Cultural Analysis of The Coldest Winter Ever Essay

The rest of the chapter talks about the similarity of minstrel images in 1990s hip-hop, as evidenced by the defining characteristics of greed, violence, hyper sexuality and pathos in “gangsta rap” (a sub-genre of hip-hop further defined in chapter two). Ogbar balances this landscape with challenges to what he calls “neo-minstrelsy” from both inside and outside the hip-hop community, including discussions of the Spike Lee movie, Bamboozled, underground conscious hip-hop groups such as The Roots and Little Brother, and the activist “Stop Coonin’ Movement”, to name a few. Throughout the book, Ogbar explains how rappers strive for authenticity by “keepin’ it real”. And that is defined by how they rap, walk, talk, and make their

Many people have said and think Sister Souljah is a racist. She has made a statement to let people know she is not a racist. She considers herself of being a black sister with an unselfish heart and wants to be heard and will be heard. Sister Souljah has impacted and affected our society today. To some people she is a threat and some people admire her work, thoughts, and music. She has stated ''I am mentally, emotionally, spiritually, physically, intellectually, and academically developed and acutely aware of the condition of African people throughout the entire world".

The identity of the black man is the most crucial element attacked by black masculinity. Stemming from a limited variety of acceptable self expression, black masculinity emphasizes the need for an overly tough outer appearance while internally suppressing emotions of fear and sadness. These notions are particularly vivid in mainstream hip hop culture. In Byron Hurt’s Hip hop Beyond Beats and Rhymes, Hurt sits down with some of the industries most respected artist who attest that “anything nonhood will dilute [their] toughness.” Nonhood suggesting outwardly signs of affection, comfortability in the uprise of woman, and the dialogue and communication between Black brothers both verbal and nonverbal. These

Music and society have always been closely related. For years now music has been apart of people’s everyday lives all around the world. Having so many different genres out there, it makes it easy to be appealing to so many different ethnic backgrounds. However, one type of genre in particular has seemed to grab the attention of a younger generation. Rap music has undoubtedly had its utmost impact on African American youth, since many of the performers themselves are African American. An overtly masculine culture dominates rap music and creates gender stereotypes that become abundantly popular to the youthful audience. Three constant themes that are found within the rap culture are encouragement of violence, the misogynistic representation of women, an extreme hatred of homophobia. Each theme plays a detrimental role in the process of defining black masculinity as well as shaping the values, morals, and beliefs that its younger audience adopts after tuning into this “gangster lifestyle”.

Henry is a model American teenager—and the prototypical consumer at which the hip-hop industry is squarely aimed, which has his parents sitting up in their seats. The music that was once the purview of black America has gone white and gone commercial all at once. A sea of white faces now rises up to greet rap groups as they perform, many of the teenagers like Henry, a NASCAR fanatic and self-described redneck (468)

Today many people feel compelled to buy anything or everything with an expensive price tag. This includes Expensive designer clothes, latest gadgets, expensive vehicles and many other similar things. This form of consumerism has embedded itself in today’s society; where it's encouraged to invest in such materialistic possessions. Kanye West is an African-American rapper, producer, and entrepreneur, who articulates his struggle with consumerism and the struggle for those around him in his song “All Falls Down.” West, utilizes puns, rhyme, and juxtaposition to highlight the issues surrounding materialism that can be interpreted differently by different listeners such as African Americans and White Americans.

David Sedaris’ essay, “Let It Snow” is a reflection of Sedaris’ past. A single day from his childhood in North Carolina where Sedaris and his siblings were home due to school being closed for few days because of bad weather. The story reflects solely on the relationship that Sedaris’ mother had with him and his sisters, and how it was affected by her drinking problem. Although the story revolved around the children the mother was the main character.

One recurring theme in the novel is that success is not easily earned. This is a message that Winter Santiago didn’t quite comprehend. Winter’s father ‘success’ made her believe that she could have anything she wanted in life with a snap of a finger. She didn’t understand how to become successful. Winter believed that hustling and seeking out a man to take care of her, would bring her back on top. In order to

In this article, the speaker must be an expert in politics, ethnicity and the music industry. There is a linkage between the above fields hence the speaker must have had a superlative background on these issues. The audience targeted by this literature were seemingly music enthusiasts to be educated on understanding what Hip-Hop entails and hoped to achieve this as it was established. The subject was Hip-Hop as a music genre that was largely developed by African American men to express their plight on injustice and oppression. The principal issue was how Hip-Hop has been used as a form of resistance and need for deliverance of the African Americans.

The decade of hip-hop is what some may call it. Tupac, Naz, Biggie Smalls, as well as other artists, were major contributions. Not only for the people who are trying to find their footing, but Buck as well. Throughout the book various lyrics were embedded in order to create a better understanding for its readers. In addition, this book is based upon a 90s lifestyle within Philadelphia, which included drugs, gang activity, crime, hip-hop, and havoc. Malo was directly in the center of everything, the girls, the fights, the guns. His experiences shed light towards what it’s like to as an African American individual living in or near the hood. Not everyone realizes what people go through while living there, but now it gives some readers an image of what goes on. Though times have changed, not all previous feelings

Born Lisa Williamson in 1964, Sister Souljah is a hip-hop artist that burst to the forefront of mainstream media in 1992 when she was criticized by then Presidential candidate Bill Clinton for saying "If Black people kill black people every day, why not have a week and kill white people?" Clinton was trying to prove to other Democrats that he did not sympathize with the organization that Souljah was a member of. She basically said Bill Clinton and went on to sign music and publishing contracts. She has become one of the more passionate and articulate voices to emerge speaking for young African Americans in the United States. She has written and published to works: No Disrespect, and autobiographical account of

The things that are being promoted by well-known black figures in the media are not the best things. Instead of spending the majority of their time promoting things such as HIV/AIDS awareness, their time is spent doing other less productive things. Many influential black people choose to flaunt things that seem to further prove the stereotypes that society has for blacks. Rapping about all the cars, money and “hoes” one has is not the best answer to this problem. According to Collins neither is boasting about the easy access that one has to such things including females. In addition, Collins focuses on the contradictions within the black community. She uses the example of black women always wanting to claim their independence and how sophisticated they are, but yet having lyrics about how “bootylicious” they are. It’s counterproductive. Omi and Winant note that racial etiquette is a set of interpretive codes and racial meanings which operate in the interactions of daily life. (Omi & Winant, 2011, pp. 23-24). The example also is a perfect example of what Omi and Winant refer to as “presentation of self,”which is determined by the rules shaped by our perception of race in a racial society. In other words, there is a contradictory presentation of self through the claims of “bootylicious”-ness and independence, and sophistication.

Being a child is one of the hardest stages in a person’s life. They go through doing all the wrong things in order to learn how to do the right things, and then they socially develop into a sensible mature adult. During this stage of a young child's life, the roles of parenting are absolutely crucial and determine a child’s role that he/she is going to play in society in the future. This is a crucial part of everyone’s life, they need to learn what they are good at and what they are not good at. In the poem "Those Winter Sundays" by Robert Hayden, there is a sense that the narrator does not have a special bond with his father when he was a young boy, and that there is a sense of fear toward his father. I

With things, such as explicit lyrics and depiction of women, drugs, and violence an assumption can be made that gangster rap represents a masculinity that rappers portray themselves as in their songs. Dating back to its origins, African Americans had always been the face of gangster rap, with such names like Tupac, Biggie, Jay-Z, DMX, and much more, as covers of rap magazines. Gangster rap had always been seen as what people interpret it to be and that is a raw rhythmic and explicit version of poetry in motion, but gangster rap depicts more than what people interpret it to be. Gangster rap depicts the image of how a strong African American male should look like, a bold, angry, rebellious, and fierce man. Strong African American males are subjective to gangster rap, mainly because of how gangster rap portrays masculinity. In “Brotherly Love: Homosociality and Black Masculinity in Gangsta Rap Muscic” Oware argues that although gangster rap music portrays the masculinity of African American males through the use of hyper masculinity, misogyny, and violence in lyrics, gangster rap music also provides a way for rappers to express themselves to commemorate their fellow friends through lyrics that depict family/friend relationships, success by association, and have a tribute for lost friends.

The idea of a happy ending, to the common person, is the cliche ending of a story in which the protagonist gets the damsel, saves the world, and survives near death. However, this is a very simple way to look at the concept of a “happy ending” and neglects the grand scheme of things, just as there are more complicated equations in mathematics as one progresses in school, there are more complicated elements in a story as we look to dig deeper into literature. A story that has a complex happy ending is Shakespeare’s Hamlet, the story of a man seeking revenge on his family that has caused him much despair. If we look at this play in a simple manner, we will probably not look at the ending as happy ending as our beloved characters die,