Cycle: Beginning and End by Juanita Guccione Essay

Then there are also many psychological lines to be seen in the work. One such line is of the woman and the floor, where she is staring down towards it. Another is from the young child and the store clerk, showing a defiance between the two. Next, light and value are not very contrasting in this painting, with only the basic highlights and the shadows seen. It isn’t completely contrasting or contradicting since the colors blend well together with close to the same value ranges, dark colors seen throughout except for the people’s pale faces. There also seems to be a variety of light sources since the woman’s face along with the shop clerk and the young boy’s is lit up by what seems to be a light bulb since they’re much brighter and highlighted and then the men and women in the back aren’t really as bright, except for the ones who close to the open door, creating a blue tinge from the outside light. The shapes shown through the painting is shown to be either very round or very geometrical. There are organic shapes in things such as the umbrella or even the back of the chair, but mostly it is either straight lines and geometrical shapes. The volume shown in the painting is very much implied, correctly showing the

In order to demonstrate these specific characteristics, Leger incorporates many different types of elements into this piece. In this painting, color plays an important role. The shapes of the blue squares contrast altogether with the other shapes and also, with the mutated beige background. Leger uses numerous colors such as the neon yellow, red, blue, black, and green in order to reveal that the colors are free and therefore, these colors exist in space. As mentioned earlier, this painting included a variety of different shapes; there are two different types of shape that can be seen in this painting. The first type is geometric or regular shapes such as the squares, circles, and rectangles. The second, on the other hand, are organic and freeform shapes such as the feet, hands, and face. Next, Leger incorporates many lines throughout this portrait. From curved lines to a single horizontal line, Leger includes each different type to develop a sense of movement, or rhythm. The curved lines makes the viewer’s eyes circle around the piece to further realize the symbolism. For space, Leger leaves many of the corner as negative space. However, the corners of this painting are not the only ones Leger leaves as space. Because the shapes and colors are kept simple, there’s also quite a series of distance between the shapes even throughout the whole entire painting. Again, because of the simplicity of the shapes, even the texture of this painting can be seen as smooth. The painting does not involve any harsh or rugged lines, and is

The horizontal lines of the land represent calmness and te diagonal and vertical lines of the sea represents power and ever changing . There is a contrast with these two such as the sea is ever changing and the land that is hard slow to change. Next I looked at the shapes of the painting. With landscapes, such as this painting, there is organic shapes that show the chaos and never ending change of the ocean and storm that is pounding the land that is calm. I then looked at the contrast of the waves and land then the sky and storm. The waves are dark with the land being light with the opposite light above the dark waves and dark above the light land area. It makes it seem like the storm clouds are passing with the rising of the

One very significant element is the contrast in color, at the center, toward the right there are bright, warm colors such as, oranges, pinks, and yellows. Around that, there are cooler colors for example, blacks, blues, and purples. There is also a line that divides the artwork in half, separating the sky from water and land below. Some wavy lines appear on the water, land and clouds also some straight and wavy

As you move from the bottom right hand corner of the painting to the left bottom, it has lines leading the way. The design is again consists of bright colors of yellow, with a few hints of blue as your eyes work their way up to the left top of the painting.

“The process starts out in an incredibly open way with endless possibilities; the addition of each plane of colour, however, progressively limits the work’s evolution and, ultimately, when a painting ‘works’, it coalesces into a composition that is intuitive and carefully controlled.” GS

The shapes are all free form and slightly blurred at the edges, no harsh lines are present. The painting exhibits a dull and dark color palette with a few exceptions. Brighter shades, blue and white, emphasize the moon. Warmer shades,coppery reds, represent the moon's light reflecting off of the stone partition. The paintings value is quite dark with the

All the figures in the painting are more natural and has very little amount of rigid shapes. Organic shapes are found throughout the entire piece. The lions, stone background, and Daniel himself appear three dimensional. Colors and value vary throughout this piece. Hues in this painting are white, green, red, orange, and tones of brown.

The painting has the element of lines as you can see that in the outlines of the long cresting waves. The lines in the waves are curved as the give the shape of it. There are lines also in the boats as you can see it in the detail of the lines that give it its form. You also see vertical lines as you see those vertical lines in the background of the painting which gives the painting the look of it is cold and perhaps maybe raining or even the look as a rainfall might be coming towards you. The painting has the element of shadows as you see it in the light gray color of the painting that give the painting the them of it would foggy or maybe even raining.

The painting appears to be light, open, and airy. The colors in the painting add a realistic effect, and the light falls on the objects in realistic proportions. However, symbolism can be found within the painting. There are a variety of lines in this piece, each type gives a different feeling to the painting. In the foreground, there are many vertical lines and diagonal lines.

Together they share an extreme amount of unresolved tension. Their dynamic relationship encourages the sense of urgency within this painting. This extreme dynamism is represented in the colors of black and white. These two tones are the highest contrast of value within the entire painting and within the color wheel itself, therefore, a viewer’s eye will go straight towards these two tones and automatically begin comparing them and creating a relationship between the two figures just on the tones alone. Everything that is in this painting is important, every figure has something to contribute and every stance and action has a

painting which also ties into the scene being set at night in the darkness. Contrast is used well to

The color scheme of the painting looks as if it’s somewhere along the lines of complementary and analogous. The colors contrast each other, but also compliment them in a very specific way. It is very clear with the splashes of red on the blue down in the bottom left corner. This work has a very open palette, as you can tell by the usage of many colors. The color is very expressionistic. The intentional variation of the color speaks volumes of the mood being portrayed. When standing in front of the painting, the dominating warm colors seem to disregard the sad blues and purples, giving the observer a happy, peaceful feeling. I would imagine looking at the

The feel of the picture lends to emotions of unease and recognition of sexual innuendo. The colors of the painting are vibrant, but for the most part are dark. The heavy tones and shades of the colors are well balanced throughout the piece. It can be noted that the brightest shades of color are found on areas depicting the actual woman. In areas that are understood as landscape, the colors are more dreary and create a sense of instability. Even Hess observes that the

To begin with, the colors of the painting are all nearly the same. The colors are different shades of tan and brown, except for certain parts of the picture. The colors of the sky make it look unsettled, making the picture miserable and hopeless. Occasionally, the shading or shadows of the painting create darker colors such as black or grey, which only adds to the sense of desperateness. These colors add to the sense of isolation, routine, and hopelessness because of their monotonous and bland