Damasio's Roses Thema

Satisfactory Essays
Roses Thema (2012) brings the dancer's voices and perceptions of performance to analyse their attention on movement decisions. She used Damasio's (1999) framework on the triangulation of sensorial dimensions of: interoception (heartbeat, temperature, breathing), exterioception (lights, music, costumes, audience) and proprioception (awareness of bodily movement). Additionally, to analyse the dancer's attentional flow she included the dimensions of intuition, imagination and sensation from Thomas Csorda's (1993) somatic modes of attention.
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