The Role Of Ophelia As A Sexual Being In Shakespeare's Hamlet

In Shakespeare's play, Hamlet, the character Ophelia is very controversial due to the fact that Shakespeare places her as the focus inside the minds of all the men in her life such as Polonius, Laertes, and Hamlet. Although Ophelia may appear to just be a beautiful, weak girl, she has the ability to gain power and attention over all of the men in her life. Throughout the play, Ophelia does not have much of a voice while also being mistreated and emotionally abused by her boyfriend Hamlet. Although Ophelia does not express her opinions and emotions publicly, she propels the plot along by influencing major events. Ophelia’s weak, indecisive, and obedient personality allows her to progress the plot by Shakespeare making her the focus of the men in

The story of Hamlet is a morbid tale of tragedy, commitment, and manipulation; this is especially evident within the character of Ophelia. Throughout the play, Ophelia is torn between obeying and following the different commitments that she has to men in her life. She is constantly torn between the choice of obeying the decisions and wishes of her family or that of Hamlet. She is a constant subject of manipulation and brain washing from both her father and brother. Ophelia is not only subject to the torture of others using her for their intentions but she is also susceptible to abuse from Hamlet. Both her father and her brother believe that Hamlet is using her to achieve his own personal goals.

In the exchange between Laertes and Ophelia, one learns a great deal about Hamlet, as well. Laertes explains to his sister that she must consider Hamlet's rank and position and know that he is not free to choose a bride for himself (1.3.19-26). He also cautions her not put any faith in "Hamlet, and the trifling of his favor / [and to] Hold it a fashion and a toy in blood, / A violet in the youth of primy nature" (1.3.5-7). He means that Hamlet follows a passing whim where she is concerned, and that he does not truly love her. In other words, Laertes impresses upon Ophelia that Hamlet merely feels toward her the passion that is present in the springtime of youth. It is clear that Laertes believes he is telling his sister the truth about her situation with Hamlet because if he thought Hamlet would marry her Laertes would most likely encourage a relationship between them. Hamlet and Laertes are friends and if Hamlet married Laertes' sister he would at some point enjoy the advantages of a brother-in-law of the King.

In another scene, Polonius orders Ophelia to return the gifts that Hamlet gave her, and to make her rejection of him unmistakable and absolute. Polonius believes that if she is the cause of Hamlet’s madness, this would be the proof. “That Hamlet loses his mental stability is arguable from his behavior toward Ophelia…” (Foster, par.16) In Branagh’s version, we see how terribly this tears Ophelia’s heart. When Hamlet sees her, he walks up to her, telling her how much he loves her. After Hamlet kisses her, she returns the love letters that he wrote back to him. She sees how crushed he is, which makes her feel even worse; but she also believes she has to do this because her father ordered her to. Hamlet tells her “Get thee to a nunnery” (William

Ophelia’s father, Polonius, wishes to keep his family’s honor in tact, and fears that Ophelia’s open regard for Hamlet will diminish his honor. Both Polonius and Laertes, Ophelia’s brother, believe that Ophelia’s preference for Hamlet will only end in disgrace for their family, as Hamlet would never marry her due to her lower social standing, therefore, they counsel her to break off any understanding with Hamlet. As a woman, Ophelia realizes her duty to her father and her brother, and therefore decides to disregard her own feelings about Hamlet and do as her father and brother wish.

Laertes acts much like his father in taking a position of authority over Ophelia. He feels free to tell Ophelia what she has to do with her love life and expects she will oblige his demand. Like his father, he too tells her to break off her relationship with Hamlet. However, his reasoning is not selfish; he is worrying about her virginity, her reputation, and the

  In Shakespeare's tragedy, Hamlet, the audience finds a docile, manipulated, scolded, victimized young lady named Ophelia. Ophelia is a foil to Hamlet. Plays have foils to help the audience better understand the more important characters in the play.  The character of Ophelia is necessary so that the audience will give Hamlet a chance to get over his madness and follow his heart.

Laertes voices his concern of Hamlet's true intentions towards Ophelia and advises her to be wary of Hamlet's love. Laertes impresses upon Ophelia that Hamlet is a prince who, most likely, will have an arranged marriage. Hamlet's strong love for Ophelia withers after she rejects his affinity. Hamlet's extensive love for Ophelia resulted in grave suffering for Hamlet once his affection was rejected. Hamlet's appearance decays due to the rejection of his love for Ophelia "Pale as his shirt, his knees knocking each other" (Act 2, Scene 1, line 82). The loss of Ophelia's love for Hamlet causes Polonius to believe it has caused Hamlet to revert to antic disposition. Once Laertes learns of the death of his sister, he is afflicted with sadness. In the same way, Hamlet is shocked and enraged over Ophelia's demise. Both Hamlet and Laertes are so profoundly distressed at the death of Ophelia, they jump into her grave and fight each other.

     From the beginning of the play, in Act I Scene iii, Laertes and Polonius are trying to convince her that Hamlet does not love her and only is interested in her so he can sleep with her. Laertes says "Perhaps he loves you now, ...... His greatness weighed, his will is not his own." He is telling Ophelia that she is likely to have her heart broken because of Hamlet's high birth. He may not be able to choose who he marries, so although he

In Hamlet, the female characters can be seen as being subservient to men. This goes on to show how Shakespeare, goes against the feminist theory by not creating equality between all the characters. One of the main character’s Ophelia can be seen as being weak and undermined in the play. She spends most of her time following the actions of her father, Polonius and boyfriend, Hamlet, with little to no say in her own opinion on topics. Polonius displays his dominance over Ophelia when he expresses his opinion on her relationship with Hamlet. He informs Ophelia on exactly what her next actions need to be when dealing with Hamlet. He even goes as far as warning her to not go against his wishes because it will “ tender [him] a fool”, showing his superiority over Ophelia’s actions (I . iii. 109). The inequality can also be shown when comparing Laertes’s life with Ophelia's. Laertes is left alone to travel France, while Ophelia is stuck to follow her father's orders. Hamlet also tries to show his

Hamlet and Laertes both have a strong love for Ophelia. Laerte's care and affection are revealed by his

           Ophelia allowed herself to become a sort of marionette in Polonius' schemes toward understanding the seemingly mad prince. While her relationship with Hamlet was on the line, she allowed Polonius to commandeer the strings that determined her actions. Polonius was determined that Hamlet's supposed madness stemmed from lovesickness for Ophelia. He convinced Ophelia that her betrayal of Hamlet was a necessary evil and she began to relay all of Hamlet's messages and attempts at communication to him. He told the king and queen:

 In similar fashion does Ophelia manifest great familial affection, agreeing to comply with the advice of her brother Laertes: “I shall the effect of this good lesson keep / As watchman to my heart.”  When her father, Polonius, makes inquiry regarding the “private time” which Hamlet has been giving to Ophelia, she replies unreservedly, “He hath, my lord, of late made many tenders / Of his affection to me,” and elaborates mightily on the subject. Polonius insists that she “from this time forth” not “give words or talk with the Lord Hamlet,” and Ophelia dutifully complies with his wishes: “I shall obey, my lord.” She later even gives him her love-letters from Hamlet. When she acts as a decoy so that Polonius and Claudius can observe the prince, resulting in Ophelia’s chastisement by the protagonist, she nevertheless keeps him as the main focus in her life: “O, what a noble mind is here o'erthrown!” Her love for brother, father, boyfriend, and others generally, override her love of self. Her respect for the opinions of immediate family is greater than her respect for her own opinions even in the matter of her courtship.

"Her whole character is that of simple unselfish affection" (Bradley). In comparing the characters in the play Hamlet, Ophelia’s purity and delicate beauty make her comparable to a flower. Ophelia signifies the nature and righteousness of the Elizabethan Era, with her willow trees and flowers visible, and epitome of a goddess. Throughout most of the play, Shakespeare uses Ophelia to enable other characters in reaching their goals. Elizabethan society created impossible expectations for women, considered to be the weaker sex, exploited, and in need of protection. With no exception to this expectation, Ophelia is mistreated, scorned and ultimately shamed by the men in her life. Ophelia is the most innocent victim of Hamlet’s revenge in Shakespeare’s play “Hamlet”.

iii. 129-130). He is telling her to spend less time with Hamlet because he feels that his vows of love are not as true as Hamlet makes them seems to be. Just like Laertes, this advice suggests that Polonius does not think highly of Hamlet and also thinks he is childish and doesn 't actually love Ophelia. Their advice sets up their suspicions about Hamlet which leads Polonius to set up situations that will reveal Hamlet’s true feelings and show them he is not in fact mad because of Ophelia. The advice also causes Ophelia to distance herself from Hamlet, which raises some red flags in Hamlet’s mind and causes him to think that her family has something to do with it. Laertes tried to stay out of Ophelia 's love life for the most part, but Polonius had no problem inserting himself into his daughter’s life.