Dance Communication Paper

On Wednesday, November 18th, I had the pleasure to attend and watch the Dance Plus’s Fall show. The Dance Plus was performed at the Douglass Theatre, Victoria Mastrobuno Theater. When I entered the show the theatre seemed a little small for such big crowed. I immediately thought there would not be enough seats for all the audience, but somehow it fitted everyone. As everyone got settled down, the dance performance had started. I chose to write about the first performance that was choreographed by the amazing director, Jessica Lange her work was simply wonderful! I loved every little piece of the play. It put a smile on my face watching this amazing work of art. So with that said, I would now like to talk about the dance performance. There were

Everyone has their own hobby or activity, an interest of sorts, that makes them unique. Dance has always been mine. From the moment I could walk I was already dancing everywhere I went. I had to practice most days of the week, have my own practices at home, and attend recitals on the weekends. So many of my hours were given up to dancing that people would often ask, do you truly enjoy it? Aren't you tired of it? My answer has always been and will always be no. To me dance has never been a burden, but rather a passion that has shaped me into the person I am today. I love to dance because it's not only a physical activity, but a mental one as well. Through dance I'm able to clear my head and truly think about things without letting anything else take over.

Whether you are dancing for passion, to get into shape or to just attain some mental peace, jazz is an excellent option to choose. This highly energetic dance form is unique and has revolutionised the way we look at dance.

Jane Desmond introduces her article, “Embodying Difference: Issues in Dance and Cultural Studies,” by describing a dance that readers can picture as the dance of tango in their minds. This helps lead to her connecting dance, or body movement, with cultural studies and social identities. In her article, Desmond focuses on connecting how dance and body movement can be portrayed differently in social identities, such as race, class, gender, nationality, and sexuality.

Since my sophomore year in high school I have been a part of a very unique dance group. This group is known as Alma Folklorica de Oklahoma, which translates to Fokloric soul of Oklahoma. We are a dance group that performs traditional dances from the country of Mexico. In my hometown there is strong Hispanic population, but more predominantly from Mexico. It first started as a community group, but eventually it became a school program. When it began people in the community still were apprehensive of newcomers in the community, mostly to the new coming Hispanic population. It began as a transitional program, mostly to show the beautiful culture of the newcomers. After a couple of years it eventually became a high school class. In the early years of it as a class at the high

This chapter takes a broad look at the relationship between human movement, framed as dance, and important identities such as religion, ethnicity, gender, and social status. While not specifically focused on issues of identity in America, this chapter will provide an important foundation in understanding the broader scope of how dance can be seen as a representation of cultural values, which will underlie the remainder of our coursework.

The first dance performance I will be analyzing is “Don’t Fall Asleep”. There were dark red lights coming from the top before the dance began. Overall, there were fifteen dancers. There were many different props such as a bed with blankets on top that were rolling around on stage. Also, there was an acorn head that one of the dancers wore on top of his head. The music in the background was “Sweet dreams (Are Made of This)”. When watching this performance and the movement from the dancers, the story line in my opinion was there was a girl who was trying to sleep but she kept being awaken by these dreams. Her body language, jumping in and out of bed, running around basically made you aware that she was looking or running from something. The surrounding

Since the beginning of time, music and dance has been a form of entertainment for millions of people. As audiences across the world prepare for dance performances, they typically expect to see something that is lively, exciting, and unique. However, what most audiences of dance and musical performances neglect to consider is the origins and importance these forms of dance and music have on culture. It is truly astounding how synonymous music and history have been and continue to be. Understanding the history and culture behind a certain piece of music only makes the experience more special than ever. People need to realize the significance music has had on the foundation and progression of each and every culture around the globe.

This chapter takes a broad look at the relationship between human movement, framed as dance, and important identities such as religion, ethnicity, gender, and social status. While not specifically focused on issues of identity in America, this chapter will provide an important foundation in understanding the broader scope of how dance can be seen as a representation of cultural values, which will underlie the remainder of our coursework.

Throughout my life I have never really been interested in the dance until last year where I started to accept it. why? Why do we put ourselves through the physical stress to call ourselves dancers? Why do we love it so? I simply found those answers when I started dancing as I saw the potential it gave, showed the importance of teamwork, and the courage it taught.

This chapter takes a broad look at the relationship between human movement, framed as dance, and important identities such as religion, ethnicity, gender, and social status. While not specifically focused on issues of identity in America, this chapter will provide an important foundation in understanding the broader scope of how dance can be seen as a representation of cultural values, which will underlie the remainder of our coursework.

The dancers’ movements throughout the performance seem to challenge and uphold gender binaries at the same time. At the beginning, when only female dancers are present their movements are agentive, strong, quick, and athletic-characteristics not usually allowed for female dancers. Their movements are similar to the wild and physical movement of Louise

A series of set of movements to music, either alone or with a partner. That is the definition of dancing. Dancing is a way to express one's feeling and to get active.

“ Dance is the hidden language of the soul” ( Martha Graham). Dance is nonverbal and is often used by many people as a language. All people can tell emotions by dancing even beginner and amateur classes. In the world, there are many kinds of dancing, for instance, jazz, ballet, and samba. Each dance has completely distinct parts because all region`s cultures gave influences to each dance style in the past time such as classical Japanese dance and salsa. Furthermore, many people dance as entertainments and exercises and can trace many cultures by practicing dancing. Dancing is a necessary for people`s lives. The reasons why people dance are working as professional dancers, learning cultures and histories, and dancing with friends.

On December 1, 2017, in the University Theatre at California State University, Dominguez Hills, I observed the fall dance concert Rise. It was choreographed by Amy Michelle Allen, Marco A, Carreon, Sarah Cashmore, Jeff Hendrix, Erin Landry, Doris Ressl Acosta, and Kenneth Walker, with the long cast of dancers. The production was pleasing, and would not have been believable without the work from production designers, Frederick Depontee and Cheryl Sheldon. Rise is played out in eight different dance routines, which were Xtra Xtra, Scar Tissue, Hart Broken, Things Are A Stirrin’, and the rest are intermissions such as Female Energy, Women, Exotica, Strength In Numbers, and Makina.