Cultural And Intellectual History At The University Of Southern California

The Lizzie Borden case has mystified and fascinated those interested in crime forover on hundred years. Very few cases in American history have attracted as much attention as the hatchet murders of Andrew J. Borden and his wife, Abby Borden. The bloodiness of the acts in an otherwise respectable late nineteenth century domestic setting is startling. Along with the gruesome nature of the crimes is the unexpected character of the accused, not a hatchet-wielding maniac, but a church-going, Sunday-school-teaching, respectable, spinster-

In Paul Theroux’s article “The Male Myth” Theroux makes a point that he does not like the stereotypes placed on men in today’s society. Theroux’s article is focused on exposing the stereotypes that men face and the reasons for their occurrence. He claims that writers and many others are directly affected by the expectations of masculinity that are thoroughly incorporated in America. The ideas of masculinity are deeply rooted in high school sports, in the view of the president, and in many other areas. Theroux attempts to prove that being a man in American is, “…pitiful, a little like having to wear an ill-fitting coat for one’s entire life.”

To sum up, Dashiell Hammett’s story “The Maltese Falcon”, clearly and successfully depicted the negativity of masculinity as problematic toward men through the conduct, the reputation and the manliness of the main character. The main character had many trouble and difficulties because of masculinity. Sam Spade might have avoided those problems and difficulty if he did not try to be so masculine. Although, socially a man is made to act masculine, the most important are the benefits and the consequences of acting that

When defining the term ‘manhood’, many people may use terms such as courage, strength, or bravery. Throughout history there have been many pressures on men to be as stereotypically manly as possible. If men don’t conform to those stereotypes, they may be looked down upon by society as a whole. Richard Van Camp’s short story ‘The Night Charles Bukowski Died’ is a prime example of the dangers of nonconformity to stereotypically manly traits. The story is an intense first person stream of consciousness from the point of view of an unnamed narrator that follows the narrator and three of his peers: Mikey, Jason, and Scott. The use of metaphor, point of view, and setting in “The Night Charles Bukowski Died” exposes how stereotypical expectations of manhood can lead to dangerous situations not only physically, but also socially and emotionally.

Building on the notions of femininity and masculinity, the author outlines all the cliché qualities of men and women, supporting them with vivid imagery, while also being careful with his

“Women cannot be murderers.” Even though this was not explicitly stated in the newspapers, The Boston Herald in its article “Lizzie Borden” conveys the perception that the feminine ways associated with women would make it impractical for women to commit murder. Lizzie Borden, a young lady accused of brutally killing her stepmother and father with multiple blows to their heads with a hatchet was described as a religious, sincere, and modest human being in The Boston Herald’s article covering Lizzie’s life before and after the murders. During Lizzie’s youth, she suffered from isolation because of her reserved personality and belief that nobody appreciated her presence, but in womanhood turned her life around and attain friendships who vouched for her good character during the time of the investigation. The Boston Herald’s article “Lizzie Borden: Her School and Later Life - A Noble Woman, Though Retiring”, successfully persuades the reader of Lizzie Borden’s innocence with the focus on her femininity through diction and logic.

Kimmel’s Bros Before Hos: The Guy Code investigates the complicated social environment in which young males are anticipated to prepare for manhood based upon considerable sociological inquiries conducted from Kimmel himself. His main argument institutes what was formerly a comparatively definite and direct transition for males to experience boyhood to manhood has become much more perplexing and sophisticated. In his revealing chapter, Bros Before Hos: The Guy Code, Michael S. Kimmel examines and determines the adversities young men endure through daily, from the standards society place upon them in deeming what a man is. These principles dictate how masculinity is sown into a man from the anxiety of being ostracized as well as being perceived a feeble individual instead of naturally behaving in this manner. In addition, through Kimmel’s analysis on both the causes and the effects of this extended state of adolescence, they can be particularly influential to male connotations for connections between family members, fellow adults and peers, and personal achievements.

A little over a century ago an atrocious double murder was committed, in the two-half story house at 92 Second Street, in Fall River, Massachusetts. This crime shocked the city of Fall River, as well as the nation, as Lizzie Borden, a 32-year-old Sunday school teacher, went on trial for the murder of her father and her stepmother. (Augustine). An all male jury eventually acquitted her on the accusations.(Aiuto). To this day, the murderer of Andrew J. Borden and Abby Gray Borden is still unknown, but in the public mind everyone believes it was Lizzie Borden.

In today’s society, and throughout modern history, masculinity has often taken the role of defining how men should act, and be seen amongst everyday living. Throughout Michael Kimmel’s excerpt from his critically acclaimed nonfiction Guyland excerpt published 2008, he addresses, and researches these social queues and aims to put perspective on why, and how the rules of masculinity define manhood. He does this through his vast use of credible resources, and stories of effected individuals which further support his claims and credibility. Not only does he provide several examples of well-known psychologists whose own ideals support those that he writes about, he also uses a variety of other professions ranging from psychologist, anthropologist, poets, and even well noted playwrights to show that his views and ideals of masculinity can be observed across all aspects of careers, and

There is a lot of history behind Gallaudet University which was founded in 1864 and was the world's only university for the Deaf and hard of hearing. In history there have been many events that have taken place where people feel misunderstood and don't have their voices heard in the obstacles they have faced. On March 1, 1988 was an important date in history of Deaf President Now it was on that day where many organizations and the Deaf community came together to be apart of the first organized rally. Many of these people wanted their voices heard by emphasizing how important it was that the eighth president of Gallaudet University should be the first Deaf person.

In today’s society, masculinity has changed throughout time. Fast forward one hundred years ago, masculinity is defined as being strong and having a good paying job. But as the world is changing so is the representation of manliness. You don’t have to show your dominance over men or women today, but you should support your family nowadays and we have all been brainwashed by the thought of masculinity from our ancestors. As men our reputation is always being valued but now it isn’t so much about our reputation but about caring for one another and especially for our families. Perspective of manhood is also a significant factor in portraying what masculinity is in the eyes of other people. Masculinity has been shown through money, appearance, and providing protection for your family members but as we shift into the modern world, masculinity is not seen as displaying the most discipline but caring for one another by taking out some of your time to help one another. Throughout the paper, I will be writing about my interviews from a broad spectrum of ages from one of my younger sisters to my dad with not friends not at Seb’s in between so I can get what it really means to be a man from all ages.

Judy Chicago (artist, author, feminist and educator) has a career that now spans five decades. In the late 1960s, her inquiry into the history of women began a result of her desire to expose the truth of women’s experiences, both past and present. She still continues on a crusade to change the perception of women from our history, “Women’s history and women’s art need to become part of our cultural and intellectual heritage.” (Chicago, 2011) Through our history women - their struggles, accomplishments and contribution to history, have been overlooked, downplayed and even completely written out of a male dominated society and culture. In anthropologist Sherry Ortner’s 1974 essay “Is Female to Male as Nature Is to Culture?” she supports this view, writing “…woman is being identified with—or, if you will, seems to be a symbol of—something that every culture devalues,” (Ortner, 1974) Where Mendieta's work primarily came from a striving to belong and an understanding of where she came from, I feel that Chicago's aim was to find a place for all women, past and present in this world, starting with herself in the art world. Chicago did explore her peronal heritage in later works entitled 'Birth Project' and 'Holocaust Project'.

In Virginia Woolf’s short essay, Shakespeare’s Sister (1928), she explores the misogynistic world’s effect on women artists from the Renaissance to the nineteenth century. Depicted through an imaginary sister of Shakespeare, and her own experiences, Woolf explains how “in the nineteenth century a woman was not encouraged to be an artist.” Instead, women were deemed of no value beyond the home or child bearing (Jacobus 702). Such gender issues have emerged in every facet of our society, primarily concentrating on gender equality in areas like education, status, awareness, and availing of socio-economic opportunities. In today’s context, with an overall look at history, in comparison to men, women remain relatively more constrained by

Anne Bradstreet, an eighteen-year-old educated upper-class English woman, arrived in Salem in 1630 (Cowell 418). Two hundred years after Bradstreet’s arrival in America, in 1830, in a town about a hundred miles from Salem: Amherst, Emily Dickinson was born to a prominent local family that had established itself in the “new

There is some disparity between the way critics and philosophers like Judith Butler view Cindy Sherman's work and the way that Cindy Sherman speaks of her photographs. It may be the disparity that exists between many modern artists, who often operate on an intuitive level, and the philosopher critics who comment upon them from a theoretical perspective or a pre-established framework. On one level, Cindy Sherman may only be playing "dress-up" (as she herself admits) in her famous History Portraits (1989-90) (Berne, 2003). On another level, however, her "dressing-up" may be indicative of a deeper problem in modern gender identity theory which is the problem of "becoming" woman (Butler, 1994) or, as Judith Butler sees it, the problem of performativity. In the History Portraits, Sherman may certainly be said to be "performing" and perhaps even attempting to "become" the male and female characters she represents in her work. Indeed, it is upon such a premise that philosopher critics and gender theorists find her work so engaging. This paper will examine Cindy Sherman and her History Portraits in relation to Judith Butler's gender theory, the portrayal of the self, and how gender identity has changed throughout the course of modern history. It will examine representations of womanhood from Romantic Idealism to Post-Modernism and will also