Cultural Misunderstanding in A Passage to India Essay

The colonization of Native American people has consequently framed Native American society as heteronormative, despite the historical inaccuracies of such a notion. The relationships presented throughout this collection range from sexual, platonic, familial and interracial. Race is "a constant presence" (14) throughout the course of each narrative. Alexie 's stories question of identity as it relates to race and sexuality across a boad spectrum. The nine stories in The Toughest Indian in the World move off the reservation to Seattle or the nearby city of Spokane. The ‘urban Indians’ at the heart of these stories are educated, middle class and sober, and outwardly at least, they are fully integrated into the dominant white society. This paper will explore the trajectory of identity in Alexie 's work and how Toughest Indian demonstates a sense of otherness of Indians in an urban envirnment. This theme is expored through Alexie 's treatment of race and sexuality as demonstrated in two stories: Toughest Indian and John Wayne.

When first read by the reader many different things could be going through their minds, one assumptions could be that the “Indians” that the author is

In Barbara Ehrenreich’s Cultural baggage, the topic of ethnic heritage is discussed as the author is responding to an acquaintance asking her what her ethnic background is. Ehrenreich finds her purpose for writing her essay in making readers aware that no ethnic background is in fact a background. She takes on a not so common viewpoint of herself as most people pride themselves in where they came from and the traditions of their culture, rather than feeling almost embarrassed to claim their background.

A person has always been able to choose to what extent their cultural experiences affect their perspective. Amy Tan’s, “Two Kinds,” Bharati Mukherjee’s, “Two Ways to Belong in America,” and Robert Lake’s, “An Indian Father’s Plea,” all show how the main characters have chosen to let their experiences have an effect on their cultural identity. A person’s cultural experiences shape perception based on their own identifications and they may chose to assimilate to different cultures.

Immigrants’ refusal to appreciate a fused culture promotes division. Mukherjee questions the idea of immigrants losing their culture for American ideals: “Parents express rage or despair at their U.S.-born children's forgetting of, or indifference to, some aspects of Indian culture,” to that Mukherjee asks, “Is it so terrible that our children are discovering or are inventing homelands for themselves?” (Mukherjee, 1997, para. 28). Many immigrants experience anger when their children no longer hold the ideals of their home country. This tension produced within the household hinders the unity within a resident country’s culture and encourages division within families. Using herself as an example, Mukherjee provides another instance of anger directed at her from her own subculture: “They direct their rage at me because, by becoming a U.S.

Paige Raibmon’s book “Authentic Indians” take a closer look at the concept of authenticity in the late nineteenth and early twentieth century. Focusing on the culturally diverse Aboriginal people of the Northwest Coast, Raibmon examines how both Aboriginal and non-Aboriginal people constructed and used the idea of the authentic Indian to achieve their goals. Drawing examples from three ‘episodes’ or stories about Aboriginal people of the Northwest Coast, Raibmon argues that authenticity is not a set marker that we can use to measure the distance between what an Aboriginal culture looks like today and what “real” Aboriginal culture looks like. Instead, Raibmon says that authenticity is an important and changing set of ideas that were used

She explains her thesis by stating “Others who write stories of migration often talk of arrival at a new place as a loss of communal memory and the erosion of an original culture. I want to talk of arrival as a gain,” (360). The key points of the text include Mukherjee describing her transition between Calcutta and the United States, and what it means to be and American and how culture influences that aspect. The information in the text is significant; the people of America are a part of a melting pot, sometimes it is hard for them to find the distinction between American culture and their own. The information in Mukherjee’s story is clear and specific, unbiased, and is relevant to the purpose of the story. I believe Mukherjee has achieved her purpose of informing her audience about cultural differences; she presents certain strengths and weaknesses within the text.

“The meaning of the cave isn't lying on the surface of the novel. Rather, it waits somewhere deep, and part of what it requires of us is to bring something of ourselves to the encounter. If we want to figure out what a symbol might mean, we have to use a variety of tools on it: questions, experience, preexisting knowledge (Foster 106-107).” This passage is referring to dive deep into thought about what a symbol really stands for. In this case a cave, the cave is more than just an underground chamber inside the Earth. It’s a place of our ancestors, of darkness, and of mystery. In the novel A Passage to India, the caves have different meanings for everyone. The meaning of a cave means one thing for Mrs. Moore , but a whole different thing for

“Why are you going to live with your husband’s parents?” this was asked to me as I was about to enter the United States of America by an immigration officer at the airport. This day when I landed in USA I started to observe the difference between USA and India. If at the same time I would have been in India people would have frustrated me by asking a similar question but with a little difference “Why are you not going to live with your husband’s parents?” … would have been the probable question.

Prejudice, bigotry, and stereotypes are all learned behaviors. Children, especially in America, absorb these stereotypes from what they see and hear from the adults in their lives. In Mukherjee’s essay, American Dreamer, she discusses the negative stereotypes of Indians saying, “Indians idealize the cultural continuum, the inherent value system of India, and are properly incensed when foreigners see nothing but poverty, intolerance, strife, and injustice” (358). The stereotype that Indians are nothing but poverty stricken living in subpar conditions is nothing but

A person’s heritage and cultural identity may be lost when moving to a new country where the culture is different and other cultures are not easily accepted. In the short story “Hindus”, Bharati Mukherjee uses setting, characters and the plot to discuss what it is like to lose your cultural identity while being a visible minority in America. Mukherjee uses the plot to describe the events that take place in the main characters life that lead her to realize how different the culture and life is in the America’s. She also uses the characters as a way of demonstrating how moving away from one’s culture and heritage can change a person’s perspective and ways of thinking. Mukerjee also uses setting in her story to identity the physical differences in culture between living in India and America. Alike the setting and characters, the plot helps describe the loss of culture with a sequence of events.

When adapting to a new culture, many find it hard to assimilate into their new world while still holding on to their past life. Finding yourself in a new place with a new language and unfamiliar faces is challenging for immigrants. Jhumpa Lahiri, an immigrant herself, sheds some light on the Indian culture in her book, Interpreter of Maladies. She conveys many challenges that immigrants face when moving away from their homeland in a myriad of short stories. These short stories introduce similar themes of immigration and adaptation through different experiences. Two of Lahiri’s short stories, “A Temporary Matter” and “Mrs. Sens”, do a great job in showing similar challenges of cultural differences in two different ways. They introduce characters

Everybody has their own definition of Culture – and when this word is used generally, most audiences have a rough idea of its meaning. Culture usually refers to the beliefs, ideas, languages, rituals and traditions by certain communities, that are passed from generation to generations continuously over the past many centuries. In society, two cultures cannot be same if one is located on the west coast and the other one is all the way to the East. As we compare, the American and Indian cultures have very vast differentiation between them. While the culture of America is a mixture of different cultures since each immigrant internally packed his or her previously

A Passage To India by E. M. Forster is a rich, postcolonial novel delving into the possibility of sustaining a personal friendship between an English person and an "Indian" person. This topic is being discussed in the beginning of the novel at the home of Hamidullah, "... they were discussing as to whether or no(t) it is possible to be friends with an Englishman. Mahmoud Ali argued that it was not, Hamidullah disagreed, but with so many reservations..." (Forster 7) Aziz, who the novel centers around, has the disposition to just shut them out and ignore them and all will be jolly. Of course, later, we find Aziz does not shut them out and rather

E.M. Forster’s classic novel “A Passage to India” tells the story of a young doctor, Dr. Aziz, and his interactions with the British citizens who are residing in India during the time of the British Raj. Throughout the novel, the reader gets many different viewpoints on the people and the culture of India during this point in history. The reader sees through the eyes of the Indian people primarily through the character of Dr. Aziz, and the perceptions of the British through the characters of Mr. Fielding, Adela Quested, and Mrs. Moore. Through the different characters, and their differing viewpoints, the reader can see that Forster was creating a work that expressed a criticism that he held of the behavior of the British towards their Indian subjects.