Cultural Value Of Film Essay

In chapter two of The Cultures of American Film, the main focus is the establishment of studios. As demand for films rose in the early 1900’s, production companies needed to expand; this lead to the creation of large scale studios.

What were Edwin S. Porter's significant contributions to the development of early narrative film? In what sense did Porter build upon the innovations of contemporaneous filmmakers, and for what purposes?

In Tom Gunning’s ‘Weaving a Narrative: Style and Economic Background in Griffith’s Biograph Films’ Gunning explores how the film industry in 1908 to 1909 became unified in terms of profitability and distribution in order to limit competition. He identifies through extensive analysis into American director D. W. Griffith’s Biograph films how they satisfy the demands and expectations of this new economic industry of film. Gunning further looks into the progression in film narrative by analysing the use of parallel editing, understanding the development of film from an exhibition to an art form, where films are capable of expressing emotions, ideas and meanings.

Article Three – Author: David Bordwell / Title of Article: The Art Cinema as a Mode of Film

This essay explores the popularity of Australian film, both locally and internationally and asks the question: Is there a crisis in the Australian Film Industry? This essay will go through the current issues the Australian Film Industry and will demonstrate examples of those problems.

The culture industry affects everything in today’s society. Adorno states, “The whole world is passed through the filter of the culture industry” (99). Everywhere people go, there are billboards, commercials, and advertisements that demand their attention. Before seeing a movie, one must sit through previews of other movies that may interest them, as the theater hopes that the moviegoer returns to watch another movie. In the culture industry, people no longer exist as individuals. They only exist as objects that increase the wealth of the big business owners that control this capitalistic society. Because no one contests the existence of the culture industry, the culture industry can continue to exist. About the film and radio industries, Adorno states, “They call themselves industries, and the published figures for their directors’ incomes quell any doubts about the social necessity of their finished products” (95). Creating unique and groundbreaking films in today’s world is considered “risky,” and filmmakers would rather create sequels to films that were successful in the box office. People excitedly consume these sequels and the directors make huge profits, thereby ensuring yet another sequel to be made. Adorno also points out that the film and radio

Cinema grants the possibility for an average citizen to escape their mundane life, and delve into a realm of fantasy. However, the film industry fails to act as an instrument in societal progression by instilling superficial ideologies. In this article “Dear Canadian filmmakers…”, Cameron Bailey suggests that Canadian filmmakers ought to shift their perspective by looking more outwards than inwards. As Bailey's emphasizes the significance of producing content that appropriately depicts contemporary Canada. Baileys draws attention to the fact that both, the audience, and the critics have a preference for “drama of real life” based films as opposed to fiction based films. Furthermore, he discusses how filmmakers tend to turn the blind eye to

“I’m going to make a name for myself. If I fail, you will never hear of me again” Edward James Muggeridge. True to his words he succeeded in making a name for himself and he created the first movie or “motion picture”. Movies are a rollercoaster ride that transcends people into a whole different world fresh out of somebody’s imagination as seen through the genres of horror, drama, and science fiction. The movie business allows people to break through the burden of everyday life. Considering today’s way of life, people would be lying if they did not admit that movies are an influential entity in our culture. Movies have been successful in ingraining values and elements into society. Movies exaggerate, sensationalize and at

The Production Code Administration emerged in 1934. It was the organic outgrowth of a backlash to immorality in film perceived since the 1920’s (Gomery & Pafort-Overduin, 2011). As an entertainment medium, film was revolutionary: all of the sudden, vivid snippets of life could reach a mass audience. Not long after motion pictures enthralled the country, producers began to recognize the opportunity to attract larger audiences – and increase profits – by filming stories involving provocative subjects and thus stimulating the people’s sense of wonder (Gomery & Pafort-Overduin, 2011). A natural outgrowth of this trend was the increasingly transgressive nature of motion pictures. In an age characterized by both economic and social progress, a backlash against new ideas

Film has been a prominent topic in society since its conception. One of the most important physical areas of film creation is located in Hollywood, California. Hollywood has produced some of the most recognizable directors and film creators. Walter Elias Disney is one major example of this. He is still extremely well known because of the vast business he created that is still thriving today. Many people have argued that his career fits within either the classical auteur theory or the structuralist auteur theory, but no argument has been as strong as the one that supports Disney’s career as the commercial auteur theory. The fact that Walt Disney’s work was very much affected by elements outside of his films shows that his career fits within the commercial, or consumer, auteur film theory.

Analyzing the studio system simplistically we see basic capitalism. In the 1920’s movies became more popular, so fulfilling the rules of basic supply and demand, studios were formed to profit from the insatiable public desire to see more films (in

The film industry has always been somewhat of a dichotomy. Grounded firmly in both the worlds of art and business the balance of artistic expression and commercialization has been an issue throughout the history of filmmaking. The distinction of these two differing goals and the fact that neither has truly won out over the other in the span of the industry's existence, demonstrates a lot of information about the nature of capitalism.

The costs, methods of distribution, and themes of Hollywood and Nollywood films reflect strongly their target audiences; how the target audience affects the production of a film and how the production of a movie is designed to capture a specific

Over the years, Bollywood has emerged as its own distinct identity in the global Film industry. Bollywood is the global leader in production of movies with a staggering 27,000 featured films and thousands of short films. ( Pillania 1) However, Hollywood is still the leader in revenues generated. Due to the growth of the Indian market and globalization, Bollywood has made its way to the international markets. Globalization is often misrepresented as the growing influence of the western culture in the world and so we tend to state that Hollywood is influencing Bollywood to a great extent. An argument can be made to justify the validity of that statement. However, this paper aims at presenting the influence of Bollywood on Hollywood in

The BBFC has commissioned me to undertake research as part of a project to ascertain to what degree films can be regarded as powerful within contemporary society. In this assignment, I will comprehensively explain the relationship between audiences and films with well explained examples. I refer to the different sectors relating to the topic that include the following: