Daddy By Sylvia Plath Essay

Elie’s father loses his strength quickly, “his eyes [grew] dim” (46) almost immediately after arriving. The horrors which he had seen were easily enough to crush the spirit of a former community leader. His disbelief of the horrors he saw questioned the very basis of his soul, and he began to despair. His father’s eyes soon become, “veiled with despair” (81), as he loses hope for survival. The despair of camp life shrouds the human within, showing only another cowed prisoner. Elie’s father no longer can see hope, having his vision clouded by cruelty and hate. Elie’s father is eventually overwhelmed by despair; he, “would not get up. He knew that it was useless” (113). The Nazis crushed his soul, killed his family, stole his home, and eventually took his life; this treatment destroyed the person inside the body. He could no longer summon the strength to stay alive, so he gave up, and collapsed.

Plath uses a hyperbole to drive the point of her father being the epitome of a Nazi by saying the swastika is so black it blocks out the sky. This extreme exaggeration helps drive across Plath’s point of her father being a complete Nazi. Near the end of the poem another allusion to Hitler is used. “I made a model of you, / a man in black with a Meinkampf look” (Plath 64-65). Here the father is described as a model, and an illusion to Hitler is made when she states he has a “Meinkampf look” with Mein Kampf being a book written by Hitler. Plath’s use of figurative language helps give a clear image of her relationship with her father and shows how she depicts him to be like a Nazi.

Sylvia Plath uses her poem, Daddy, to express deep emotions toward her father’s life and death. With passionate articulation, she verbally turns over her feelings of rage, abandonment, confusion and grief. Though this work is fraught with ambiguity, a reader can infer Plath’s basic story. Her father was apparently a Nazi soldier killed in World War II while she was young. Her statements about not knowing even remotely where he was while he was in battle, the only photograph she has left of him and how she chose to marry a man that reminded her of him elude to her grief in losing her father and missing his presence. She also expresses a dark anger toward him for his political views and actions

It tends to be the trend for women who have had traumatic childhoods to be attracted to men who epitomize their emptiness felt as children. Women who have had unaffectionate or absent fathers, adulterous husbands or boyfriends, or relatives who molested them seem to become involved in relationships with men who, instead of being the opposite of the “monsters” in their lives, are the exact replicas of these ugly men. Sylvia Plath’s poem “Daddy” is a perfect example of this unfortunate trend. In this poem, she speaks directly to her dead father and her husband who has been cheating on her, as the poem so indicates.

In the poem “Daddy,” Sylvia Plath describes her true feelings about her deceased father. Throughout the dialogue, the reader can find many instances that illustrate a great feeling of hatred toward the author’s father. She begins by expressing her fears of her father and how he treated her. Subsequently she conveys her outlook on the wars being fought in Germany. She continues by explaining her life since her father and how it has related to him.

There were also several negative father/son relationships found in the book. One such relationship is that of a young pipel, and his father. Wiesel writes, “I once saw one of them, a boy of thirteen, beat his father for not making his bed properly. As the old man quietly wept, the boy was yelling, ‘If you don’t stop crying instantly, I will no longer bring you bread. Understood?’” This is an example of how life in the concentration camp causes a boy to throw aside his relations for the sake of his own survival. A second example is that of Rabbi Elihou and his son. While Rabbi Elihou cared deeply for his son, the Rabbi’s son viewed his father as a burden and left him behind. Shortly following the passage about the Rabbi looking for for his son, Wiesel writes, “But then I remembered something else: his son had seen him losing ground, sliding back to the rear of the column… A terrible thought crossed my mind: What if he had wanted to be rid of his father?” The third example of a poor father/son relationship occurs in the cattle car. A worker throws bread into the cars causing immediate desperate fighting. An old man manages to grab a piece of bread shortly before this passage, “Stunned by the blows, the old man was crying: “Meir, my little Mier! Don’t you recognize me… You’re killing your father...I have bread... for you too…. for you to…but the other threw himself on top of him. The old man

This strong bond built between both father and son has truly benefited them both and helped them to survive the Holocaust and its’ horrible conditions in both emotional support and physical support. They both look out for each other, stick together, and confide in each other. For example, when Wiesel’s father became sick, he looked almost dead when he was asleep. A man told the others who were throwing corpses out to throw the father out as well. Wiesel, once indifferent to all the other bodies being thrown out, now states, “I woke from my apathy just

As the enforcements of the Holocaust start appearing in Wiesel’s hometown, his father’s behavior begins to slowly change, making it easier for Wiesel to connect with him. While watching other families being deported, Wiesel, his father, and the rest of his family witness the Hungarian Police strike old men and women, without reason, with truncheons, for the first time. The next day, as they are being deported from the ghettos, Wiesel writes, “My father wept. It was the first time I had ever seen him weep. I had never imagined that he could” (16). Wiesel’s prior belief that his father was emotionless is proven to be wrong before they even arrive at the concentration camps. Wiesel is able to relate to his father in this moment, for he too is terrified of what lies ahead. As Wiesel and his family arrive at Birkenau, the Nazis

The poem "Daddy" by Sylvia Plath concludes with the symbolic scene of the speaker killing her vampire father.  On an obvious level this represents Plath's struggle to deal with the haunting influence of her own father who died when she was a little girl.  However, as Mary G. DeJong points out, "Now that Plath's work is better known, ‘Daddy' is generally recognized as more than a confession of her personal feelings towards her father" (34-35).  In the context of the poem the scene's symbolism becomes ambiguous because mixed in with descriptions of the poet's father are clear references to her husband, who left her for another woman as "Daddy" was being written.  The problem for the

“[My Father’s] last word had been my name. He had called out to me and I had not answered” (Wiesel 75). In the book, Night by Elie Wiesel, Wiesel shares his experiences of the tragedy known as the Holocaust. His first-hand experiences of a current Jew at the following concentration camps, Auschwitz-Birkenau, Buna, and Buchenwald, were both atrocious and eloquent. Father-Son relationships were disregarded because of the situations involving the Holocaust.

I’ve killed two-- The vampire who said he was you”. The powerful imagery of these

Sylvia Plath’s poem “Daddy,” is about a girl who has lost her father at a young age, and since his death, she cannot stop thinking about him. The speaker appears to be Plath consumed in metaphors that resemble the way she feels about her father and former husband. Plath’s father passed away when she was only eight in the poem she states, “I was ten when they buried you. At twenty I

Although everyone has a father, the relationship that each person has with his or her father is different. Some are close to their fathers, while some are distant; some children adore their fathers, while other children despise them. For example, in Robert Hayden’s poem “Those Winter Sundays” Hayden writes about his regret that he did not show his love for his hardworking father sooner. In Sylvia Plath’s “Daddy,” she writes about her hatred for her brute father. Despite both authors writing on the same topic, the two pieces are remarkably different. Sylvia Plath’s “Daddy” and Robert Hayden’s “Those Winter Sundays” have different themes that are assembled when the authors put their different uses of imagery, tone, and characterization together.

As is inherent within the tradition of confessional poetry, a subgenre of lyric poetry which was most prominent from the fifties to the seventies (Moore), Sylvia Plath uses the events of her own tragic life as the basis of creating a persona in order to examine unusual relationships. An excellent example of this technique is Plath’s poem “Daddy” from 1962, in which she skilfully manipulates both diction, trope and, of course, rhetoric to create a character which, although separate from Plath herself, draws on aspects of her life to illustrate and make points about destructive, interhuman relations. Firstly that of a father and daughter, but later also that of a wife and her unfaithful husband.

By just reading Sylvia Plath’s works of writing, it is apparent that she had an infatuation with portraying negative and brutal thoughts. For example, her poem “Daddy,” she clearly expresses her rage towards her deceased father. The poem is full of contradiction and the interpretation is up the reader. Pieces like this gives insight into Sylvia’s mental sanity, which was questioned at times. In her early