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Curley's Wife Villain

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Complementary to the idea that Curley’s wife is ‘bad’ and a villain, we are exposed to the apotheosis of her cruelty and vindictiveness when she threatens and corners Crooks’ in his own room. She reclaims her power and control when she tells him that if he was to open up his ‘trap’, she would get him ‘strung up a tree’. This implies that Curley’s wife is a threatening woman and despite Crooks being grown man, she exerts power over him, regardless of the fact that men were higher in the social hierarchy in 1930s America. In this way, Steinbeck again reflects the theme of discrimination and racism in 1930s America. She continues to hurt Crooks and threaten him and she calls him a ‘nigger’ and other insensitive comments to which Crooks closed …show more content…

Readers abhor her racial abuse of Crooks and condemn her for being patronising and threatening towards him. The use of the hyphen makes the readers stop and fully absorb the intensity of the situation before moving on and it enables them to take in the cruelty and nastiness of Curley’s wife. She aggravates the situation as she is discriminating crooks in his very own room and this evokes emotions and feelings of disgust and abhorrence towards Curley’s wife and this portrays her as none other than a villain. Curley’s wife is able to contradict her generally low and degrading status as she is aware of the fact that, in this case, she is superior to Crooks and the other two men (Lennie and …show more content…

Steinbeck describes the light as ‘growing soft’ in the barn. Steinbeck’s use of peaceful imagery crafts an atmosphere of tranquillity, equanimity and serenity and this associates to the notion of Curley’s wife being at peace and rest, however, at the same time, it also fashions a sense of sympathy within the readers as they feel contemptible that it is only through her death, that Curley’s wife is at peace. The word ‘light’ reflects this notion of serenity and positivity and it links to the idea of Curley’s wife being free from the discrimination that she tolerated throughout her short life. Furthermore, he involves Curley’s wife with the colour ‘yellow’ as opposed to the colour ‘red’. Yellow and red are two very distinctive colours and here Steinbeck uses their connotations to contrast with the character of Curley’s wife before and after she dies. The colour ‘yellow’ connotes bliss, delight and positivity divergent to the colour ‘red’ which connotes warning, danger and (lack of) love. This displays how Curley’s wife’s character during her life was bitter and cruel, however, after she has died her true character of vulnerability and innocence which she was obscuring has been publicised. We are finally introduced to the tangible charisma and character of Curley’s wife. Steinbeck further accentuates the serene atmosphere as he

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