maintains a relationship to the pictorial surface of the

Pablo Picasso (1881-1973) is perhaps one of the most influential artist of the 20th century, he along with Georges Braque are considered to be the founders of Cubism art, known for its simple geometric shapes, interlocking planes, and collage it is one of today’s most popular art forms. Over his lifetime Pablo Picasso produced in excess of 22,000 works in the mediums of sculpture, ceramics, mosaics, and paintings. Pablo Picasso began his career after studying at the Royal Academy of Art in Barcelona, Spain where as a 15 year old student prodigy he took advanced classes learning how to incorporate his ideas and concepts to art. For example, after finishing his degree he moved to South France and quickly became known for his cutting edge style

Futurism was an artistic and social movement originating from 20th century Italy. The movement ultimately rejected anything that looked to the past for identity. Instead, it glorified speed, technology, youth, and the idea of anything industrial and mass-produced. As the founders of the movement would have it, the movement explored different mediums of art and design, ultimately overarching each other, and finding its way into many aspects of daily life; including and not limited to conventional mediums such as painting, sculpture architecture, film, music, poetry, and photography; just to name a few. With its dynamic and innovative aesthetic qualities, it is still being appreciated and used in conceptual ways by a handful of present day designers and art directors as seen in Image 1 (MCM

Piet Mondrian: Was an impressionists style painter that was influenced by Picasso and his later works showed signs of cubism.

Demoiselles d'Avignon" was created in 1907 and exhibited for the first time in 1916.WRITTEN ASSIGNMENT UNIT 7

Picasso chose the Cubism style to paint the Guernica. That is clear through the geometric shapes used to depict the figures, human and animals. Also, although the figures seem to be in a room, the painting is flatted, and the black and white colors increased this feeling of flatness. So, the painting with its two-dimensional emphases that it is a Cubist