Dance And Politics Analysis

In the second section it represents the women fighting for their freedom. The movements are a lot more circular in this section. It uses more contractions, releasing & vibratory movements. In the first two sections, the dancer shows the struggle being not only physical but emotional also. She does this by the powerful expressions she uses on her face. She even imitates a couple of screams that play in the song ‘Been On A Train’. This gives the audience a clear understanding of the how she is feeling.

Ballet “Cry” simply showed to us real life of all African women. Every single American people know what kind of life they went through. Therefore it touched their heard. Alvin Ailey’s “Cry” presented wonderfully combined movements, technique and emotion. Ms. Donna Wood uses tragic face, a mask of sorrow. It is a face born to cry, but when she smiles it is with an innocent radiance, joyfulness that simple and lovely. She never tries consciously to please an audience. He was not only concentrating in movements and physical performance, but also using flowing white gown

As part of “Dance Houston 2013”, the “Ndani” was performed on April sixth of the year two thousands and thirteen at the Wortham center. The dance executed by a group of eight young dancers, among which Otis Berry, was choreographed by Shaté Edwards. Miss Edwards has an engaged, skillful, and powerful style. Her background includes jazz, tap, stepping, modern and more. She is a Houston, Texas native, who attended college in Atlanta, Georgia, and has performed a lot in the U.S and China and has participated in numerous productions.

The New York City Ballet conducted a dance performance titled “New Beginnings” on the 57th floor of the Four World Trade Center in New York. The performance took place September 12th, 2013 and was intended to commemorate September 11th, 2001. A tragic event, such as September 11th, tends to leave a bitter taste in one 's mouth. The public is generally heartbroken, angry, and distressed. This performance seeks to influence the general US audience by using dance as a means of changing the perception of the aftermath of disaster. By following a narrative structure, the dance performance begins by setting the scene of New York City. The performance is then followed with analogies through dance designed to provide moments of action, climax, and resolution. The New York City Ballet uses pathos and an instance of logos through movements to enforce their attempt to alter one’s perspective. There is plenty of pathos used throughout the dance performance in order to motivate a change in thinking from the audience. I believe this strategy was extremely effective because by influencing how the audience emotionally reacts to the performance there is more likely to be a change in audience perception. The ballet incorporates inductive reasoning by taking the specific situation of September 11th and implying that, after tragedy, we will ultimately have a “new beginning”. I believe the logical appeal of this implication is effective because the audience is naturally inclined to believe if

The piece was trying to convey the idea of freedom. Liberating the soul by expressing what it feels in a form of dance, which is something that can be seen. The movements were free, the performers moved around the stage depicting natural dance movements.

The dance that I will be focusing on is entitled: thinking sensing standing feeling object of attention. The dance, to me, symbolizes the socialization of persons in Western civilization concerning gender roles. In the beginning there are gestures that are separated from emotion and full-embodiment, but as the dance progresses the gestures become more meaningful and recognizable. The lighting starts out very specific and narrow, then the light encompasses the entire stage, and eventually the dancers are silhouetted as they return to a familiar movement motif in the end. The music is mainly instrumental with occasional soft female vocals, and the lyrics suggest emotion, which is interesting because the dancers do not convey emotion until

On Wednesday, November 18th, I had the pleasure to attend and watch the Dance Plus’s Fall show. The Dance Plus was performed at the Douglass Theatre, Victoria Mastrobuno Theater. When I entered the show the theatre seemed a little small for such big crowed. I immediately thought there would not be enough seats for all the audience, but somehow it fitted everyone. As everyone got settled down, the dance performance had started. I chose to write about the first performance that was choreographed by the amazing director, Jessica Lange her work was simply wonderful! I loved every little piece of the play. It put a smile on my face watching this amazing work of art. So with that said, I would now like to talk about the dance performance. There were

Their dancers connect with the dance tradition embodying feelings of existential human anguish and references to specific geographic places, dancing focused on surreal situations, body use and the relationships between stage and

The Paramount Theatre Houston, Texas. A beautiful theatre with elegant architecture, and well-crafted sculptures, that provides a warm and inviting atmosphere. It has a convenient location with easy navigation in addition to spacious parking. Arriving at this appealing theatre helped set a positive tone about how the evening would go, which was nothing less than I had expected. I watched two performances in which I will be evaluating in this paper. The first one I will discuss is Lord of the Dance: Dangerous Games. It is an Irish step dance that was choreographed by Michael Flatley and performed by the Riverdance Irish Dance Company. The second performance is an African dance choreographed by Etiene Cakpo, Kokou Gbakenou, and Jimu Makurumbandi called the African Journey. This dance was performed by Gan Sango Music and Dance.

My last point is about the dancers’ techniques, which especially relates to the timing of their piece. While observing the dance, I couldn't help but notice the amount free movement being used. I don’t necessarily think that using free movement was the best idea for this piece, because the tempo of the song Clarity is very technical. In my opinion, if the dancers had increased their technique to perfect their piece, it may have looked professional and complete.

Above the great dance floor, on a high balcony stood the orchestra, controlled by phantoms of the festivity. The spirits shaped a long string of stunning notes into the air, accompanying the twirling guests on the level beneath them. Crowding the dance floor were many couples, faces hidden by masks of many designs, spinning and weaving with rhythm amongst each other’s figures. The noises of clinking dishes, the chatting of people, and laughing mixed with the musicians’ melodies released a relaxing sensation for me to absorb through my

I am currently in the process of being part of the praise dance ministry at my local church.  Mrs. Nwaige is the director and I am her assistant director.  I share her vision of teaching young children and adults to dance and use flag implements to minister first to God and then to his people.  The strengths of our team are we share the same purpose and goals.  We are able to talk openly and express our hearts without hurting each other's feelings.  We have a strong trust with each other however the weakness in us as a team is developing a strategy to get the parents of the children to support our vision.  This has caused major problems in the ministry because when it's time for rehearsal only one or two people will show up out of six, and

In this essay I am going to be analysing the works of Vincent Dance Theatre and how they have used and practised different theories in their work. I am also going to be exploring different cultural concepts from the work and how they relate to society. The director of Vincent Dance Theatre is Charlotte Vincent, the founded the company in 1994 and has continued to create such interesting and powerful work which involves a very wide range of different concepts and cultural meanings.

In one my classes; Dance Appreciation, I had an assignment to view a dance piece on YouTube. The dance that I viewed was called “She without arm, he without leg, Hand in Hand”. The dance was not only informative, but it was enlightening to watch.

When I saw the piece, named, “Lapa’s Lament, I thought it was very unique and interesting. When the dancers were doing several movements with it, I got very confused. As a result, this confusion caused me to draw all the attention towards the dancer and to their performance. After a dance progresses, dancers were trying to tell a story with their movements. I think some of the dance movements, they were doing was very fascinating to watch. As a result, I was trying to make the whole story in my mind, as it was very unclear for me, what they were doing, but when Randy James came and talk little bit about the dance, I would able to understand what the dance is about. The way his dancers performed by showing their emotions, I thought it was incredibly performed. I felt that this dance was not losing its limelight throughout the performance. That is, the way they were communicating with each other through their body language and physical contact was just amazing. It shows their effort, as the dance steps included twisting and tumbling. Some of the dance steps, I have never saw in any of the dance companies who came to performed. I felt the dance was full of body movements, and I thought it would require a lot of physical strength to perform this kind of