Culture and Creative Industry Week 1 Essay

This paper will focus on the many elements and dimensions of France and the affect it has on the business that takes place locally and internationally. There will be constant comparisons and contrasts between France and the United States of America taking place throughout this entire research article. I will focus on how the elements and dimensions of the culture separately are adapted by the locals and integrated into everyday life and business. I will also give insight on how to conduct business in France for other countries, mainly the United States, by talking about the countries imports and exports and

1. Ben Franklin, pointing to the sun carved on the back of the presiding officer's chair, remarked; "Throughout the days we have been laboring here, I have observed that sun, and wondered whether it was a rising sun or a setting sun. Now I know it was a rising sun."1 Throughout our lives we have been told of how our country was formed. I am here to tell you about the things the history books and teachers don’t tell you about the freemasons and there shaping of the United States of America. We will start with freemasons an agency that has been shaping history since the building of King Solomon’s temple.

In his work, Dialectic of Enlightenment, Theodor Adorno analyzes the nature of the culture industry. People everywhere are constantly being consumed by the culture industry, which is a term for the mass production of cultural goods such as films, magazines, and music. Adorno is concerned that the government uses the cultural industry as a way to deceive the masses and manipulate them into passivity. This idea remains true in today’s society. Young men and women are more interested in the release of the newest Taylor Swift or Adele song than political issues. People have become less intellectual as they are being consumed by the culture industry. It is much easier for a person to let himself be consumed by mass media and to let the media

In the text Adorno and Horkheimer primarily focuses on the issue of art such movies, radio program and etc becoming a commodity and the fusing of the market and art areas. The criticism of the culture industry stems from the fact that for Adorno and Horkheimer culture held the answer for liberation, however the mass produced culture that they found in America was instead enslaving people. Adorno and Horkheimer’s argument regarding mass culture produced products and its effects and commoditization of art remain important to contemporary society because these issues have continued to have a negative effect on contemporary society this can be observed by analyzing contemporary mass culture products such as television, movies and the internet.

    Film and literature are two media forms that are so closely related, that we often forget there is a distinction between them. We often just view the movie as an extension of the book because most movies are based on novels or short stories. Because we are accustomed to this sequence of production, first the novel, then the motion picture, we often find ourselves making value judgments about a movie, based upon our feelings on the novel. It is this overlapping of the creative processes that prevents us from seeing movies as distinct and separate art forms from the novels they are based on.

“The Culture Industry: Enlightenment as Mass Deception” by Theodor Adorno and Max Horkheimer is a pivotal article in history that changed the way in which many communications scholars viewed media. Both authors were members of the Frankfurt School, a school of thought which looked further into Karl Marx’s theories about capitalism and the issues of mass production. Published in 1944, Adorno and Horkheimer revealed their beliefs that the media, much like the economy, is becoming mass produced, and is therefore turning people in society into media-consuming robots. Industrialization created work lives for people in which they would work on only one part of a larger machine. As a result, they felt less involved in the completion of the project as a whole, and therefore felt less pride in their jobs and their lives in general. Instead, these people turned to media and pop culture so that they would feel more fulfillment within their lives. Adorno and Horkheimer believed that these people had a reduced capacity for original thought because media is now force feeding them the ideas of what they can think and feel. This essay will prove that although Adorno and Horkeimer’s points were justified through the eyes of authors George Lipsitz, Lev Manovich, and Susan J. Douglas, there are still exceptions to their theories that they do not account for.

Witnessing the crucial role that media played to dominate the population ideologically in both Nazi Germany and America, Adorno and Horkheimer realized that there was an aberration, rather than a development in the nature of culture. They created the concept ‘culture industry’ to represent the increasingly standardized and commodified media that was effected by capitalism, and used to manipulate people’ opinions and behaviors. As time goes by, features of the culture industry remain relevant today in many ways. This essay will critically review how the three selected articles below have effectively employed the concept ‘culture industry’.

In the words of Gay McAuley, “for an activity to be regarded as a performance, it must involve the live presence of the performers and those witnessing it…” (McAuley, 2009, cited in Schechner, 2013, pp.38). This statement recognises the importance of both the actor and the audience for something to truly function as a performance. In addition, Lloyd Llewellyn-Jones highlights the significance of the theatrical space and how it can influence an audience stating that “on entering a theatre of any kind, a spectator walks into a specific space, one that is designed to produce a certain reaction or series of responses” (Llewellyn-Jones, 2002, pp.3). The relationship between actor, audience and theatrical space is no less important today than it was at the time of theatre during the Spanish Golden Age and the creation of Commedia dell’arte in Italy. Despite being very close geographically with theatre thriving for both in the same era, sources that explore the social, cultural and historical context of these countries and the theatre styles will bring to light the similarities and differences. This essay will analyse the staging, the behaviour of the audience as well as the challenges the actors faced, and how this directly influenced the relationship between actor, audience and theatrical space.

While passivity and domination is to be found everywhere in a capitalistic society, I often look to art to examine the mechanisms by which authority takes hold, and the ways that we struggle against it. Film, of course, is just one of many media we use to explore our own natures, particularly in relation to authority—our strengths, our shortcomings—but it is one of the most powerful. It can disseminate a point of view that strikes at all senses. (As Jeanette Winterson writes: “If art, all art, is concerned with truth, then a society in denial will not find much use for it…”). The 2012 film Compliance, for instance, dramatizes a series of real-life

The above example illustrates not only how the theatrical performance affects the audience, but also how the audience influences its dynamics, development and the characters within it. The actors feel a certain level of acceptance from the viewer, who demands a certain way of depicting the character. Theatre is not just entertainment, itís something much more than that ñ itís education. Theatre should always represent things, rather than

According to Theodor W. Adorno in The Culture Industry: Enlightenment as Mass Deception, the culture industry is the entertainment business. “The whole world is made to pass through the filter of the culture industry” (1113). While people are consuming products from the entertainment manufacturers “with alertness even when the customer is distraught,” real life is not becoming indistinguishable from the movies (1113). The majority of consumers are able to distinguish products from the entertainment manufacturers such as movies, TV shows, radio and books from reality.

Theater artist are known during their time and not when they die. Theater is both a business and an art because it brings income and has to bring the creative minds of artists to produce a play. Today many of the old plays are been played all over the world using the same dialogue as before but with some editing. In the past, there was a lot of violence from war and most of the arts produced were responses to social change allowing artist, artistic freedom to express themselves. In England, play license laws were established but not forced in the Americas were a lot of performances used profanity and nudity. Licensing claims made audience become spectators of the actor’s needy attention. The audience was assaulted and later the focus of the theater turned to social awareness. Technological advances and

By analyzing the historical contexts of these specific movements, we take a deeper look at society's social, religious, economic, and political conditions that existed during a certain time and place. These relevant factors profuse mass influence into a filmmakers decisions while in the production process of a film. Additionally, these components have the role of establishing distinct trends in the film industry. Each movement has its own purpose for creating each film in regards to a stylistic standpoint.

Adorno and Horkheimer’s essay “The Culture Industry: Enlightenment as Mass Deception” (1944) describes culture industries, such as film, radio, and magazines, as ideological mediums of domination that reduce consumers into passive subjects. As members of the Frankfurt School of Critical Theory which critiqued post World War II Western modernity, Adorno and Horkheimer viewed the culture industry’s standardization and mass production as mechanisms of control under Capitalism, an economic system meant to maintain power among the wealthy. Similarly, Warren Susman’s essay” The People’s Fair: Cultural Contradictions of a Consumer Society” highlights the 1939 New York World’s Fair as a commodity meant to piece the public into a part of a

In 1944, Theodor Adorno and Max Horkheimer, members of the Frankfurt School who fled from the Nazi Germany to the USA, were publishing their seminal essay ‘The Culture Industry: Enlightenment as Mass Deception’. Political critique, their thesis about the ideological domination of capitalism on cultural production is one that persists today and is regularly renewed (Mukerji & Schudson, 1991). Yet, since the first half of the twentieth century, evolutions have occurred within the ‘Culture Industry’, and while the theory – focusing primarily on the music and cinema industries – is still applicable to some features of contemporary ‘cultural industries’ (Hesmondhalgh, 2007), these changes require a contemporary reconsideration of it.