Culala Essay

The genre bachata was developed in the Caribbean island of Dominican Republic. This genre was created based on boleros (slow-tempo Latin music), son cubanos, waltzes, Mexican music and merengue. Bachata is well known as love and depressing songs in which many people describe them self with this genre. At one point back in the earlier 1960s, bachata was considered vulgar and low-class. “Acceptance of the music has increased significantly in the last two decades, although some dominicans, both individuals living on the island and stateside, still do not accept the music because of the implication of its lower-class origins and associations with such themes as crime, poverty, drinking, and prostitution’’(Stavans 47). The genre Bachata has spread and grown so quickly for the past few years that is has become very famous in the United States, Europe, China, and South America. The genre bachata is well known to attract people with its lyrics, instruments, and dance since it identifies many people with real life events.

Q 1: Perform Verify and Count Commands for all three tables and identify any exceptions.

Brittmarie Janson Perez, author of Political Facets of Salsa, writes, “Late at night, in a discotheque in a Latin American country whose political system is dominated by the military and is not particularly known for its respect for human rights, a crowd is dancing salsa, a generic term covering Caribbean dance music” (149). This has been and continues to be a very commonly accurate depiction of many Latin American countries. Since Cuba was founded in October 1492, its government and politics has been characterized by brutality, corruption and instability. Nonetheless, involvement from foreign nations and its deeply engrained Spanish roots has without a doubt had a significant impact on the transformation of what Cuba is today. In this paper, I will explore the pros and cons of the 1959 Cuban Revolution through the examination of the historical context of politics and how it impacted the social atmosphere.

Generations upon generations of people have been thriving in Spanish speaking countries. Cuba is no different, through traditional clothing and special holidays they always are in tune with the past. With flamboyant traditional attire, that rivals the suns bright color and Spring flowers, coupled with fun to watch free flowing up beat music like Guaguancó or Pachanga, the Cuban culture is very exciting. In order to start to describe my family ties with Cuba, I will use an analogy: With every spin of a vibrant dress it seems as if the hands of time slowly turn back time. As the clock goes back so does my family history. In the early 1920's my great grandmother and her family made the trip from Spain to Cuba. Ever since then my family has had bearings

Hispanic’s music had a great impact in USA. Nowadays, Americans listen to Hispanics’ music. Hispanics’ music now is part of American’s culture. These changes in USA began around of 19th century, when Hispanics immigration increases in the USA. One of the big changes in music occurred around 1940s, when Americans began to recognize the efforts of Cuban-American musicians. One of the Cuban bands was Cugat. It was known better Orchestra ‘based in New York’s Waldorf Astoria’ which had a great visual and musical style. Another Cuban band was Machito who were dominated as one of the best New York’s scenes at that time. Thanks, to those bans Americans adopted some of Cubans’ dances and performances such as rumba, mambo and cumbia. Americans used and still using the Cuban instruments like bongos and maracas to create their rhythms. Later on, Americans created Jazz by African Americans with the influenced of Cuban’s music.

Whenever I am asked where I am from I always respond, “South Texas”. People will reply with a question, San Antonio? , and I usually have to clarify that I am south of San Antonio, about four hours away no San Antonio is not south texas, the Rio Grande Valley is south texas. In the Rio Grande Valley there is a town named Weslaco around five minutes from the border of Mexico. We live in a community swarming with Mexican culture. Our city’s population is approximately 36,000 and from this population about 85 percent is composed of Hispanics or Latinos. As if we are our own country we have our own language which consists of Spanish, English, and Spanglish. We are knee deep in culture so it is easy to be against the norms in our community, and personally I have dealt with this problem.

Music is an art form and source of power. Many forms of music reflect culture and society, as well as, containing political content and social message. Music as social change has been highlighted throughout the 20th century. In the 1960s the United States saw political and socially oriented folk music discussing the Vietnam War and other social issues. In Jamaica during the 1970s and 1980s reggae developed out of the Ghetto’s of Trench town and expressed the social unrest of the poor and the need to over-through the oppressors. The 1980’s brought the newest development in social and political music, the emergence of hip-hop and rap. This urban musical art form that was developed in New York City has now taken over the mainstream, but

How did Cuba and Brazil affect popular music, culture and dance in the 1940’s and 50’s? In this investigation I am going to establish what affects Cuba and Brazil had on popular music and dance. The first thing I’m going to do is discover how the music from Cuba and Brazil spread to America, the center of music. While doing my research I will be looking at what types of music were popular in Cuba and Brazil during the 40’s and 50’s as well as how these types of music affected American popular music. Two of the sources I used in this essay, Latin Music USA and Music in Brazil will then be evaluated. To

This paper will be comparing and contrasting Merengue Tipico music, which is a type of merengue, and bachata music of the Dominican Republic. Merengue and Bachata are the two most popular music genres in the Dominican Republic. These two kinds of music represent the Dominican Republic and its people. Many Dominicans have taken their music and traditions to different parts of the world. Mainly, the Bachata and Merengue have expanded to different cities of the United States and Latin America. Although both genres have a lot of characteristics in common, they also have many differences. Two of the main differences these two genres have are the instrumentation and their artists and composers.

One can see why the elite of the island did not see Bomba as a typical Puerto Rican music. It originated from Africa and no one wants to be associated with them. But this is clearly racism and classicism at work here, for upon hearing this type of music you can not do anything but feel the powerful beat. You get into the call-and-response interaction, because not too many types of music have interaction between the musicians and the audience.

"But with the growth of nationalist sentiment, the 'invasion' of Cuban and North American dance forms, the growing presence of Afro-Puerto Rican popular music from 'below', by the late nineteenth and early twentieth century the upper classes had positively sanctified the danza as the national music of Puerto Rico. Overtime and in defensive reaction to rapid social, economic, and political change, the danza became a potent national symbol" (Glasser, 195).

Reggae is a genre of music that originated in Jamaica during the late 1960s. It is known for the heavy and strong emphasis on the bass within the background beat. Reggae was perceived as a kind of music used to express feelings about the social, political, and economic hardships in Jamaica during the late 1960s and early 1970s. It was performed by musicians from black ghettos who used unhurried beats to make a style of music of their own. Reggae became an important part of the lifestyle of many Caribbean islanders; expressing a sense of pride of their Caribbean culture.

We learn from looking at the literature that modern-day Reggae had its wellsprings in the African-American soul music of the 1950s and 1960s. The insistent, off-beat rhythmic pattern of soul music became a feature of reggae in the late-1960s and early 1970s. However, the aforementioned pattern mostly appeared in the form of the trade-mark galloping backbeat of ska, which was a tip-beat and dance-oriented predecessor of reggae. Ska had a limited expressive range and its galloping speed needed to be slowed down if it was to enjoy a larger audience. Fortunately, it did slow down and, by the end of the 1960s, something known as “Rock Steady” was beginning to surface (Anderson, 206-208).

The music of Jamaica began five centuries ago, when Columbus colonized the land of the Arawak Indians. This dates the start of oppression by first the Spanish and then the English in this area of the Caribbean. Blacks were brought in as slaves by the English, and although Jamaica has had it's independence since 1963, the tension of authority and control still reigns. Jamaica is a story of injustice, international influence, ineffective governing, and unequal distribution of wealth; all of these elements provide a solid base for the theme of oppression and the need for a revolution and redemption in Jamaican music. Reggae in particular reflects these injustices, and the feelings, needs and desires to change the lifestyle that Jamaicans have historically lived. Reggae music has two meanings. It’s generic name for all Jamaican popular music since 1960, West Indian style of music with a strongly accented subsidiary beat. Reggae can also refer to the particular beat that was extremely popular in