Dangerous Liaisons Essay

The novel is capable of giving readers more insight into the story with the use of symbols and hidden meanings. It is able to do this because it depicts important underlying messages and incidents. For instance, in the novel one may realize that Mary Anne starts to wear a necklace with tongues on it. This shows the readers that Mary Anne is no longer than clean innocent girl. She is now a brutal solder always ready to kill. “Elongated and narrow, like pieces of blackened leather, the tongues were threaded along a length of copper wire, one overlapping the next, the tips curled upward as if caught in a final shrill syllable” (O’Brien 111). Portrayed in both the novel and movie is Mary Anne’s change in personal hygiene. “No cosmetics, no fingernail filing.” “She stopped wearing jewelry, cut her hair short and wrapped

Is the novel making the same point about the value or ideas as the film? If so, how? If it is making a different point about the value or idea, how is it different?

The book and movie have the same main characters playing the same roles. Cyrano is charming, poetic, and witty with a huge nose in both the book and the movie. Women love Cyrano as a friend but

Normally, when a movie is made about a story in a book the two stories are not exactly the same. The movie is adjusted by adding small details or leaving out some parts in order to make the story more

While reading The Stranger I noticed that traits that Albert Camus character depicts in the book are closely related to the theories of Sigmund Freud on moral human behavior. Albert Camus portrays his character of Meursault as a numb, emotionless person that seems to mindlessly play out his role in society, acting in a manner that he sees as the way he’s supposed to act, always living in the moment with his instincts driving him, and if the right circumstance presents itself the primal deep seeded animal will come out. I believe that most of the character’s traits fall under Freud’s notion of the Id and Ego mental apparatus, and don’t believe that his idea of the super-ego is represented in this book.

There are many similarities and some minor differences between the movie, directed by Claude Chabrol, and the short story it is based off of, written by Guy de Maupassant. The plot, setting, and characters are all highly similar in both the story and the film. In both, the plot follows the same scheme, it is set in Paris in the 1880’s, and all of the main characters are the same. The major difference that stood out to me is how these aspects are displayed at the beginning of the narrative.

The novel and the movie were both very suspenseful. The main characters are both the same in the book and in the movie but are a little bit different then their counter partners in the novel/movie. In both the movie and

The Stranger The Stranger exhibits a society that has confined itself with a specific set of social standards that dictate the manner in which people are supposed to act. This ideology determines the level of morality, and how much emphasis should placed on following this certain "ethical" structure. Albert Camus's main character, Meursault, is depicted as a nonconformist that is unwilling to play society's game. Through Meursault's failure to comply with society's values and conform to the norm, he is rejected and also condemned to death by society.

A common theme throughout literature is religion and how the author feels about his or her faith. Nathaniel Hawthorne uses rhetorical devices to draw comparisons between characters and events in The Scarlet Letter and Biblical figures and accounts. A few of the devices found in this novel that connect it to the Bible are symbolism, paradox, allusions, and characterization. It is important to first look at the characters and how they are described through characterization.

The first act of betrayal was happening to the main character; Montag. Montag’s wife, Mildred never showed more interest in him than her Seashell radios. “there was a tiny dance of melody in the air, her Seashell was tamped in her ear again… why didn’t he buy himself an audio-Seashell broadcasting station and talk to his wife late at night…” (Page 42, chapter 1 The Hearth and the Salamander). On various occasions Mildred shows that she is very content with her Seashells. Instead of making real conversation with Montag, she slowly distances herself from him. Mildred would do anything for her radio people, but never anything for her husband. Furthermore, Mildred had more ways that she avoided Montag. Mildred never cared about or agreed with

Not only does the novel use the Party’s intolerance of betrayal to its ideologies as a method to facilitate the feeling of alienation and loneliness, but also that of the individual characters’ betrayal of one another. There are several examples of this throughout the novel. Some of these examples are when Charrington betrays Winston and Julia, when Parsons is betrayed by his children, when Winston and Julia betray one another, and when Winston finally betrays himself. George Orwell used these examples to demonstrate how the party was able to sever any type of loyalties between people and even one’s self. This betrayal only perpetuates the fear of relationships causing people to welcome isolation.

The actor choices from the film compare to what the book envisioned, but also contrast. The character of Daisy is not similar in the film to what the book

"They turn casually to look at you, distracted, and get a mild distracted surprise, you're gone. Their blank look tells you that the girl they were fucking is not there anymore. You seem to have disappeared.(pg.263)" In Minot's story Lust you are play by play given the sequential events of a fifteen year old girls sex life. As portrayed by her thoughts after sex in this passage the girl is overly casual about the act of sex and years ahead of her time in her awareness of her actions. Minot's unique way of revealing to the reader the wild excursions done by this young promiscuous adolescent proves that she devalues the sacred act of sex. Furthermore, the manner in which the author illustrates to the reader these acts symbolizes the

An individual’s discovery is transformative on their perceptions of the world. This is the case for the book ‘The Motorcycle Diaries’ by Ernesto ‘Che’ Guevara and Keats’s sonnet “On first looking into Chapman’s Homer”. In this book, we are taken on Che’s journey as he travels Latin America as a young man, before the fame. His diary entries lead the reader into his own eyes, as a typical young man on an adventure, not the revolutionary figure we all associate him with. Through his descriptive entries of the landscape he journeys across, we discover his deeper connection to the land of South America and the love he has for its people. As well as the beautiful things that South America has to

Albert Camus creates a series of characters in The Stranger whose personality traits and motivations mirror those that are overlooked upon by the average man. Camus develops various characters and scenarios that show true humanity which tends to have been ignored due to the fact of how typical it has become. Camus incorporates abominable personality traits of the characters, variety, consistency, and everyone’s fate.