Daisy In The Great Gatsby

She was a girl with wealth, connections and means—everything a seventeen-year-old boy could aspire to one day attain. It is this illusion that Gatsby falls in love with, not Daisy, and he dedicates his life to become a man that could parallel Daisy in both social status and wealth. “So he invented just the sort of Jay Gatsby that a seventeen-year-old boy would be likely to invent, and to this conception he was faithful to the end.” (98) Though Gatsby appears to be blinded by material possession and unethical in his means to acquire it, Fitzgerald sets him up to be the hero of the novel by contrasting his virtue to the sea of corruptness and material greed that made up the ambitions of most young folks in the 1920s. True, he made his money through illegal means, but his incredible sense of loyalty is striking against the dishonest, scheming American society. In the novel, it is clear that Gatsby is unfailingly loyal to everyone he loves, from his father to Dan Cody to Daisy, who he dedicated “five years of unwavering devotion” (109) to, even if they were not loyal to him in return.

While most people chase love, few know that it is foolish. One should not chase after love, but allow it to find them naturally. Obviously, Gatsby was none the wiser about that bit of advice. In the story, we see Gatsby chase after his supposedly long lost love, but is she truly his love? With how little time they spent together, how much they’ve grown throughout the years, and all that has happened in both of their lives, does Gatsby truly love Daisy, a married mother of one? Their star-crossed story is the perfect example of a hold on the past destroying a future. This essay will explore their strange and twisted romance while supporting one simple fact. Jay Gatsby was not in love with Daisy.

Gatsby’s meeting with daisy compared to his expectations of this meeting was not far off. In the begging they were both timid, at one point Gatsby got up and left daisy all only. But later in Gatsby’s house they warmed up to each other, they were admiring all of Gatsby’s belongings. By the end of the chapter they were holding hands and could be described as being in love with one another again. I don’t know what more Gatsby could want or expect because she is still married to tom. I’m shore his expectations were let down because everyone hopes for so much but little ever comes close. But I think that today expectations were as close as they will ever be.

In FSF’s novel the Great Gatsby Nick Carraway’s perspective is poetic, paced and arguably reliable. For example, when he is retelling his first encounter with Daisy Buchanan after many years, his description of her and the room she is in is reminiscient of an angel in the heavens both “sad and lovely” (9). His tone changes, however, as the novel goes on and grows more pessimistic by the page. In the end, his description of Daisy is of disgust and almost pity, “they were careless…” (179). According to Mathew B, “the strongest feeling generated…” The horrible reality of a carefree life that is exhibited so thoroughly be Daisy and Tom in the end is in stark contrast to the desired and glamourous world in which they appear to exist. We hear this regret in Nick’s narration. Nowlin sums up Nick’s voice perfectly when he states, “but…” (28). Nick narrates from a future we know nothing about, unlike the narration of BR his story is tainted somewhat with retrospect. The narrators of both F’s writings operate within equally significant and different eras.

Gatsby’s unrelenting desire to prove his worth to Daisy motivates him to take long strides away from his lowly farm life to a high status of wealth and courtly sophistication. Like the poor knights often coming from the bottom of the feudal estates, Gatsby materializes from humble origins. His parents “were shiftless and unsuccessful farm people,” but Gatsby dedicates himself to “His Father’s business, the service of a vast, vulgar, and meretricious beauty,” in an attitude closely resembling a medieval knight’s binding oath to serve the Lord. (100) Gatsby restlessly chases the elusive wisps of his aspirations, “bound to get ahead” (176), when suddenly another “meretricious beauty” intervenes to claim his life purpose—Daisy. By chance, Gatsby encounters the enchanting maiden and catches himself falling in love.

“He took out a pile of shorts and began throwing them, one by one before us, shorts of sheer linen and thick silk and fine flannel which lost their fold as they fell and covered the table in many-colored disarray. While we admired he brought more and the soft rich heap mounted higher -- shirts with stripes and scrolls and plaids in coral and apple-green and lavender and faint orange with monograms of Indian blue” (Fitzgerald 92). Gatsby is flaunting of his wealth and luxurious materialistic items believing that is the only way to gain Daisy back and make it how it was five years ago. Gatsby starts as a poor farmer boy, but throughout the years he desires to be more and have more. To him, Daisy is someone he loves, but this love is based on materialistic objects and status, causing Gtabsy to focus and base his actions on money and wealth.

Daisy, Tom’s wife and the object of Gatsby’s romantic quest, for example, possesses a voice “full of money,” (144) which blatantly associates her character with wealth. Fitzgerald makes Daisy seem desirable, but never describes her physical features, which is odd considering she is the force behind the profound obsession of Jay Gatsby. Perhaps Fitzgerald chooses to ignore Daisy’s physical description to purposefully display her as a bare character. In essence, he dehumanizes her to better reveal her shallowness. One of the few times a physical description of Daisy appears comes in conjunction with Miss Baker, another character under the spell of wealth, when Nick comments on their white dresses with “their impersonal eyes in the absence of all desire” (17). With

Gatsby believes that in order to achieve the past love with Daisy he first must show her that similar to Tom her husband he also has that important social standing. To show this high social class or imitation of the high social class Fitzgerald uses props such as books and clothing. For example in chapter three at the party that Nick attends the owl-eyed man said "See!" he cried triumphantly. "It's a bona-fide piece of printed matter. It fooled me. This fella's a regular Belasco. It's a triumph. What thoroughness! What realism! Knew when to stop, too - didn't cut the pages. But what do you want? What do you expect?" (p.30). The fact that Gatsby has spend money on all of these books that he has not even cut open to read shows that he desires this idea of social power and believes that to come about the American Dream he must first fit in with the upper class or old money. He shows daisy how wealthy he is by throwing his shirts all around the room. He does this in chapter four. This shows how much he longs for her approval. After Gatsby shows Daisy the shirts she starts to weep at their beauty, this shows how much social statues can effect someone.

Daisy grew up spoiled due to the vast wealth she obtained from being ‘old money’, which caused her to become selfish and self-centred. Daisy had become selfish to the point that she has an expensive and materialistic desire or want. When Gatsby shows Daisy his mansion, she gazed in awe as “she admired […] the gardens, the sparkling odor of jonquils […] and the pale gold odor of kiss-me-at-the-gate.”(Fitzgerald,97) Daisy, all along, does not have feelings for Gatsby, but more for his money and expensive possessions, as she revealed her true self during Tom and Gatsby’s argument. Daisy is selfish even if money was not involved, as she does not feel grateful for Gatsby taking the blame for her killing Myrtle Wilson. For instance, when Nick tells Gatsby about Mrytle dying, Gatsby replies “’Yes,’ he said after the moment, ‘but of course I’ll say I was.’” (Fitzgerald, 154) When Daisy cried in Gatsby’s mansion, she was crying about her actions in killing Myrtle, meanwhile she does not care about Gatsby’s act of chivalry. Furthermore, Daisy takes advantage of Gatsby by taking Tom along to Gatsby’s party, when Daisy was personally invited to essentially go alone. When Gatsby saw Tom appearing to his party, Gastby with a light temper has a conversation with Tom. He says “I know your wife’, continued Gatsby, almost aggressively.”

Although it is the repercussions of their deceptive fantasies that Gatsby and Lester fall victim to, it was their continued search for love that leads them to these. Love is the principal value in The Great Gatsby and is illustrated best by the contrast of Gatsby’s idealized romantic love for Daisy with Daisy’s “love” for wealth and status, a love which is common to the majority of their irresponsible society. F Scott Fitzgerald emphasizes Gatsby’s “romantic readiness” through this contrast as well as Gatsby’s fall from grace that results in him becoming lost in “the colossal vitality of his illusions” (pg. 92). Daisy characterizes the power of a love of money in the Great Gatsby and is used by Fitzgerald in condemning Gatsby’s hedonistic society as well as his own. However it is the absence of love –rather than the presence- that is most prominent in American

After the war, Gatsby’s only goal was to posses enough wealth to bring Daisy back. He acquired millions of dollars from businesses he did. “Gatsby bough this house so that Daisy would be just across the bay” (78). His love for Daisy was the only thing that made him the man he was. He was intelligent, rich and even famous, all because of her. He threw big parties were many celebrities went and were thousands of dollars were spent in liquor and food just to call Daisy’s attention. “I think he half expected her to wander into one of his parties, some night…” (79), recalled Jordan, Gatsby’s friend, one night. All that Gatsby possessed was only and exclusively to show Daisy he could give her the life she wanted.

Finally, Jay Gatsby’s delusions draws more pity for him. Daisy comes from a rich family and chances of her ending up with Gatsby, a poor soldier, is totally unrealistic. Furthermore Gatsby wants Daisy to “ go to Tom and say: ‘I never loved you’” (105) but Daisy asserts that “ [she] can’t say [she] never loved Tom…It wouldn’t be true.”(126) Jay cannot grasp the present reality that Daisy could not leave Tom permanently, especially when the fruit of their love is already three years of age.

Daisy Buchanan and Jay Gatsby’s relationship was damaged by their contrasting social classes, but also because he had a lack of status and wealth. In relation to this Daisy married Tom for his wealth and status not for his love, which suggests Daisy is a materialistic character is more concerned about her money and possessions than she is about intellectual and spiritual objects. “Gatsby is an idealist, he seeks for

Gatsby’s love for Daisy propels his materialism, which leads to his ultimate downfall. Gatsby uses his words and specious actions to prove to Daisy that he is rich so she will love him by giving Daisy a tour of his house. Exploring Gatsby’s house is when Gatsby is careful to point out to Daisy his lavish possessions that are present in his many extravagant rooms: “We went upstairs, through period bedrooms swathed in rose and lavender silk and vivid with new flowers, through dressing-rooms and poolrooms, and bathrooms, with sunken baths” (91). After strolling through Gatsby’s house, Gatsby takes Daisy up to his closet and begins to boast about his expensive clothes so that Daisy realizes that Gatsby is rich, and, “He took out a pile of shirts, and began throwing them, one by one, before us, shirts of sheer linen and thick silk and fine flannel, which lost their folds as they fell and covered the table in many-colored disarray” (92). Daisy’s desire and obsession with materialistic things is also evident because after she sees all of these shirts, she begins crying because of

The Great Gatsby is considered to be a great American novel full of hope, deceit, wealth, and love. Daisy Buchanan is a beautiful and charming young woman who can steal a man’s attention through a mere glance. Throughout the novel, she is placed on a pedestal, as if her every wish were Gatsby’s command. Her inner beauty and grace are short-lived, however, as Scott Fitzgerald reveals her materialistic character. Her reprehensible activities lead to devastating consequences that affect the lives of every character. I intend to show that Daisy, careless and self-absorbed, was never worthy of Jay Gatsby’s love, for she was the very cause of his death.