Cultural Appropriation Of The Koru Essay

Native American culture was a great influence on newly introduced western art when settlers first came to North America. Not only did Native Americans have their own style of art, sculpture, basket weaving, and other fine arts. Their artistic styles helped influence some European art and gave them a different outlook on not only art itself, but a brand new culture that they have not seen before. This paper will talk about the different styles of Native American art and compare it to European art styles and artist, as well as going into detail about how their culture influenced artistic styles.

1. How did Lovin come to recognize the opportunity for his young venture? Of the three types of start-ups mentioned in Chapter 3, which one does The Kollection fit into? What was the source of this opportunity?

Tattoos have recently become increasingly popular in youth, due to the hidden meanings and symbolism that they are endowed with. Helen Day’s opinionative blog entry, The Power of Ink, asserts that the significance of tattoos have diminished due to the fashionable aesthetics that tattoos project. A highly casual, yet acknowledging tone characterises her blog entry, which is predominantly catered to young Australian readers who are interested in receiving a tattoo. Accompanying her blog entry is a number of comments which both support and criticise the new phenomenon of tattoos. Poignantly complementing her article is an image of Ta Mako tattoos, a Maori form of body art, and the front cover of the written work “No tattoos before you’re

Throughout history, many different cultures illustrate their history and their beliefs through various artistic objects that they create. These artifacts allow historians to better gage their lifestyle, their beliefs, and how their society operated. One example of this is the “Drum Beater” sculpting created by Karoo Ashevak that is especially famous for its illustrations of the shamans and the spirits. In this research paper, Karoo Ashevak’s “drum beater” will be dissected and analysed; from the Inuit culture itself, to the physical features of the sculpting, as well as the significance and symbolism of the sculpting as it relates to the Inuit culture.

The Kwakiutl Indian tribe existed before the discovery of North America by the European culture and inhabited the coast of the Pacific Northwest of the United States and British Columbia in Canada. The tribe is rich in tradition and culture and has remained steadfast in their beliefs, history, teachings and artisan skills which have been passed down generation to generation. The artisans in the Kwakiutl tribe mastered the art of creating special ceremonial masks that are not only beautiful and aesthetically interesting to the eye, but also mechanically intriguing in which the masks serve a specific purpose to a theme during different ceremonies that are conducted by tribal specialists during certain times throughout the year.

Indigenous literacies are used to communicate certain messages that are meaningful to the people in that individual community. These literacies are used to communicate stories, laws, maps, songs and dances to their own society. These forms of literacies are seen as being crucial to the cultural community as they are used to convey the social practices that should be handed down through the generations. Indigenous literacies may be interpreted in western cultures as art but they are actually narratives and recounts that Indigenous people generate. Indigenous literacies derive from different worldviews and connection to a range of components. They are then shaped and reiterated through knowledge systems that highlight knowing one’s stories of kinship. Indigenous Literacies are seen in forms such as on tress, bark, wood, sticks, rocks, carvings, in the soil and on bodies and

During the Spanish conquest of the Incan Empire the role of the Kuraka was crucial in gaining control over the Andean society. The role of the Kuraka could be thought of as “provincial nobility”[1] whose main job was to control the labor and tribute made and delivered from the natives to the state. In order to do this job the Kurakas had to maintain respect from the natives while maintaining good relations with the colonial state. This could be difficult considering that too much affiliation with the state could lead to a loss of status to the natives, and a loss of respect from the natives would make one useless to the state. “The Indian who broke entirely with his own culture

The authors goal of the text was to discuss cultural appropriation. She uses African American culture as the primary example for inappropriate and misuses of their culture. The paper

The idea that Prehistoric Aboriginal culture is averse to change or is static is a belief shared by the minority. Although it can be said that Indigenous culture and our ancestral peoples share many similar or unchanged basic behaviour patterns, each society or culture can be distinguished from others by the certain configurative patterns or directives for why the Prehistoric peoples did or did not achieve things and how they were or were not achieved. This willingness to change and not be opposed to innovation and holding traditional values all the time, suggests that Prehistoric Aboriginal Culture was constantly changing. This essay discusses the concept that Prehistoric Aboriginal culture adopted a willingness to learn, change and grow through forms of art and culture, for both aesthetic and useful purposes. Secondly, the developing cultural intricacies will be deliberated, how hunter gatherer societies affected Prehistoric Aboriginal culture and how these complexities are the source of change for many Indigenous peoples through time.

These myths and rituals were also a source of inspiration for much aboriginal art, including paintings, carved objects, symbolic weapons and poetic chants. The forms of art varied according to region, with differences in the decoration of objects and weapons depending on local myths and traditions.

Brown, Deidre. 2009. Maori architecture : from fale to wharenui and beyond. Rosedale, N.Z: Penguin.

The Samoans are an ethnic group that reside in Oceania, on the islands of Samoa, in an area of Polynesia. Samoa has been occupied by these indigenous people for about 3000 years, when they came from the west, occupying the islands of Fiji and Tonga around the same time (Barnes and Hunt 2005, 243). They carry many traditions with their culture, however, I will be discussing their tradition of tattooing. Tattooing is the process of inserting ink pigment into someone’s skin to create a permanent design on them. For Samoans, tattoos are much more significant than just a pretty piece of artwork, they are, according to Ryman (2004), a right of passage. I will be reviewing the importance of cultural tattoos, the process of being tattooed, and the varying origin stories of how tattooing first came to Samoa. Samoan tattooing matters because it is a cultural tradition that has been practiced in Samoa for over 3000 years (Ellis 2006, 698).

Samoans believe the circular flying represents the cycles of life.” (Channell,18). In Samoa these tattoos are given to the chief of the family and he is the one who is fully tattooed. The tattooing is a very painful process and is done by taking pieces of sharpen bone and ink and taping the tattoo in with a mallet. The tattoo designs are beautiful designs consisting of many geometric shapes put together in a way they flows. The tattoo is much respected. Once started, it must be completed or it will bring shame upon the young man, and his family. After it is completed, the young mans gains new status among his people. With the receiving of his tattoo, he has now taken on the responsibly of being a man, and also to be an example and leader of his family.

The following paper examines the history and religion of the ancient Maori people. It is my belief that exploration of traditional belief systems and ritualistic practices will lead to a greater understanding of the Maori culture in present-day New Zealand. The objective of the paper is to illustrate the Maoris’ unique perception and spiritual connection with their natural environment.

The Purpose of this report is to understand the culture and values of New Zealand culture in terms of their living condition, behaviour, society, aspect, ethics, rules, regulations, greetings, treating, food and environment. I will be focusing on the main cultures of New Zealand as it is a multi cultural society.