Cultural Identity In Persimmons By Li Young Lee

Through the personal stories of his hair, love life, and behavior, Liu is able to show the effects of his assimilation. The second section deals with Liu’s struggles to conform to white stereotypes as an Asian American. With his personal anecdotes, he establishes himself as a more credible source to speak on the subject of assimilation. The second section uses narration to provide evidence about Liu’s definition of assimilation.

The speaker in Li-Young Lee’s poem “Persimmons” has been clearly raised in a bi-lingual, bi-cultural atmosphere. His experiences, although not entirely positive, have helped him grow into the man he is today. By using sensory imagery and “precise” diction along with the informal stanza structure, the speaker shows the reader that, despite his bi-cultural past, he now has realized, thanks to his experiences, that some of the most important things are not “visible” and that he is indeed proud of his ethnicity.

Lee perfectly uses the weight of peaches to illustrate his idea that they subject to the law of gravity that force everything to weighs down. Lee uses peaches to explain his father’s life, labor, love and death. “and his arms grow weak, as he labors under the weight of peaches.” This poem also has a powerful tone of feeling complexity as well as bitter sweetness of nostalgia as he begins with “No easy thing to bear, the weight of sweetness.” The sweetness means a kind of taste or tenderness however he describes it in terms of weight and he generate his powerful idea about emotional complexity.

This shines light upon her Native American roots and how it can be an inspiration for her Century Quilt, each square representing her family’s racial diversity and mixed roots. It is quite difficult to learn of all the harsh animosity they were enduring, such as Meema and her yellow sisters whose “grandfather’s white family nodding at them when they met” (24-27). The hostility is clear as the white relatives only register their presence; no “hello” or warm embrace as if they didn’t acknowledge them as true family. However, with descriptive imagery, the speaker’s sense of pride for having the best of both worlds is still present as she understands Meema’s past experiences and embraces her family’s complexity wholeheartedly; animosity and all.

Amy Tan’s ,“Mother Tongue” and Maxine Kingston’s essay, “No Name Woman” represent a balance in cultures when obtaining an identity in American culture.  As first generation Chinese-Americans both Tan and Kingston faced many obstacles. Obstacles in language and appearance while balancing two cultures. Overcoming these obstacles that were faced and preserving heritage both women gained an identity as a successful American.

The tale “American Born Chinese” by Gene Luch Wang depicts the story of three characters, Monkey, Jin, and Danny. They all have the problem of fitting into their new environments. Jin Wang has to deal with Asian stereotypes. Danny has to deal with embarrassment of his cousin. Lastly, Monkey has to deal with the fact that there is no position for him in the heavenly ranks. However, over time, these characters have to come together to fit in. Yet the question remains: what exactly about fitting in is the problem? Although Jin Wang takes the form of Danny to reject his Chinese roots, the embarrassment of Chin-Knee shows he cannot hide behind a false American identity, thereby delineating that race is the source of his problem.

Although I can’t specifically relate to Gloria Anzaldúa’s struggle between her languages in “How to Tame a Wild Tongue,” I can relate to her “kind of dual identity” in which she identifies with neither Anglo-American cultural values nor Mexican cultural values (1566). Being half white, half Chinese, I struggle identifying as either identity, especially because my mom (who is Chinese) never learned Cantonese and largely became Americanized in her childhood. It’s an uncomfortable position to be in when racial and ethnic identity are so significant in America and when I must interact with the world as part of both the majority and the marginalized. Considering my own struggle and the conflict Anzaldúa describes, it became clearer to me the way race relations in American not only marginalize people of color but train our consciousnesses to damage ourselves. Before I turn back to Anzaldúa, a novel I’ve recently read, William Godwin’s Caleb Williams has also been on my mind, particularly in Godwin’s portrayal of how police surveillance transforms us into agents of our own oppression. Although Caleb is a white man, he also experiences a split consciousness as his values and characteristics are whittled away by the paranoia of constant surveillance.

Poems are built with tradition, but in his case, the speaker wants to end tradition just as he wants to end racism. In line two and three, they both end with the same word which is called symploce. Symploce is a combination of anaphora and epistrophe which implies that these two lines are an important point of the figure of speech. The poem was written by stating a cause and effect. The line beginng with by is the cause and I being the effect. Its an explination of how he will fight social injustice. It also helps readers to use and understand the most effective way to fight social

THESIS - When evaluating Arnold “Junior” Spirit from Sherman Alexie’s The Absolutely True Diary of a Part-Time Indian and Jin Wang from Gene Luen Yang’s American Born Chinese, similarities radiate in both characters as their disparity in race deem the two of them as outcasts in the entirety of society. In addition to their lack of social interactions, their uniformity in their impulsive decisions cost them each a dear friend. Although Junior and Jin are quite similar, they share differences in the way Junior tries bettering himself by fitting into both his Indian and Reardan culture whereas Jin changes himself in every possible way to become Americanized.

The third stanza transitions into Lee discussing an intimate moment that he is sharing with a white girl named Donna. This scene seems like the turning point in which Lee recognizes the fading aspects of his Chinese heritage. The fact that Lee makes it evident that the girl he is sleeping with is white really highlights how he is now fully immersed in American Culture. He also talks about trying to teach Donna different words in Chinese, but there are some words that he has forgotten. Lee forgetting these words emphasizes a point in his life where he might have identified more with his American Culture; he does not dwell on the fact that he cannot remember these words and gets right back into telling her how beautiful she is in English. This is an instance where Lee’s cultural identity might have lied been more in line with American values rather than his Chinese values.

Traditions and old teachings are essential to Native American culture; however growing up in the modern west creates a distance and ignorance about one’s identity. In the beginning, the narrator is in the hospital while as his father lies on his death bed, when he than encounters fellow Native Americans. One of these men talks about an elderly Indian Scholar who paradoxically discussed identity, “She had taken nostalgia as her false idol-her thin blanket-and it was murdering her” (6). The nostalgia represents the old Native American ways. The woman can’t seem to let go of the past, which in turn creates confusion for the man to why she can’t let it go because she was lecturing “…separate indigenous literary identity which was ironic considering that she was speaking English in a room full of white professors”(6). The man’s ignorance with the elderly woman’s message creates a further cultural identity struggle. Once more in the hospital, the narrator talks to another Native American man who similarly feels a divide with his culture. “The Indian world is filled with charlatan, men and women who pretend…”

Throughout the novel he focuses on the notion of language and how being a native speaker provides evidence for one to claim or be seen as a native of America. Chang-Rae Lee

In the “Two Kinds” story the author illustrates the struggle between her American cultural identity, and her mother’s Chinese culture, as like the characters in the story. The author shows what is the struggle and the conflict that cultural differences creates. The author also uses symbolism, to address the conflicts between the characters in the story.

Langston Hughes also uses characterization in this poem. The poem is a narrative on a specific character. Hughes describes in detail the background and interests. As soon as he leaves the classroom he starts thinking about his assignment and what he is going to write. This speaks to the characters drive and strive for his education. His race is also his struggle that allowed him to move to the north. Hughes shares what he loves to do, what he is passionate about, his knowledge, and his choice of music. His identity is clear and never questioned. Hughes knows who he is and what he is capable of accomplishing.

Sleep, sex, and food are the three most important aspect of a human life. Each of them represents resting, reproducing, and surviving – essential elements that form the foundation of human culture and society. The status of these elements always represents the social stature and cultural ideology, of the desire or dislike of people. Some standards are universal, while some are uniquely formed through generations of different cultural traditions. Food in this case might be the most simple and yet the hardest ideology of desire for anthropologists to catch. Its meaning is never as plain as a recipe of a cooking book, but always attached with the cultural and psychological ideology that is connected with individual and cultural identities.