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Cyrano De Bergerac Analysis

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France is usually equated with love and romance, and a love triangle is especially a favourite of most audiences. The French movie Cyrano de Bergerac, an 1990 adaptation of the original 19th century play of the same title, is going to satisfy the appetites of those who are hooked on everything about love and French literature. Cyrano de Bergerac is a comedic remake of the same play, except with exceptional cast members, completed with supremely poetic dialogues. Even if you are not a fan of French poetry, the opulent costumes and enchanting music will surely bewitch your aesthetic senses. Director Jean-Paul Rappaneau intended this 2 hours, 18 minutes, PG-rated dramatic comedy to feed the eyes and ears of young adults. His cinematic adaptation remained loyal to the original play: the movie starts off with the hero of the story Cyrano (Gerard Depardieu) falling in love with his cousin Roxane (Anne Brochet). Our unfortunate hero was born with an absurdly large nose, which makes Cyrano ferociously convinced that Roxane will never grow to love him. This changes when Christian (Vincent Perez), a colleague of Cyrano in the same …show more content…

The classical music suits the 17th century time period of the story, and accentuates the enduring passion that permeates the film. Other than the music, the elegant costumes can be viewed as an independent collection of artwork; in fact, the film’s costume designer Franca Squarciapino received the Academy Award for Best Costume Design at the 1990 Academy Awards. The acting was as expected from French actors, passionate and dramatic, stirring sentiments of sympathy towards Cyrano. Depardieu, in particular, presented to the audience a gallant and brilliant Cyrano, as if the character has played as himself in the movie. The peach-faced Brochet was tailored to the character, as if Roxane was created just for her, not the other way

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