A Dissection of “Daddy” by Sylvia Plath
“You do not do, you do not do, anymore, black shoe in which I have lived like a foot for thirty years, poor and white, barely daring to breath or achoo.” This is the first stanza of “Daddy” by Sylvia Plath, and delivers the precise amount of bizarre yet relevant images that entice interest. It would be a disgrace to stop analyzing there; nevertheless, there is more revealed throughout this dramatic, sorrowful, and torturous account of a girl’s aversion toward her father. The following paragraphs will discuss the poem at length, covering various elements such as narrative voice, imagery, rhythm, and psychological effect. Plath’s use of each element designs a disturbing glance into the mind of a woman who understood hatred and described it powerfully.
Detestation is laced in every other utterance in “Daddy.” Plath begins by calling her father out and then, coming off sarcastically apologetic, she announces in line 6, “Daddy, I have had to kill you, you died before I had time.” This is the first glimpse into the murderous nature beginning to reveal itself. Plath hates her father to death, and makes it plain. She compares her father’s death to a dismantling of a statue in the next stanza. Perhaps the perceived dominion he held was not just over her, then she implies that when he died the statue was toppled into the sea. She admits part of her was sad. She then moves on with her life, but everything reminds her of her father and she can never get over how much she hates him for diminishing her existence. In Line 29 she says, “I thought every German was you.” She did not want to speak to anyone in her new town, this shows how much she distrusted her dad and then projected his characteristics upon every other German surrounding her. She began to embody the very opposite of what she perceived her father to stand for: a Jew. In Line 37 she mentions, “With my gypsy ancestress and my weird luck and my Taroc pack and my Taroc pack I may be a bit of a Jew.” This line seems to spit her differences of opinions in her father’s face. She wants to be as different from her as possible, to the point of further portraying herself as a gypsy. She does seem to have a break with reality
The figurative language in the poem “Daddy” by Sylvia Plath can be used to discover a deeper significant of the poem. By using figurative language throughout the poem such as symbolism, imagery, and wordplay, Plath reveals hidden messages about her relationship with her father. Plath uses symbols of Nazis, vampires, size, and communication to help reveal a message about her dad.
Sylvia Plath uses her poem, Daddy, to express deep emotions toward her father’s life and death. With passionate articulation, she verbally turns over her feelings of rage, abandonment, confusion and grief. Though this work is fraught with ambiguity, a reader can infer Plath’s basic story. Her father was apparently a Nazi soldier killed in World War II while she was young. Her statements about not knowing even remotely where he was while he was in battle, the only photograph she has left of him and how she chose to marry a man that reminded her of him elude to her grief in losing her father and missing his presence. She also expresses a dark anger toward him for his political views and actions
It tends to be the trend for women who have had traumatic childhoods to be attracted to men who epitomize their emptiness felt as children. Women who have had unaffectionate or absent fathers, adulterous husbands or boyfriends, or relatives who molested them seem to become involved in relationships with men who, instead of being the opposite of the “monsters” in their lives, are the exact replicas of these ugly men. Sylvia Plath’s poem “Daddy” is a perfect example of this unfortunate trend. In this poem, she speaks directly to her dead father and her husband who has been cheating on her, as the poem so indicates.
In the poem “Daddy,” Sylvia Plath describes her true feelings about her deceased father. Throughout the dialogue, the reader can find many instances that illustrate a great feeling of hatred toward the author’s father. She begins by expressing her fears of her father and how he treated her. Subsequently she conveys her outlook on the wars being fought in Germany. She continues by explaining her life since her father and how it has related to him.
Sylvia Plath and Gwen Harwood tell two very different stories of parental relationships, Mother Who Gave Me Life praising Harwood’s mother and speaking with love and affection, whereas Plath’s Daddy is full of hate for her father. These reflections on the poet’s parental relationships are made using imagery, symbolism and tone.
The poem “Daddy” by Sylvia Plath is a revenge poem about her father. Her father died when she was ten and she has been affected by that her whole life. She misses him a lot and she even tried to kill herself to get back to him, “At twenty I tried to die and get back, back, back to you”(Plath). After she had failed at killing herself, Plath says “and then I knew what to do. I made a model of you” (Plath). She had married a man and modeled him after her father. Her husband abused her which did not make it any easier for her. Plath gets her revenge at the end of the poem because she says “if I’ve killed one man, I’ve killed two” (Plath). This meant that if she killed her husband then that means she would have killed her father. Plath gets her
The poem "Daddy" by Sylvia Plath concludes with the symbolic scene of the speaker killing her vampire father. On an obvious level this represents Plath's struggle to deal with the haunting influence of her own father who died when she was a little girl. However, as Mary G. DeJong points out, "Now that Plath's work is better known, ‘Daddy' is generally recognized as more than a confession of her personal feelings towards her father" (34-35). In the context of the poem the scene's symbolism becomes ambiguous because mixed in with descriptions of the poet's father are clear references to her husband, who left her for another woman as "Daddy" was being written. The problem for the
I’ve killed two-- The vampire who said he was you”. The powerful imagery of these
Sylvia Plath’s poem “Daddy,” is about a girl who has lost her father at a young age, and since his death, she cannot stop thinking about him. The speaker appears to be Plath consumed in metaphors that resemble the way she feels about her father and former husband. Plath’s father passed away when she was only eight in the poem she states, “I was ten when they buried you. At twenty I
Sylvia Plath wrote “Mad Girl’s Love Song” in the early fifties while she was an undergraduate college student. The poem is written in the villanelle poetic form of which it reflects not only the rigorous fixed format, nineteen-line with two repeating rhymes and two refrains but also the melancholic tone and rhythm of the traditional dance song—in vogue in Italy and France during the sixteenth century—in which its roots lie. The title itself offers a plausible explanation for choosing the villanelle poetic form, which strict metric certainly helps to convey the sense of torment and alienation that emerges from the refrains repeated throughout the poem. A rising crescendo from one stanza to the next builds
Although everyone has a father, the relationship that each person has with his or her father is different. Some are close to their fathers, while some are distant; some children adore their fathers, while other children despise them. For example, in Robert Hayden’s poem “Those Winter Sundays” Hayden writes about his regret that he did not show his love for his hardworking father sooner. In Sylvia Plath’s “Daddy,” she writes about her hatred for her brute father. Despite both authors writing on the same topic, the two pieces are remarkably different. Sylvia Plath’s “Daddy” and Robert Hayden’s “Those Winter Sundays” have different themes that are assembled when the authors put their different uses of imagery, tone, and characterization together.
Over six million innocent lives were taken during the Holocaust. It had a significant effect on much of the world’s population, and it still has an impact to this day. In Sylvia Plath’s poem, “Daddy”, she shows her emotions for her father, Otto Plath. Sylvia Plath lost her father at eight years old when she still had much love for him (Famous People “Biography”). After a number of years, hatred is built up inside of Sylvia towards her father. When her father first died, she loved him and she grieved over her father’s death. After years of confusion, she eventually decided and wrote, “Daddy, Daddy, you bastard, I’m through” (Line 80). In “Daddy” by Sylvia Plath, the author resents her father and husband so much that they are comparable to Nazi Germans, showing her feelings for them through poetic devices.
The dominant image of a father figure that we are left with after reading this poem is far from a loving or pleasant one. In fact, it is rather the opposite. The “Daddy” whom the speaker is addressing in this poem ends up being portrayed as a vampire, who “the villagers” (77) — perhaps the people surrounding the speaker— never seemed to be fond of. This strengthens the image of a highly dysfunctional relationship, rather than a “normal,” loving one. As readers, we have to ask ourselves about the reliability of Plath’s character; however, seeing as she is clearly emotionally unstable. We learn about at least one suicide attempt in the lines
By just reading Sylvia Plath’s works of writing, it is apparent that she had an infatuation with portraying negative and brutal thoughts. For example, her poem “Daddy,” she clearly expresses her rage towards her deceased father. The poem is full of contradiction and the interpretation is up the reader. Pieces like this gives insight into Sylvia’s mental sanity, which was questioned at times. In her early
How Sylvia Plath's Life is Reflected in the Poems Daddy, Morning Song, and Lady Lazarus