Cynthia Ozick's The Shawl Essay

The reader may view Blanche as someone who tried to escape her sordid past in Laurel and wanted to start a new life with her sister, yet due to the continuous investigations from Stanley, was unable to do so. Stanley reveals Blanches’ lies and deceits, commenting on them as her ‘same old act, same old hooey!’ This tells the reader that his research of Blanches’ past is way of stopping her from finding a new life. Blanche attempts to redeem her life by finding love with Mitch, yet Stanley again reveals to Mitch that she was not ‘straight’, resulting in Mitch not wanting to be with her and also contributing to her fate. Stanley, after mercilessly divulging all her truths and bringing her to the edge of her mental capacity, rapes Blanche which brought about her final collapse. The reader may view Stella as someone at blame for her sisters’ fate, as though she shows some moral support of Blanches’ situation and listens to what she has to say, Stella continuously throughout the play neglects to notice Blanches slow mental deterioration and ignores Blanches’ outcries and incessant need for attention. Stella chooses Stanley over Blanche, despite her warnings about him being ‘volatile, violent and sub-human which represents not

During scene one, the audience is introduced to Blanche as Stella's sister, who is going to stay with her for a while. Blanch tries her best to act normal and hide her emotion from her sister, but breaks down at the end of scene

Stella's marriage to Stanley, on the other hand, seems to have given her the happiness and fulfillment, which Blanche has attempted to find in a guilt-ridden life of loneliness with promiscuity. As a result Blanche has become neurotic and alcoholic, slipping increasingly into insanity. Stella, meanwhile, appears to have been thriving in a profane, coarse, but wholly satisfying sexual relationship with Stanley. Thus, superficially, the main contrast between Stella and Blanche seems to be one between sickness and health, perversity and normality, particularly in the sexual relationship. Stella is thriving; Blanche is disintegrating. But a closer examination of these sisters begins to show more complex differences in their characters and situations. Blanche is disintegrating for reasons other than sexual perversity, and Stella is paying a rather steep price for her so-called "normal" life with Stanley.

Her passivity is shown on several occasions throughout the play. Blanche constantly commands Stella, ‘I like to wait on you Blanche’ , and this shows that Stella is considered inferior to Blanche. Moreover, her submissiveness is shown when Stanley hits here at scene three, this action is shown through stage directions ‘Stanley charges after Stella (…). There is a sound of a blow’. If Stella was a strong-willed character instead of a passive and submissive one she would have left Stanley for what he had done, but she chose to continue suffering domestic violence. In addition, it may be argued that her financial dependency on her husband is also one of the reasons she continues with her husband, this is linked to the Marxist theory as this the economic class of the character affects her personality and action. In addition, her subordination is also linked to a satisfying sexual life, ‘But there are things that happen between a man and a woman in the dark – that sort of make everything else seem – unimportant.’ This is linked to the Freudian theory as it shows that sexual pleasure affects her decision to keep tolerating Stanley’s abuse. The representation of Stella as the subordinating submissive housewife is a representation of the women in the 1940s, who lived in a patriarchal society and in some occasions suffered domestic

Cynthia Ozick’s story “The Shawl” is told in a way were the readers feel hopelessness and despair. The characters are put in a situation so hopeless there’s no way that they can escape. This text at first begins with confusion, however as you read more you start to put the pieces to gether like a puzzle. Magda the only character who thrives in the story, and still she becomes a victim of the harsh environment around her. At it’s core this text tells of how you can be thrown in an concentration camp, treated as a lower human being, just because your not the perfect white color, and starved to near death, but no amount of oppression could drain the humanity you have inside. Although Stella is a counter to this because she is bitter, and envious

As she is directly confronted by prejudice, the way she stands up for herself is admirable. As a reader, there are clues throughout the story that make us question Senora Ines’ intentions, particularly when we notice that ‘“Rosaura was the only one allowed into the kitchen Senora Ines said: “You, yes, but not the others, they’re much too boisterous, they might break something.”’ The reader may feel disappointment that Rosaura is singled out and not allowed to be a child like the others at the party. Her position as the maid’s daughter has ensured that she cannot mingle with the other children in an equal way. Early on Rosaura is not aware of how she is different, but her growing awareness is clearly shown in the end when Senora Ines attempts to pay Rosaura for her help and thanks her, saying ‘“Thank you for all your help, my pet.”’ The use of the phrase “my pet” is very condescending and highlights the insensitivity of Senora Ines to Rosaura’s feelings. Rosaura is placed in a position where she has a choice to make, and she chooses to fight for herself “Rosaura’s eyes has a cold, clear look that fixed itself on Senora Ines’s face.” The detail “fixed” demonstrates her determination. Rather than choose the easier option of taking the money and avoiding confrontation, Rosaura decides to be

This book, was never to my liking, I always wondered why Mrs.Silva always talked about this book. I was never interested in reading really long books, my mind always would drift off but this book had something about it that was connected with me!

Stella, too, is a major character who lives in a world of hopes and fantasies. Stella’s tears over her sister as Blanche was taken away at the end of play reveals that Stella’s fantasies have been crushed by Stanley’s brutality. Stella calls her sister, “Blanche! Blanche! Blanche!”(142) , as if she does not want to let go of her sister. In spite of the fact that Stanley tried to justify and to relief her, Stella knows that something acquitted and abandoned had banished. She knows that her happy and humble world and her sister’s hopes had gone. Through her fantasy world, she thinks she could keep her sister for ever, but fantasy does not always work and makes life appear as it should be rather than what reality is. Also, Blanche imagines the doctor as a gentleman who is going to rescue her from a life that she imagines it as a life that does not want to accept her. Blanche finishes the play by saying, “Whoever you are—I have always depended on the kindness of strangers” (142). Blanche’s irony is demonstrated for two reasons. First of all, the doctor is not a gentleman; he came to take her to a mental health care. Second of all, strangers are not kind to her; they are kind only for trade of sex. Instead, they feel sympathy for her for creating a world where she is the victim. Blanche never perceives stranger’s kindness as something that people take advantage of. Instead, she thinks that Stanley is the one who does not treat her well, although he wanted

In the short story The Shawl by Cynthia Ozick, we are introduced to three characters who are facing death surrounding them in a concentration camp. We are introduced to Rosa, Stella and Magda. Rosa is the mother in the story of Magda, Magda is a young baby whose odds of survival is not very good. We are also introduced to Stella, who is a demon in the mind of Rosa. Stella represents the life that Rosa once had, one where she did not have a child and did not have to put someone’s life before them self. Stella appears to have all the human features, have emotions and has human flaws, but she taunts Rosa while she is in the concentration camp. Stella also brings Rosa something that she could not do herself, the feeling of relief of a horrible

As she sings this song, telling the story of her tendency to believe a more pleasant, warped view of reality over the actual reality, Stanley is telling Stella the horrifying truth about Blanche's scandalous past. These lyrics sum up Blanche’s approach to life. She believes that her lying is only her means of enjoying a better way of life and is therefore essentially harmless.

Blanche sees Stella’s relationship as abusive and therefore impractical. Blanche’s world is driven by fantasy and believes that she and Stella should be with men that are of higher class but this fantasy is far from reality. Stanley provides a realistic and secure future for Stella, as does Steve for Eunice and this is something that they value more than fantasy and perfection. Blanche, subconsciously needing a man to be fully content, does not accept reality and because of this, she allows her reputation and later her life to be

As Blanche arrives at the house of Stella and Stanly, right away you see his mood go into a very dark place as if he does not want her to be there. Stanly’s character in the film comes off to be very rough and aggressive. The night after Blanche arrived, she meets Stanly’s friend Mitch, who is different from Stanly just by the way he carries himself. Mitch and Blanche catch a glimpse of each other which brings some light back into her being there. Stella was in support of her sister blanche meeting Mitch as it may have been an effective way for her to comfortably. Light and dark effects in a dramatic film play a big part because it sets the tone of the storyline and helps give the suspension of where the story will go and end up. It can be good for a film to bounce back and forth from light and dark moments to keep scenes impactful to the viewer. [For example, in the scene where Blanche buys a cover for the light in the bedroom area, it made her happy, and the others seemed as if they supported it to make her feel comfortable, and then towards the end of the film when Stanly snatches the cover off the light as he is angry, it changes the

The ending of the story is packed with imagery and the reoccurring shawl symbolism as Rosa goes to get the shawl in hopes of saving Magda. While getting the shawl Rosa thinks of life on the other side of the fence where there laid “green meadows speckled with dandelions and deep-colored violets,” showing simple beauties of life they were deprived of in the camp. However while getting the shawl Magda gets taken by a guard, as Rosa sees from a distance she waves the shawl for Magda to see in giving her hope to live but as the shawl and her become more distant she gets killed by hitting

First, let’s start off with the central symbol Ozick uses, the shawl. The shawl itself carries various meanings to the reader and symbolizes something different to each character. “Rosa, Stella and Magda form a group on the basis of their shared illusion concerning the “magic shawl”” (Gordon 322). One of the first symbols the shawl delivers is life and death. This “magical shawl” has nourished Magda for three days and three nights due to Rosa not being able to produce milk for her. In the story it says “The shawl was Magda’s own baby, her pet, her little sister.” (Ozick 248) which tells us that the shawl has become Magda’s life. The shawl somehow seems to feed her, protect her and keep her alive. “For Magda, this shawl has become everything: mother, food, clothing, and shelter.”(Gordon 322). Even though the shawl in some way kept Magda alive and it symbolized her life, unfortunately at the end it became the symbol of her death. “Even though the shawl did not literally wrap her in death, the shawl that nourished her and protected her in life was the same cloth that brought about her death” says (Jones 1) Stella started getting cold and took the shawl away from Magda which became the reason of Magda’s death. She then started howling after noticing she didn’t have her shawl which made a Nazi officer notice her existence and caused her death.

A young girl of 14, Stella barely holds on to her own life in the concentration camp, she desperately seeks comfort and protection. Like many others, Stella’s deplorable shape reverts her to an infantile state of mind, she constantly wants to be comforted, soothed and cared for. Stella is “jealous of Magda” (paragraph 1) and wants the shawl to herself. Like Magda, she wants “to be wrapped in a shawl” like “a round infant in arms” (paragraph 1). Although she is forbidden to touch the shawl, Stella endlessly longs for it because she is always cold. Rosa believes that the cold has gotten to Stella’s heart. Not caring about the consequences, famished and callous Stella steals Magda’s shawl for warmth. Although she only benefits briefly from the shawl, Stella’s desperate need for comfort results in the death of Magda.