Cultural Analysis Of Frank Ocean's Song Boys Don T Cry

The Hip Hop music industry is infamous for being controversial. In the article Hip Hop’s Betrayal of Black Women there’s a debate on whether the exploitation and constant verbal slander of women should be acceptable just because it sales records. It presents the question that why is it that male poverty breeds sexism? Even though women may have lived in the same environment males still see women as the enemy in their music in an effort to sell records.

My story has a meaningful story behind it. The story is deep for me and even for the artist and probably for many other people. Hearing songs like this can inspire you. It inspired me to be thankful for the people in my life. One day they can be here the next they could be gone. You never know what’s going on in their lives.

Director Sut Jhally, in his documentary film, “Dreamworlds 3: Desire, sex, and power in music videos”, analyzes the issue of how women are portrayed in the music world. Jhally, in his film argues how music and media has become a proud industry when it comes to advertising women, all for the benefit of popularity and record sales. Jhally believes these videos both inform and misinform our culture about our dominant attitudes regarding femininity masculinity, sexuality and race. He uses an empathetic tone in order to appeal to pathos, the feelings and experiences in women when he presents video clips that are somewhat offensive to watch as proof that women have become a common necessity shown in music videos. Often presented as being sexually aggressive and submissive, being objectified by men. He also intentionally wants to try to stir up emotions as he introduces song lyrics of women being called inappropriate names and images of women being fondled by men throughout the film. Sometimes, aggressively without consent.

The misogynistic treatment of women in commercialized rap has become a widespread phenomenon which as a result has become commonly accepted by majority of the individuals in society. Rappers, in general, nowadays use women in their videos in a way which is both derogatory and exploiting. Black men in today’s society, especially in the entertainment industry, do not see women as their equals; rather they objectify them as being nothing more than sex objects. People in the Hip Hop industry do not believe that sexism and misogyny is as big of a deal as racism, thus they push this issue to the side by simply ignoring it and learning to accept it. This misogynistic portrayal of women is ruining the image if Hip Hop as both an industry and a form of expressive art. However, instead of taking action against this atrocity, many women simply believe that the images of women and their portrayal in rap videos does not represent nor refer to them as an individual and the type of woman they truly are. By being silent these women are allowing themselves to be victimized by the men of not only the Hip Hop industry but also general society. By not having a say in this matter of the false classification and portrayal of women, they are voluntarily allowing men to do whatever they please to do so, in any given time and with any approach they feel is necessary. They do not

Robin Thicke’s music video to his song “Blurred Lines” avidly contributes to the patriarchy, while portraying sexism, gender standards, and beauty standards. His music video can be analyzed from a feminist theory approach, as it’s evident that his song and video contribute to a patriarchal society and its inherently sexist and sexualized ideologies. The ideology behind the song and music video is purely sexual and about male dominance. The lyrics to the song and actions in the video exhibit extreme over sexualization and objectification of the women. Analyzing this piece of popular culture through a feminist approach opens up a provoking conversation about how popular culture functions in a patriarchal culture. Analyzing pop culture though a feminist theory can allow for a larger variety and more in-depth analysis about the social aspects and political agenda within popular culture.

Ludacris does a remarkable job of portraying his message about the struggles that some adolescents are faced with. “Runaway Love”, by Ludacris, featuring Mary J. Blige (2007), represents the theme of struggle through hip-hop and rap music. It is about little girls who are “stuck up in the world on their own.” They have to take care of themselves because the people they are around do not care about them. They range from nine to eleven years in age, and their goal in life, at such a young age, is to run away from home. Ludacris is trying to get the listener to realize the struggles that even children have to face because adults are not the only ones who have problems, like most people believe. He is very successful in

Rick Moody 's short story "Boys" is written with a distinct style. The author uses a form of a stream of consciousness to convey the purpose at hand, which encompasses writing as if without hesitation or editing - whatever came to Moody’s thoughts, he transferred to text. There was also a substantial use of the word “boys”, placing emphasis on the central meaning of the story. The style is thoroughly descriptive and fails to leave any details of the boys ' lives out. This quality donates a sense of reality and creates a bond between the reader and the characters. The tone of the story comes of as particularly unbiased and serious, as if the author were just stating purely factual information. As events become more somber in the boys ' lives, the author approaches a more sympathetic tone. The boys were supposed to be kids, fooling around playing games and living a care-free childhood, but these boys found themselves in scenarios no boy or child should ever encompass.

The controversial context that is often used in Hip-Hop sets the standard of what it means to be ‘masculine’ as an artist of the culture. Artist who does not display contentious lyrical content in their music may not receive as much notoriety in the industry. In today’s Hip-Hop culture, more ‘conscious’, ‘apathetically masculine’ artist like, J. Cole have become more in popular. Cole’s lyrics are a reflection of his adversities that he has endured during his lifetime. Cole’s inspirations behind his music does not stem from a place of violence or from his ability to accumulate wealth, but from his ability to overcome his hardships as a black man and fulfill his purpose in life.

The Film Dreamworlds III examines the explicit nature and the objectification of women in music videos across music genres. A similar theme is presented throughout these various music videos as women are sexualized and exploited. In addition, many music videos display the domination and antoagonizing nature of a man controlling the numerous women submitting themselves to him. The portrayal of these images in music videos advertise and influence audiences to accept this behavior on screen, which in turn strengthens aggressive masculinity and the pornography of women.

It is suggested that one of the reasons why artists use misogynistic lyrics in their music is that they have internalized the negative stereotypes about women that are prevalent in American society. African women were historically portrayed as animalistic sexual beasts and African males in a submissive role, giving in to wild instinct or bodily impulses. The internalization of such stereotypes may be a possible explanation of the hyper sexuality within certain hip hop music. Various authors have argued that misogyny is merely an outgrowth of the cultural acceptance of misogyny at large.

The development of visual media has introduced the concept of The Male Gaze Theory. The Male Gaze Theory is defined as how women are depicted in the media from a male perspective, such as presenting women as sexual objects for men’s pleasure (Loreck). The article, inexplicitly, talks about the male gaze: “Up to 81% of music videos contain sexual imagery, the majority of which sexually objectifies women by presenting them in revealing clothing, as decorative sexual objects, dancing sexually, or in ways that emphasize body parts or sexual readiness.” The article talks about how women are sexually presented in the media which is what the male gaze encompasses the “male gaze” is a harmful contribution to the sexualization of girls and is also seen throughout the music video. The beginning of the music video shows 50 Cent walking into a brothel-type mansion where the camera pans to focusing on the writhing, half-naked women in the foyer of the mansion. This scene is viewed from a male’s perspective because the camera focuses on their sensual movements and physical assets instead of their normal facial expressions or more appropriate places on their body. Also, since 50 Cent is the only male in the mansion, the camera is only coming from a male perspective because brothels are only truly for a male’s pleasure. The other women in the video are objectified from their revealing clothing

Music can have a big influence on society or a person individually, this can be because everyone has personal feelings and perceives music differently. For this song assignment I choose If I were a boy by Beyonce Knowles. I choose this song because of how gender is seen in society and the differences between men and women and it’s impact in our world. The reason this song makes me think in a sociological manner is because we as people don’t know what it is like to be one gender or the other. Also, there are differences between the genders and we blame society for creating these differences, however we don’t actually stop assuming or agreeing with these differences. I think that personally I don’t always understand how there is such a big difference

The 1980’s consisted of several historical events and societal changes that have been relived though the lyrics of many young hip-hop artists. Of the numerous genres of songs, hip-hop has been labeled as of the most relatable genres. During this 1980’s, many of the songs that were written by male hip-hop artist tend to focus on the relationship aspect of male and female interactions. This finding is similar to what was stated in Frith’s article (1986) that most successful pop songs were about being “happy in love” and “frustrated in love” as well as having a sex interest (p. 78). Instead of using derogatory terms to describe women, men felt the need to use more delicate and gentle terms. Through their music, artists portrayed women as individuals who provide love, support, happiness and fulfillment to a man’s life. Furthermore, male artists portrayed themselves as men who weren’t afraid to express their emotions, admit their dependency on women, and their willingness to do what it takes to keep a woman. There were no signs of hypermasculinity or dominance in the first few songs

. During the 1980s, the way Americans perceived homosexuality, race, and violence was challenged. In response, Prince’s eccentric and extravagant music style and attire dismantled conventional gender barriers of what it meant to be masculine and feminine in American society. Therefore, his musical creations set an example by pushing the limits of authenticity and self-expression. Prince’s fearless dedication to breaking down conventional expectations of style, music, gender norms, and conformity can be seen in his vocals, instrument choice, and lyrics. In the late 1980s, Prince was a music icon who blended funk, soul, pop, and hip-hop and presented his work in an androgyny atmosphere to advocate for racial and gender equality. His musical creations and appearance had disrupted the societal confines that fenced in the minority groups and pushed the limits of what it meant to be a black man. Prince’s distinct attire, extravagant performances, and persona helped contribute to a new music era of funk-rock and challenged the taboo concepts of the 1980’s. Prince’s musical work impacted society by encouraging wildly free and creative behavior during a time where it was not acceptable to be who you were. In this paper, I will analyze the auditory significance of two of Prince’s songs: “If I was your girlfriend” (1987) and “I Would Die 4 U” (1984). Analysis for both songs were based on music videos and a scene from Prince’s film, Purple Rain. In addition to these songs, Prince’s

I grew up listening to music everyday not knowing it would save my life in the end... the words that I would listen to would somehow connect with how I was feeling or what I was going through. Music truly soothes the soul and just somehow gives you hope to continue on or to stop something. I think I related my problems to the songs, it would give me comfort knowing I wasn't the only one who was feeling the way I once was. It showed me life was worth living and fighting for. Take Demi Lovato for instant, she was going through major depression and found herself through the music she would produce. A lot of artist are actually like this and only some really come out and tell their true story on how music saved them. It's incredible to know that no matter what you're going through someone, somewhere has gone through it too.