Dale Chihuly Analysis

From my observation at the Met, this sculpture is inside a medium glass and space. Also, it is by itself in the glass. It is a three-dimensional sculpture created by modeling and merging hard materials. Next to it there are other deities (Vishnu, Parvati, Ganesh etc.) and sculptors from the Chola Dynasty. The other works near it complements the sculpture as I have stated above they are from the same time period so, they are related to each other some way and

Dale Chihuly is an American glass blower (Dale Patrick Chihuly, 2015). The piece of art I’ll mainly be looking at is Citron and Cobalt Tower. This piece was located directly in the center of the museum as soon as you walked in to the show room. It caught my eye and I knew immediately what I wanted to do my paper on.

One of his earliest works, Pink and Opal Seafoam Set, 1981, 15 x 24 x 22”, is a tribute to Chihuly’s glass blowing expertise and the influence of famed Murano glass

Have you ever wondered what our future will be like when we are old and grey, when we have grandchildren of our own? In Chip Ward’s letter to his grandchildren “We screwed up” (2012), he writes about how wasteful, greedy, and self-centered he and his generation is when they were younger. Ward’s generation did not stop to think once about how incompetent they were about using non-renewable resources such as coal, oil, gasoline, etc. They also forgot to keep in mind how being piggish with these materials would pollute the air we breathe and the water we drink today. Chip Wards generation was the most avaricious, wasteful and egotistical generations of all.

To highlight the relationship between each of the exhibitions, the staff could provide daily visitors with a cohesive guide map of the entire museum. The current location of the museum is massive to accommodate for the displays as well as three research laboratories, but due to large size, each exhibit feels isolated and

Be prepared for some inclement weather; the entire exhibit routinely switches from day to night and an actual rain and thunderstorm is known to blow in!

When I attend the Oklahoma Art Museum this morning, I was completely blown away by the different styles, technique, and artistic abilities that artist have. Art can come in many forms and can involve many different things. From paintings, sculptures, and abstract pieces of the modern world. Along with my visit, I got to experience a new collection of blown glass that was absolute remarkable. As I walked though the museum, it was as I walked though time and got to see how each period’s art changed throughout time. From the different shades of color to the different types of technique that filled the halls of the Oklahoma City Art Museum, each piece was genuine in its own way. I was starstruck as I witnessed Lowell Nesbitt’s Parrot Tulip, Richard Diebenkorn’s Albuquerque, and Dale Chihuly’s blown glass.

     As I walked into the first gallery, I saw a wood sculpture that stood in the

Sean Daley is quite an accomplished musician for someone yet to graduate high school. He’s played the trumpet for a decade, and has picked up trombone, flugelhorn, French horn, harmonica, piano and drums in the past few years. He also plays in the jazz band, sings, transcribes and composes music and participates in drama club. He even won both the John Philip Sousa Band Award and the Louis Armstrong Jazz Band Award, both usually awarded to seniors, in his junior year – a first for the Rensselaer City School District.

In May 2008, the Bee Kingdom was select to design glass work for Pilchuck. There, they glass was select as a centerpiece because of the design, color scheme, and sense of energy and celebration to the centerpiece. When I first saw the centerpiece, it took my breath away. I was just amaze on how it was something different such the shape of the object. Each center piece had a different shape, rather tall or short or how oval or ride the object is. The color scheme was different for each center piece, rather it had strips or it was one simple color. What each centerpiece have in common are the bottom pieces. These centerpiece are some huge piece and I know it takes a lot of process to go with each one because they are unique pieces. The object

What I just read makes me think about how people sent mail or letters to someone who was far away from them because, in the book Michael Vey, letters and notes were easily sent by the use of technology. During the olden days when technology was not available, how were messages sent to people around the world?

A group of us Arts and Music students used the day on Wednesday to go into the city to visit the Boston Museum of Fine Arts. It was a cold, breezy day so we were all bundled up in jackets and hats. As we got off the E train and walked toward the museum, its appearance was not what I expected it to be. The museum was an elegant, beautiful building made of what looked to be marble; not the big, brick monstrosity I had expected. Once we walked into the museum, it was even more elegant on the inside. The marble staircase had sculptures on each side leading up to the rotunda where white Christmas lights were strung around the banister in decoration for the Christmas season.

The piece I decided to research is a glass sculpture made by Dale Chihuly entitled "V&A Rotunda Chandelier". Chihuly made this sculpture in 2001. The mediums Chihuly used were blown glass, mould-blown glass, and steel. The sculpture's dimensions are 27 × 12 × 12 feet. The elements Chihuly used while making this piece are line, shape, color and motion. The lines shown in this sculpture are curved lines. These lines eventually form the spiral-like shape. Chihuly used two beaming colors, a lime green, bright yellow and a sky blue. One can say that Chihuly also shows motion in this piece by the way the lines curve in and out. The piece look as if you walked around it, it would start moving. The principles of design Chihuly displays within this

Some of these creations are now on display at the Orrefors Glass Museum. The news that artists were engaged in a glasshouse for the first time attracted gifted glassblowers to Orrefors. The union of glassblowers and artists led to joint development of techniques such as "Graal" and "Ariel", and to further development of the traditional Bohemian cooper-wheel engraving. On the whole, Orrefors offered broad scope for experiment and innovation with new techniques being developed and older ones refined - and this is still the case today.

The exhibit is set up so that right as you walk it the butterfly exhibit entrance is off to your left, and the research facility is off to your right. In between them is a hallway filled with Jellyfish made of plastic water bottles and caps and other trash. At the end of the hallway is a pair of doors that leads to a greenhouse that a bunch of plants and a large jellyfish. When you go outside, there is a pathway that leads to each of the gardens and ten sculptures that is featured inside the Washed Ashore Sculpture Exhibit.