Greco-Buddhist art is the artistic form of Greco-Buddhism, a cultural syncretism between the Classical Greek culture and Buddhism. Greco-Buddhist art is characterized by the apparent idealistic realism and in-depth portrayal of Hellenistic art. Representations of the Buddha alongside traditional Greek deities have helped outline the artistic canon for Buddhist art throughout Asia up to the present. Additionally, it is also a strong example of cultural syncretism between eastern and western civilizations and how the combination of the two cultures can redefine ideas of divinity. Gods from the Greek mythological pantheon are incorporated in Buddhist representations, displaying a strong combination of the two belief systems. A prominent depiction …show more content…
Many prominent Indo-European storm gods wield a similar special thunder-weapon, including Zeus with his thunderbolts and Thor with his storm-hammer. In particular, Herakles has been used aplenty as the symbol of Vajrapani. As Buddhism expanded in Central Asia, and fused with Hellenistic influences into Greco-Buddhism, the Greek hero Herakles was adopted to represent Vajrapani. Herakles’ most important attribute for the Classical world was his strength, which enabled him to slay many of the monsters who threatened human civilization. He is typically illustrated as a hairy, muscular athlete, wielding a short club. The connection of the two characters is based on a strong similarity between the bearded, muscular images of Vajrapani and similar images of Herakles. In the personification of Herakles as Vajrapani, Herakles’ club becomes Vajrapani’s vajra. One image clearly connecting the two is a relief found in the British Museum. The figure shows the Vajrapani, holding his vajra and wearing a lion skin. Although the intended context of this piece is unknown, it is speculated by Wladimir Zwalf that it is part of a larger relief depicting a scene from the life of the Buddha. The lion skin, ever-present in Greco-Roman iconography of …show more content…
Although both Herakles and Vajrapani are independent in tradition, blending them together creates a new understanding of the ties between Greco-Buddhism and how symbolism can be carried throughout different cultures. As a syncretic combination of Western borrowing in concept and iconography, the protector function of Vajrapani rendered the character distinctively qualified to the personification of Herakles. Interpretations seen throughout currency and sculpture made an undeniable impact and served as the forefront of Greco-Guddhism as a canon of art. Additionally, the knowledge of Herakles as a military valor and as a symbol of strength was apparent across cultures; making it nearly impossible to deny how the Heraklean interpretation of Vajrapani served as a cohesive force in forming Greco-Buddhism as an artistic movement. Nontheless, the analogous function of the two deities had much impact on Vajrapani being distinctively remembered as Heraklean in nature, a form derided by western classical art. Surely this can be considered a fault of the idolization of western culture in opposition to other cultures and how society perpetuates ‘others’ as
The Kannon Bosatsu, or Avalokitesvara Bodhisattva, is a carved wood statue of a Bodhisattva figure standing about two and one half to three meters tall. This statue shows a high level of detail on the Bodhisattva 's body, and is carved so smoothly that it could be mistaken for a stone carving. The show of skilled craftsmanship can be seen around the shoulders with the interaction of the cloth with the jewelry the Bodhisattva. The statue is placed on an ornate pedestal to cause the figurine to appear taller, giving it a feeling of authority, which contrasts with its calm, expressionless face. While the figure appears to be standing in a meditative state like the Buddha, the jewelry present all over the body of this figure distinguishes this figure as a Bodhisattva instead of a Buddha. In his book, The Story of Buddhism a Concise guide to Its History and Teachings, Donald S. Lopez Jr. establishes the importance of imagery in Buddhism. One major point he makes concerning the worship of Buddhist figures, is that the disciples of Buddhism not only believe that the figures are a mere representation of Buddha, but that the figures actually become and are animated by Buddha, an argument which seems to hold merit as truth.
The sculpture portrays the God of Harvest, Dionysus, with his loyal satyr follower, Pan. A considerable amount of detail when into the carving of Dionysus; the multiple grapevines in his hair, his ceremonial staff Thyrsus, the goatskins and the cup of wine he’s holding are all symbols of Dionysus. The composition is very asymmetrical, and creates a contrapposto arrangement, which is distinctly Grecian (Gardner). It was carved out of beautiful fine marble, which also had another purpose in the way of making this piece of art last for many years. Along with the tree trunk between the two men providing support at the base, and the elongated arms providing more structural stability. The God’s head is even reinforced by his hair to make sure the head doesn’t break off. This sculpture is visually and aesthetically pleasing, but doesn’t serve a useful function, like textiles or furniture. Therefore, it is considered a figurative piece of art, which art that is very clearly modeled after real object or person(s), and is therefore representational
Interestingly, instead of four, only three sides of the Sarcophagus are filled with images. The long section illustrates two Greek heroes, presumably Herakles and Iolaos, battling evil centaurs. The two other sections show a centaur attacking a lioness and the other, the representation of peace in this work, two centaurs getting along. Herakles and Iolaos are highlighted by the artist’s careful attention to make them protrude the greatest, accentuating their impact and overall importance in this sculpture. Every powerful muscle in their bodies is portrayed and given detail in three dimensions. The three-dimensions not only bring these characters closer to reality but also heighten the heroic nature, masculinity, and belligerent attitude of the Greek heroes. Instead of using basic geometric shapes to create works of art, the sculptor chooses to increase the detail in the Sarcophagus by giving everything in the sculpture individual characteristics and traits. They are presented as being stressed
1. There are numerous instances of the Etruscan artists taking their cue from Greek artists. The tendency was so prevalent that at one time historians considered Etruscan art as wholly derivative. The Etruscans did copy a lot of Greek art in both technique and design. One of those instances is in their construction of their temples. There is a definite similarity in both technique and design. The Etruscans incorporated columns in their temples long after the Greeks started doing so, and the similarities did not end there. There were sculptures and paintings inside the temples that were patently Greek in design. The Etruscans traded with Greece and attacked it several times, so there were several points of interaction and copying.
Unlike the sculptures from the Archaic period, the High Classical period sculpture is no longer stiff, rigid and stylized. The understanding of the human anatomy is showed with accuracy and observation of the artist. Comparing with the sculpture from the Archaic period, this Spear Bearer is realistic and natural, the proportion of the head and the figure is considered perfect in centuries. this was the uniqueness of this piece during that time period.
The Greek period, ca. 900-30 BCE, was famous for its developed ideals of human beauty, the concept of ideal heroic male nudes and what they depict, and progression from symbolic works to naturalism. Using the discussion of the following artworks, the (Anavysos)Kouros, the Kritios Boy and the Spear Bearer (Doryphoros), I will discuss their symbolic and naturalistic characteristics.
The Nyoirin Kannon is ranked by the Japanese among the greatest assets of the country due to its religious origins. It helped open up the door to Esoteric Buddhism in Japan during a transition era and exemplifies Esoteric teachings and characteristics. One of the earliest of its kind, the sculpture shows an extraordinary composition of the style from the preceding periods and the most recognized expressions of Esoteric Art. Although there has been some quite different interpretations of Kannon throughout history, they can all most likely be linked by the mixture of preceding styles and newer Esoteric iconographies, as well as religious significance.
One of the most well-known cultures throughout all of history belonged to the Greeks. Their heritage was so highly valued that it lived on even after they no longer ruled. The Greeks were some of the most innovative artists of their time and their work was so inherently beautiful that people from future cultures fell in love with it and decided to incorporate it into their own customs. The most famous group known for this was the Romans. After the Romans took over Greece, their love for its customs bloomed which resulted in many recreations of Greek art that are now seen today. However, Greek sculpture art had a hard time making it to the modern day. Most sculptures were made out of bronze and often melted down to be used for other purposes. Any surviving Greek related art is often just a Roman copy. The Romans are famous throughout history for their copies of Greek sculptures, especially relief sculptures. However, they also incorporated other Greek traditions and customs into their lives as well. Romans created separate names to refer to Greek gods and were often found creating and recreating art based on Greek myths. One specific Greek custom adopted by the Romans was the way in which they buried their dead. Romans originally cremated their dead but after the influence of Greek culture, they began burying their dead in large sarcophagi, with Greek myths elaborately sculpted into the sides, similar to the one kept at the Walter 's Art Museum depicting the abduction of
Max has a lot of help with technology and friends in his journey to defeat those in position of power, which give him better odds at succeeding. Winston, on the other hand, has little to no assistance in his quest to resist the government, which is why he evokes a greater sense of hopelessness. In Elysium, Max is fortunate enough to have friends and acquaintances such as Julio and Spider to help him out. A powered exoskeleton is also implanted in his body which gives him superhuman strength that enables him to kill the malicious robots. This aid does not evoke a sense of hopelessness, but rather a sense that Max may be able to accomplish his mission after all despite his radiation poisoning and economic status.
The ancient Greeks viewed the world in a way that one would today perhaps describe as "holistic". Science, philosophy, art and politics were interwoven and combined into one worldview. Moreover, those who look carefully will find subtle, but intelligible parallels between early Greek philosophy and Eastern thought. The Heraclitean fire resembles Buddhist impermanence, while the Greek Logos resembles the
Greek mythology played a large role in Greek artistic styles and functions. In the case of this study, the mythological god Apollo is the subject of the artistic works of the votive known as the “Mantiklos Apollo” and the statue of “Apollo” that was found in Pireaus. These figures show a natural progression in style and technique. They are important because they represent the sacred beliefs and superstitions of their respective cultures and time periods.
Throughout the times in Greek art, Archaic, Classical and Hellenistic periods have changed overtime from the sculptures in the form, style, and symmetry.
The issue of the legalization of medical marijuana in the United States has been around for many years. Currently, twenty nine states have legalized medicinal marijuana. This problem is based off of interpretation due to its controversy. Therefore, “There is no single simple procedure for resolving interpretive issues or settling interpretive disputes” (Rudinow, J., & Barry, V. E., 2008, p.39).
In every health care organisation, strong leadership and management skills play a pivotal role in the provision of quality patient care. Among health care professionals, a strong leadership style is one that motivates the team to practice ‘direct involvement in clinical care while constantly influencing others to improve the care they provide’ (Cook, 1999). This is echoed by Porter-O’Grady (2003) who stated, ‘Primarily nurses may use leadership ‘styles’ to effectively identify and achieve goals, motivate staff and support to help provide the best evidence based practice to achieve a specific and achievable goal’. With a focus on two specific leadership styles, namely transactional and transformational, nursing professionals can positively influence the quality of patient care. These two styles both stem from power and influence, the core leadership theory that suggests personal power is vital in leadership and a successful leader uses both expert and referent sources of power (Piccolo and Colquitt, 2006). Both these styles are significantly different in approach and execution. They both also present different strengths and weaknesses so it is important for graduating nurses to understand how to use both styles collaboratively and to their advantage as they are not mutually exclusive, and some combination of both may enhance effective leadership (Mahoney, 2001). A manager is expected to carry out specific duties and has definite responsibilities. Good nursing managers are
Greek art has changed throughout the years, yet some basic forms have remained. Time, technique, as well as historical events have helped shape the way art has evolved since 600 B.C. Three important periods in Greek art are the Archaic, Classical, and Hellenistic periods. We will discuss how art has changed throughout these periods, what influences led to change, as well as why it changed. We will also discuss what has remained constant through these periods. Since people’s perceptions and taste of art are different, some would say that art has become better with time, whereas others would say the opposite, but nonetheless, it has evolved.