Cultural Connotation Behind The Rhetoric Of Escapism

This essay will focus on the theme of death in this story. There are lot

In Herman Melville`s fictional work “Bartleby the Scrivener”, he explores the idea of spiritual death through a young man named Bartleby. He shows how someone`s state of mind can change their whole life. By using motif, symbolism, setting, and characterization Melville proves that men can experience spiritual death due to their failure to break through barriers built the pressures of social conformity.In the story Melville uses the maximum security institution as an example of a lonely place looking upon the confining institution of life (Hoffman 3).

Death is the most inevitable and unknown aspect of life. It is unescapable, and by most of today’s population, it is feared in the utmost regard. Our materialistic views and constant desertion of religious ideals has forced our society to view death as an ultimate end. Socrates and St. Augustine’s views on death differ from many views on the subject in 2017, however, for their time, these men had the power to influence a plethora of individuals with their theories. For Socrates, death should never be feared and should be considered a blessing if our souls were to ascend to heaven, or death could be an extensive slumber without any dreaming whatsoever. With

In “On Natural Death,” Thomas appeals to the readers by contemplating the subject of death with an academic approach that includes facts, data, and information. Thomas successfully transforms death from an awkward, emotional subject to a more comfortable intellectual one. This engages the readers by placing contemplation of death and dying within the confines of a more manageable and rational context. His gradual exhumation of death eases the audience into pondering the subject in the absence of emotional stress. The essay transitions from the death of an elm tree to that of a mouse. This is followed by Thomas giving a significant amount of attention to a scientific explanation of death, and then finally the description of the near death experience of a human. This use of an academic appeal moves the audience to a comfort zone with the subject of death and circumvents the common response of avoidance. The reader is simultaneously desensitized to the gravity of subject matter and given permission to consider death and dying without the normal societal negative stigma associated with the subject.

One of the most outstanding characteristics of humans is that we have a moral conscience- the ability to distinguish between right and wrong, as well as understand the consequences of actions beforehand. Nonetheless, religion remains important to society because it helps to refine and provide a deeper understanding of humans’ moral responsibility. There are instances where either people ignore religious practices in favor of reason and logic or follow only religious teachings that suit a particular situation. Chronicle of a Death Foretold is a novella that typifies the failure of religion to unify people and provide a common course for understanding life. The story talks about Santiago’s fight against fate and the probability of escaping death that is foretold beforehand. The priest symbolizes religion in the novella and readers observe that his actions are similar to those of ordinary people. Ordinarily, we expect the priest to uphold religious practices and bring people together when society is divided on an issue.

Death is a topic that unites all of humanity. While it can be uncomfortable to think about, confronting death in unavoidable. “Dying” addresses that discomfort and universal unwillingness to consider the inevitability of death. Pinsky’s use of imagery, symbolism, and tone create a poetic experience that is like death, something every reader can relate to. In “Dying,” Pinsky describes how people are oblivious and almost uncaring when it comes to the thought of death. Pinsky is trying to convince the reader that they shouldn’t ignore the concept of death because life is shorter than it seems.

No one can escape death. It’s one of so few unavoidable certainties in our lives and has held an important position in every human culture since time immemorial. Of course, this position has is different from culture to culture, and shifts over time. This is particularly evident in western culture. The shift is discussed at length in two essays: “Behind the Formaldehyde Curtain” by Jessica Mitford, and ‘The Fear of Dying’ by Elisabeth Kübler-Ross. Both explore different aspects of these themes – Mitford’s essay being deconstruction of a the uniquely North American process of embalming, and Kübler-Ross’ being an indictment of the clinical depersonalization of contemporary western attitudes toward death. Each utilize many different tools as writers, such as rhetorical modes. Rhetorical modes they share are exemplification, description, and compare-and-contrast.

By biological logic, we human beings will face death sooner or later in our life and death has its very own ways to approach us - a sudden deadly strike, a critical sickness, a tragic accident, a prolonged endurance of brutal treatment, or just an aging biological end. To deal with the prospect of death come different passive or active reactions; some may be scared and anxious to see death, some try to run away from it, and some by their own choice make death come faster. But Viktor Frankl, through his work Man’s Search for Meaning, and Bryan Doyle; in his essay “His Last Game” show us choices to confront the death, bring it to our deepest feelings, meaningful satisfaction. To me, the spirit of the prisoners at deadly concentration camps, Frankl’s Logotherapy theory of “. . . striving to find a meaning in one’s life is the primary motivational force in man.” (99), as well as the calmness of Doyle’s brother on his last ride, like an awaken bell, remind us of how precious life is, how we should find the significance in every act of living, determine to live a meaningful life at any circumstances; hence, when death comes, we can accept it without anxiety nor regrets.

In the play “everyman” death is depicted as something that is terribly feared as no one seemed ready for it, death is perceived as something that takes one away from the pleasures of this world.

When faced with the inevitable fate of death, the reaction of the population is very different because of their relation to life. Some men did not stop for death; they “hurried to and from” grinding their teeth in anger, which indicated their frustration in their inability to change the inevitable. Some “hid their eyes and wept” because of their unwillingness to accept the end while others rested “Their chins upon their clinched hands.” The latter watched their world fall apart bravely and smiled at their fate.

Bernard Williams’ The Makropulos Case, focuses on the topic of immortality, and the issues that would arise from being immortal. Williams’ uses the concept of the Makropulos play to refute the idea of immortality, because the protagonist kills themselves out of unbearable boredom from exhausting their categorical desires. Whereas John Martin Fischer rejects Williams’ view of immortality, due to the limiting constraints of his argument. Fischer asserts the immortal life would be livable, because it reflects a mortal life. In effect, I will further Fischer’s argument, in proposing the concept of categorical desires evolving, and then the significance of external factors occurring in society. Therefore, this essay will explain the significant

The play Everyman may have been written many years ago, but its lessons are still relevant today. Generally, the facts of death are very traumatizing and in fact unthinkable. This leads the modern day Everyman to ignore its significance, dying without acknowledging or reflecting on their lives here on earth. It is based on this fact that this paper aims to show the position of the author of the play “Everyman” regarding death.

Death is probably the most feared word in the English language. Its undesired uncertainty threatens society’s desire to believe that life never ends. Don DeLillo’s novel White Noise tells the bizarre story of how Jack Gladney and his family illustrate the postmodern ideas of religion, death, and popular culture. The theme of death’s influence over the character mentality, consumer lifestyle, and media manipulation is used often throughout DeLillo’s story.

We live in a world marked by a culture of death. the constant manifetations of ruptures with one itself as lonelines, sadness, with no sence, unstopping search of false

  Cultures all over the world have different convictions surrounding the final, inevitable end for all humans - death. In the United States, and in most Westernized cultures we tend to view death as something that can be avoided through the use of medicine, artificial respiration machines, and the like. To us, death is not a simple passing, and usually, we do not accept it as a normal part of life. Death, to Westernized folk, is not celebrated, but is rather something to be feared, something that haunts us all in the back of our minds. However, this mentality is not held through all cultures -- in Mishima's The Sailor, a Japanese novel steeped