Cultural Differences Of The Bronx

In the movie “Gangs of New York”, we see a city changed and reshaped through cultural influence of feuding individuals with different ideas. The movie is about a young man, Amsterdam Vance, who seeks to avenge his father, who was brutally murder in a gang dispute, against his adversary Bill the Butcher. On the surface the movie seems simple enough but in the back ground we see a cultural shift as immigrants come into America. Also we see political influences and material possession such as clothing and other belongings set people apart and define the social status of the

America truly is the salad bowl of cultures from around the whole world. However, there is often times a dominating cultural structure that makes it difficult to attain peace among the diverse cultural groups of America. Sherman Alexie’s short story, Because my Father Always Said He Was the Only Indian Who Saw Jimi Hendrix Play ‘The Star-Spangled Banner’ at Woodstock, displays the difficulty of the Native American people having to cope with the dominating culture that they are inevitably being shoved into. The main character Victor, a young boy who reflects much of Alexie’s personal traits, tells the story and struggle of his people through the

In the essay, McBride’s logical appeals are used to help his purpose by using facts and examples to describe the rise of hip hop culture, and explain its significance based on more than just opinion. A particular instance of McBride making a logical appeal would be “In the mid-1970s, New York City

“…the appropriation of hip-hop cultural forms suggest not that whites want a black identity: rather, they want characteristics of blackness.” (Perry 2002, 109). This is quote by Pamela Perry, a sociologist as University of California Santa Cruz, from her book Shades of White:White Kids and Racial Identities in High School. Pamela Perry is a sociologist from University of California, Santa Cruz, throughout her book she touches on the idea of white children developing a sort of identity crisis depending on their environment. This quote helps put the appropriation of African American culture in its simplest terms. In most cases people associate Hip Hop culture with African Americans. With that being said, many artist of different genres who attempt to have a more hip hop vibe, fall subject to appropriating African American Culture. Various artist have been appropriating culture in several different ways whether it’s through dance, sound, or even image.

The Unites States is a true melting pot of ethnicities and cultures. For many members of minority groups a certain hybridity is readily adopted, but for others, cultural assimilation can be quite difficult. Chicana author, Sandra Cisneros described this phenomenon as “always straddling two countries… but not belonging to either culture” (Doyle. 54). African American author, Alice Walker shared Cisneros’ sentiment, but focused her attention on the assimilation of black cultures and subcultures within the United States. Cisneros and Walker make the same poignant statement about the strains of cultural assimilation, with reconciliation of split identities as the goal, in their respective works, 1991’s “Woman Hollering Creek,” and 1973’s “Everyday Use,” yet their unique ethnic perspectives allow them to make it in surprisingly different ways.

Molefi Asante is the author of It’s Bigger than Hip-Hop: The Rise of the Post Hip-Hop Generation. In this article, Asante predicts that the post-hip-hop generation will embrace social justice issues including women’s rights, gay’s rights, and the anti-war movement. To challenge these stereotypes, Asante speaks to the personification of the African-American ghetto and the need to stop glorifying black suffering. For Asante, the post-hip-hop generation no longer expects hip-hop to mobilize disenfranchised youth. Asante states, “The post-hip-hop generation shouldn’t wait for mainstream musicians to say what needs to be said…No movement is about beats and rhythms…. it must be bigger than hip-hop.” Because hip-hop is controlled by corporations, Asante says hip-hop will never be the focus of political change. Asante argues that “old white men” have dictated hip-hop, and by extension the actions of black youth, since 1991. “Allowing white executives, not from the hip-hop culture, to control and dictate the culture is tragic because the music, and ultimately the culture, as we can see today, has not only lost its edge, but its sense of rebellion and black movement- the very principles upon which it was founded.” Asante calls for the rise of “artivism,” a new social movement that uses art to improve community police relations, failing schools and the criminal justice system. Asante encourages the post-hip-hop generation to unite with Latino/Immigration Rights and Black Civil Rights

Lisa page asserts that what truly defines an American is the way they are involved in their community. According to “High Yellow White Trash”, Lisa Page whose parents are divorced feels like she lives in two worlds because of the environment she is in when she is with each parent. But yet she feels very connected to both communities even if they are very different. On her mother's side,who is white, she mentions “ She[her mother] sent me to ballet classes, and my sister took horseback riding lessons, much like our white neighborhood.”(p3) In the other word, Lisa was educated by her mother side culture and involved in the white community. However,she was a biracial women, due to her skin color, she was being considered as a white with defects by the white community that made her starting struggles in this two worlds. What is more,she referred herself as a black too.

By the early 1990s, the South Bronx had changed. On my visits home from an upstate community college, I noticed that more and more neighborhoods had dried up. The “crackheads” and “crack whores” were gone, along with the drug peddlers who had barked:Red Top! Gold Top! I got Blue!Someone had cleaned the streets, dusting the drug dealers and drug users off the planet, leaving the South Bronx a ghost town.Coño, que pasó?By the early 1990s, the South Bronx had changed. On my visits home from an upstate community college, I noticed that more and more neighborhoods had dried up. The “crackheads” and “crack whores” were gone, along with the drug peddlers who had barked:Red Top! Gold Top! I got Blue!Someone had cleaned the streets, dusting the drug

5. Wes’ first felt hand cuffs on his wrists when he was 8 years old.

With that of culture comes our identity through music. The “death of the blues” serves as an example in how culture is put up to the challenge of change. Melody, Chinatown, and Big Mat represent “the loss of folk culture which accompanied the Great Migration of Black people from the rural South to the industrial North” (Waldron 58). As we begin to read, we are able to interpret their lives and identity in the South through Melody’s music. This

The emergence of Rock and Roll was one of the most pivotal moments of our nation’s history. The impact that this genre of music made is still evident in our culture. However, before this genre was able to gain momentum, it faced many cultural conflicts. The book, All Shook Up: How Rock ‘N’ Roll Changed America by Glenn C. Altschuler analyzes the impact that rock and roll music has made on American culture. It explores how the Rock and Roll culture was able to roughly integrate and later conflict with preceding cultural values. This is especially apparent in chapters regarding race and sexuality. Overall, Rock and Roll was extremely controversial amongst parents and educators. This new music genre was condemned by the previous generation as

1.) In this class we have examined the sociological forces that created the social conditions from which Hip-Hop emerged in the Bronx. Drawing upon Chang, as well as videos (Bronx is Burning, Flying Cut Sleeves etc.), discuss the sociological roots of rap. Specifically, what social forces (for example: state policies, global economic trends, technological advancements, community characteristics as well as race, class, gender politics) were present and facilitated the development of Hip-Hop?

In those years, racism was a strong and violent issue that not only referred to women but also to minorities such as black people, gays and single mothers. Today people are still struggle with these very issues. Racism in America is proving that this essay is sadly very relevant today and this minorities group reacts in different ways but always similar to Lorde’s description of poetry as a form of creativity as a class issue, thinking that in the 80’s poetry was the most economical way of communication. In recent years there has been an explosion of creativity by minority groups in form of: street-art, rap music, and

The United States as a whole is seen as the land of opportunity. New York is a major central for diversity and because of that many people from different cultural atmospheres have brought their families and dreams to New York City. Although Immigration patters throughout the last 200 years have varied, New York has consistently seen people from around the world move to the city and call it home. From the earliest points in our history as a nation, New York has been a center for trade and economic growth. New York is known world wide as a cultural melting pot. While other states have had immigration surges, none have compared to the diversity and sheer number of immigrants that have made their way to the City. This paper will focus on

Music is an important part of life. Its role as a form of art and entertainment is a significant one but more important is that it serves to reflect and reinforce societal norms and values. It is not only used to entertain but also serves as a form of social commentary (Baran, 2009). For instance, the emergence of Rhythm and Blues (R&B) in America after the Second World War was a means of advancing the black race and it helped blur the line between white and black as more young white people became aware of the distinctions that existed in the society. The Hip-hop and rap of the 1980s and 1990s had almost the same effect, awakening in Black Americans a sense of